tag:blogger.com,1999:blog-53236229350351047662024-02-21T23:53:42.894-08:00Myth/Network 1990-2011 by PolyKasdaAn artistic experiment in depth psychology and aeronautic perspectiveUrania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.comBlogger29125tag:blogger.com,1999:blog-5323622935035104766.post-40619294676528618842020-05-05T07:49:00.001-07:002020-05-07T08:19:21.938-07:00ATTENTION fraud<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="font-size: x-large;">ΑΤΤΕΝΤΙΟΝ</span></b><br />
<b><span style="font-size: x-large;">The following site is a fraud using my name and the cultural contents of this blog to sell their filthy sponsored ads:</span></b><br />
<b>http://polykasda1.rssing.com/chan-58245065/latest.php?fbclid=IwAR3Fl_Gg2MBwwXLA69VB46f4hFfnO535DL6XncrccDvcdZY2CIp5C-OEJ4o </b></td></tr>
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<span style="font-family: "calibri"; font-size: 12pt; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Bio PolyXene Kasda</span></div>
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<span style="font-family: "calibri"; font-size: 12pt; vertical-align: baseline; white-space: pre-wrap;">PolyXene Kasda is homo sentient of Greek origin, grown in the drifting fields of cosmopolitan Alexandria-Lost (Egypt). Trained in fine arts at the Soeur Hermann Besancon workshop in Alexandria, Egypt, she received her academic education in Physics-Chemistry in Cairo and Psychology-Sociology in Athens. Her project Myth/Network 1990-2017 is a psi-glued proposal for the fluid self-immersive aesthetics of transience, expressed as an ideography of the WWW before its spreading (ΕΜΣΤ, archive code 1595, 91), rhizomatic structures (Cultural Contribution Award University of Lucian Blaga, Sibiu 07), multi-sensorial hybrid mappings, topos-engendering RL Boardgames, linguistic/numerical structures (Honorary Medal EETE 09), innovative material PXK (Golden Medal OFA Beijing 08, Best Artwork Award PrimoPianoGallery Lecce 17), inter-space imagery and horticultural -metaphor- generated SAGA projects (Life Achievement Award Visionary Art, Lecce, Italy 17). She lives in Athens, she works everywhere.</span></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.acg.edu/web/touchbase-issue44/polyxeni-kasda-d72-merging-art-and-artificial-intelligence/%23.XfCIKW2obDc.mailto&source=gmail&ust=1588771107203000&usg=AFQjCNHDHxkFkpQ17AHsm8rGpiExL97KAw" href="https://www.acg.edu/web/touchbase-issue44/polyxeni-kasda-d72-merging-art-and-artificial-intelligence/#.XfCIKW2obDc.mailto" style="text-decoration: none;" target="_blank"><span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">https://www.acg.edu/web/<wbr></wbr>touchbase-issue44/polyxeni-<wbr></wbr>kasda-d72-merging-art-and-<wbr></wbr>artificial-intelligence/#.<wbr></wbr>XfCIKW2obDc.mailto</span></a></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.academia.edu/35189649/The_beginning_of_Art_Theory_and_Artificial_Intelligence_in_Greece_Documenting_30_years_of_a_cross-disciplinary_research&source=gmail&ust=1588771107203000&usg=AFQjCNG7vUtvYNP3zv_7psUBnmbnnFkX2A" href="https://www.academia.edu/35189649/The_beginning_of_Art_Theory_and_Artificial_Intelligence_in_Greece_Documenting_30_years_of_a_cross-disciplinary_research" style="text-decoration: none;" target="_blank"><span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">https://www.academia.edu/<wbr></wbr>35189649/The_beginning_of_Art_<wbr></wbr>Theory_and_Artificial_<wbr></wbr>Intelligence_in_Greece_<wbr></wbr>Documenting_30_years_of_a_<wbr></wbr>cross-disciplinary_research</span></a></div>
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<span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><a data-saferedirecturl="https://www.google.com/url?q=https://mziku.github.io/art-theory-artificial-intelligence/documentary.html&source=gmail&ust=1588771107203000&usg=AFQjCNGnwjTjCN06OUftF8FgA4EwL6fX0Q" href="https://mziku.github.io/art-theory-artificial-intelligence/documentary.html" target="_blank">https://mziku.github.io/art-<wbr></wbr>theory-artificial-<wbr></wbr>intelligence/documentary.html</a></span></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.academia.edu/30592828/Text_Mining_and_Image_Anomaly_Explanation_with_Machine_Consciousness&source=gmail&ust=1588771107203000&usg=AFQjCNE9c7Oz1pY08bm-Gi3SLMg4ZvliSg" href="https://www.academia.edu/30592828/Text_Mining_and_Image_Anomaly_Explanation_with_Machine_Consciousness" style="text-decoration: none;" target="_blank"><span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">https://www.academia.edu/<wbr></wbr>30592828/Text_Mining_and_<wbr></wbr>Image_Anomaly_Explanation_<wbr></wbr>with_Machine_Consciousness</span></a></div>
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<span style="color: #0563c1; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><a data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/Artificial-Intelligence-Needles-Conscious-Eye/dp/9609511287&source=gmail&ust=1588771107203000&usg=AFQjCNHlbie37eKteoeemjXqrIJECF6ejA" href="https://www.amazon.com/Artificial-Intelligence-Needles-Conscious-Eye/dp/9609511287" target="_blank">https://www.amazon.com/<wbr></wbr>Artificial-Intelligence-<wbr></wbr>Needles-Conscious-Eye/dp/<wbr></wbr>9609511287</a></span><span style="font-family: "calibri"; font-size: 12pt; vertical-align: baseline; white-space: pre-wrap;"> </span></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DGwVQBYbIcmw&source=gmail&ust=1588771107203000&usg=AFQjCNHwxaD5TvwMqOThGvegjU0xSTmVPg" href="https://www.youtube.com/watch?v=GwVQBYbIcmw" style="text-decoration: none;" target="_blank"><span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">https://www.youtube.com/watch?<wbr></wbr>v=GwVQBYbIcmw</span></a></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://lekseikones.wordpress.com/2016/07/26/the-under-determination-in-poly-kasdas-work/&source=gmail&ust=1588771107203000&usg=AFQjCNH_tUSeur6xi83YmTu0jDVUz9Yxpw" href="https://lekseikones.wordpress.com/2016/07/26/the-under-determination-in-poly-kasdas-work/" style="text-decoration: none;" target="_blank"><span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">https://lekseikones.wordpress.<wbr></wbr>com/2016/07/26/the-under-<wbr></wbr>determination-in-poly-kasdas-<wbr></wbr>work</span></a><span style="color: #0563c1; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"> </span></div>
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<a data-saferedirecturl="https://www.google.com/url?q=http://uraniasgardens.blogspot.com/2016/08/cultural-botanology-cultivating.html&source=gmail&ust=1588771107203000&usg=AFQjCNG1MqSLlJNYHO73TOyw5GI1n2WXcg" href="http://uraniasgardens.blogspot.com/2016/08/cultural-botanology-cultivating.html" style="text-decoration: none;" target="_blank"><span style="background-color: white; color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">http://uraniasgardens.<wbr></wbr>blogspot.com/2016/08/cultural-<wbr></wbr>botanology-cultivating.html</span></a><span style="background-color: white; color: #2b2b2b; font-family: "calibri"; font-size: 12pt; vertical-align: baseline; white-space: pre-wrap;"> </span></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.dropbox.com/sh/k665rgby7vqt7iu/AACZ8pwNUFxQIol4Dz-clz-Ia?dl%3D0&source=gmail&ust=1588771107203000&usg=AFQjCNEWZM3esx594l4q9Tgpivczkf68Pw" href="https://www.dropbox.com/sh/k665rgby7vqt7iu/AACZ8pwNUFxQIol4Dz-clz-Ia?dl=0" style="text-decoration: none;" target="_blank"><span style="color: #1155cc; font-family: "calibri"; font-size: 12pt; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">https://www.dropbox.com/sh/<wbr></wbr>k665rgby7vqt7iu/<wbr></wbr>AACZ8pwNUFxQIol4Dz-clz-Ia?dl=0</span></a></div>
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<span class="aZo"><a class="aQy aZR e aZr" data-tooltip-align="t,c" data-tooltip-class="a1V" data-tooltip="polyxene kasda: project Myth/Network 1990-1995-" href="https://www.youtube.com/watch?v=GwVQBYbIcmw&authuser=0" id=":1lh" role="link" tabindex="0" target="_blank"><span class="a3I" id=":1fe">Προβολή βίντεο YouTube polyxene kasda: project Myth/Network 1990-1995-</span></a></span><br />
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<span class="aZo"><a class="aQy aZR e aZr" data-tooltip-align="t,c" data-tooltip-class="a1V" data-tooltip="polyxene kasda: project Myth/Network 1990-1995-" href="https://www.youtube.com/watch?v=GwVQBYbIcmw&authuser=0" id=":1lh" role="link" tabindex="0" target="_blank"><img class="aQG aYB" id=":1lj" src="https://i.ytimg.com/vi/GwVQBYbIcmw/mqdefault.jpg" style="inset: -10%; margin: auto; max-width: 120%; min-width: 100%; position: absolute;" /></a></span><br />
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<span class="aZo"><a class="aQy aZR e aZr" data-tooltip-align="t,c" data-tooltip-class="a1V" data-tooltip="polyxene kasda: project Myth/Network 1990-1995-" href="https://www.youtube.com/watch?v=GwVQBYbIcmw&authuser=0" id=":1lh" role="link" tabindex="0" target="_blank">
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-85365645119529418662019-05-26T02:47:00.000-07:002020-05-15T10:46:02.186-07:00PolyXene Kasda <div dir="ltr" style="text-align: left;" trbidi="on">
<b><br /></b>
<br />
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<b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-font-family: Calibri;">Poly</span><span lang="EN-US" style="font-size: 8.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-font-family: Calibri;">xene</span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-font-family: Calibri;">
Kasda is homo sentient of Greek origin, grown in the drifting fields of
cosmopolitan Alexandria-Lost (Egypt). Trained in Fine Arts at the Soeur Hermann
Besancon workshop in Alexandria, she received her academic education in
Physics-Chemistry AUC Cairo and Psychology-Sociology ACG Athens. Her project
Myth/Network 1990-2017 is a psi-glued proposal for the fluid self-immersive
aesthetics of transience, expressed in an ideography of the WWW before its
spreading (</span><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-font-family: Calibri;">ΕΜΣΤ</span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-font-family: Calibri;">,
archive code 1595, 91), rhizomatic structures (Cultural Contribution Award
University of Lucian Blaga, Sibiu 07), multi-sensorial hybrid mappings,
topos-engendering RL Boardgames, linguistic/numerical structures (Honorary
Medal EETE 09), innovative material PXK (Golden Medal OFA Beijing 08, Best
Artwork Award PrimoPianoGallery Lecce 17), inter-space imagery and
horticultural-metaphor- generated SAGA projects (Life Achievement Award
Visionary Art, Lecce, Italy 17). </span></b></div>
<b>
</b><br />
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<b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman";">Her book “The Conscious Eye: Art-Perception-Informatics” (1986) marks
the beginning of the art theory and artificial intelligence discourse in Greece
(Ziku, 2017). </span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-font-family: Calibri;">She
lives in Athens, she works everywhere.</span></b><br />
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<a href="https://www.youtube.com/watch?v=GwVQBYbIcmw&authuser=0" target="_blank"><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;">Προβολή</span><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;"> </span><span style="color: blue; font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;">βίντεο</span><span lang="EN-US" style="color: blue; font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;"> YouTube polyxene kasda: project Myth/Network
1990-1995-</span></a><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;"></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-73803334220535890622018-10-23T07:21:00.001-07:002020-05-07T08:13:30.692-07:00Poly Kasda, Twixt Cup and Lip, Biennale of Western Balkans 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]--></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvXHiT5dRw2r6HelV8wuzeM5pd_kUSvuxVFrLQr6vhSEJklD89uwX4XuGZ514iHt5jol1jeb0pJ3bvhF3rYAmkKOwQLBKCwrU0mmIOC7m7P4ut6bVfw2LXtDmosxs0ssE2cGzDB9yI0uJW/s1600/web+twixt+wb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;">
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<b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">Twixt cup and lip</span></b></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">Poly</span></b><b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 8.0pt; mso-ansi-language: EN-US;">xene</span></b><b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;"> Kasda</span></b></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">Installation 200X1000cm, printed digital/manual images, 2018</span></b><span lang="EN-US" style="font-size: 11.0pt; mso-ansi-language: EN-US;"></span></div>
<span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">The West Balkan Peninsula is undergoing a transitional
state of self-restructuring that raises issues of regional connectivity and
integration; a convergence challenge largely shaped by its geo-plastic
peculiarities formulated in its irrational and yet persisting dogmatic formulas
and legends. In a rudimentary attempt to raise mythical awareness and get
emotional proximity to this unexplored “virtual space of spectrality”
(Derrida), I started surfing on the Balkan legendary waves, leaving behind me a
panegyrikon trail of playful doodles. In so doing, I came across haunting figures
like the Albanian kallikantzaros and the terrible<span style="mso-spacerun: yes;"> </span>ما شاء الله Shtryga with the pale blue eyes..Ι
hovered over the Serbian well of </span><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Ορφεύς</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;"> and the pyramid mountain Rtanj said to conceal a spaceship …I met the
Slavic three headed dragon Zmey and I witnessed the fly-harassed Bosnian bull
Tur balancing on a multieyed fish while carrying the globe on its back… </span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvXHiT5dRw2r6HelV8wuzeM5pd_kUSvuxVFrLQr6vhSEJklD89uwX4XuGZ514iHt5jol1jeb0pJ3bvhF3rYAmkKOwQLBKCwrU0mmIOC7m7P4ut6bVfw2LXtDmosxs0ssE2cGzDB9yI0uJW/s1600/web+twixt+wb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="1075" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvXHiT5dRw2r6HelV8wuzeM5pd_kUSvuxVFrLQr6vhSEJklD89uwX4XuGZ514iHt5jol1jeb0pJ3bvhF3rYAmkKOwQLBKCwrU0mmIOC7m7P4ut6bVfw2LXtDmosxs0ssE2cGzDB9yI0uJW/s400/web+twixt+wb.jpg" width="400" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw59a7_BpWEfnrcvpUXS6dOxQPaJefBl5nw2vshnEQIOUtFEpbEmGMGZLcjoZeBmcv28tfrzJ1aiCCFObCGrBO8Pj3uhGlYpDBA6rbh4o7k_iJURRjAlPNpcubZODR2Ucx5rBw8-REYhSS/s1600/bowb2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw59a7_BpWEfnrcvpUXS6dOxQPaJefBl5nw2vshnEQIOUtFEpbEmGMGZLcjoZeBmcv28tfrzJ1aiCCFObCGrBO8Pj3uhGlYpDBA6rbh4o7k_iJURRjAlPNpcubZODR2Ucx5rBw8-REYhSS/s400/bowb2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Poly Kasda, Twixt Cup and Lip, BoWB 2018</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg-IUN-sz13c_lMUI1pjIZRgAf44dLgpdg90XnUESzmHVekDmvxbJKGzBvI7xabfkeTE5ASmlbqLktqryd4ebjxMh_clvlt3mrtNh5bp4pX5mSz3-cPavuV9WyM1hat0YIk8-gdNX8lLoT/s1600/bowb4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg-IUN-sz13c_lMUI1pjIZRgAf44dLgpdg90XnUESzmHVekDmvxbJKGzBvI7xabfkeTE5ASmlbqLktqryd4ebjxMh_clvlt3mrtNh5bp4pX5mSz3-cPavuV9WyM1hat0YIk8-gdNX8lLoT/s400/bowb4.jpg" width="300" /></a></div>
<div class="feed-shared-update-v2__description feed-shared-inline-show-more-text ember-view" id="ember12673">
<div class="feed-shared-update-v2__commentary feed-shared-text ember-view" dir="ltr" id="ember12674">
<div class="feed-shared-text__text-view feed-shared-text-view white-space-pre-wrap break-words ember-view" id="ember12675">
<span class="ember-view" id="ember12678">Poly Kasda, Twixt Cup and Lip, surfing on the WB legendary spaces, Biennale of Western Balkans 2018. </span><a class="ember-view" href="https://bowb.org/?p=5990" id="ember12682" target="_blank">https://bowb.org/?p=5990</a><br />
<br />
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<span lang="EN-US" style="font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">Poly Kasda’s lifetime Project Myth/Network 1990-2018 is a polymorphic
reticulation of overview art-installations, spectral space cartographies,
linguistic games and agro-techno-psycho-social art generating community
projects; a dispersive configuration echoing the archetype of transition
underlying our contemporary paradigm shift…</span></div>
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<span lang="EN-US" style="font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">M/N first biodegradable interactive world installation in 300 sites of
the world was launched in the Meeting of the Worlds PAND conference, Museum of
Modern Art of Joensuu, Finland on the 33-6-1990, composing an ideography of the
World Wide Web before its spreading. It was completed with her overview PXK
Route 2004-2017 intercontinental installation anchored in 27 international
events, with her handprocessed material PXK. </span></div>
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<span lang="EN-US" style="font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">Life Achievement Award Visionary Art Italy 2017 – Best Artwork Award
PrimopianolivinGallery Lecce 2017-Honorary Silver Medal Greek Chamber of the
Arts 2009- Gold Medal Olympic Fine Arts of Beijing 2008 – Collection
certificates of Biennials of Beijing 2005-2008, Biennial of Tashkent 2007,
MEADOWS Beirut 2012- Cultural Contribution Silver Medal Award Lucian Blaga
University of Sibiu Romania 2007 – Three Golden Medals French Academy of Poets
of Alexandria..</span></div>
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<span lang="EN-US" style="font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">With a multi-disciplinary academic background in Arts-Physics-Psychology,
she is author of many articles and essays; her documentary The Adventures of
the Eye 1986 (dir. M. Gastine, Greek National TV) and her Greek essay The
Conscious Eye 1988 were one of the earliest encounters of Art theory, cognitive
science and AI.</span></div>
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<span lang="EN-US" style="font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">Kondos-Kasda, Artificial Intelligence Professor John Kondos needles Poly
Kasda’s Conscious Eye, NotiosAnemos/ Amazon 2015.</span></div>
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<span lang="EN-US" style="font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;"> </span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">Legacy:</span></b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;"> Project Myth/Network 1 is archived in the National Museum of Modern
Art.<span style="mso-spacerun: yes;"> </span>Code 1595. Emst.gr/gr/collections.
Donation Xagoraris 1991.</span>
</div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 11.0pt;">Her work is documented in the<span style="mso-spacerun: yes;"> </span>interdisciplinary conference </span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: black; font-size: 11.0pt;">Taboo-Transgression-Transcendence
proceedings 2017 </span></b><span lang="EN-US" style="color: black; font-size: 11.0pt;"><span style="mso-spacerun: yes;"> </span>Ionian University of Corfu Greece ART THEORY
AND ARTIFICIAL INTELLIGENCE IN GREECE: A DOCUMENTATION OF 30 YEARS OF
CROSS-DISCIPLINARY RESEARCH WITH DIALOG BETWEEN POLY KASDA AND JOHN KONTOS
MarianaZikufile:///C:/Users/HPPROB~1/AppData/Local/Temp/_years_2017_downloads_TTT_proceedings_en_v1-1.pdf</span></div>
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<a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.dropbox.com%2Fs%2Fbe19twpg6poifoq%2FPoly-Kasda.pdf%3Fdl%3D0&h=ATPNYJcGcIfIgS_QFn8ymESq-YsIBPVSFI7_kiWu5gl74Gp3KlaJYS6w6K0GmF5abB6enm5kPPNDa1oCVSmZnF_l3NakXsHYHHeiv_TPN-mprFWLQUxYc6XwnpfstMdOeRCbO4u0qV2y"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">https://www.dropbox.com/s/be19twpg6poifoq/Poly-Kasda.pdf?dl=0</span></a><a href="https://www.dropbox.com/s/t6z2lw8nmirdyw5/Poly%20Triptych_A3.pdf?dl=0"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">https://www.dropbox.com/s/t6z2lw8nmirdyw5/Poly%20Triptych_A3.pdf?dl=0</span></a><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;"></span></div>
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<a href="https://polykasda.wordpress.com/"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">https://polykasda.wordpress.com/</span></a><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;"></span></div>
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<a href="https://www.youtube.com/watch?v=GwVQBYbIcmw" target="_blank"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">https://www.youtube.com/watch?v=GwVQBYbIcmw</span></a><u><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;"></span></u></div>
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<a href="https://www.blogger.com/blogger.g?tab=wj&blogID=5539639554304028037#editor/target=post;postID=9049097319028612365;onPublishedMenu=allposts;onClosedMenu=allposts;postNum=15;src=postname"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">The under-determination in Polyxene Kasda’s work</span></a><span lang="EN-US" style="mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;"></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-22839809968115373312018-04-30T03:08:00.004-07:002018-04-30T03:26:43.082-07:00Poly Kasda doodling her inter-projects' "waiting factor 1985-2018<div dir="ltr" style="text-align: left;" trbidi="on">
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plus.google.com/+PolyxeneKasda<br />
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-23601891071216587252017-11-11T00:00:00.000-08:002019-05-26T02:42:02.146-07:00Artificial Intelligence and Art Theory in Greece<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://lekseikones.wordpress.com/2017/11/04/on-the-connection-of-art-theory-and-artificial-intelligence-in-greece/" rel="bookmark" style="border: 0px; color: #222222; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: x-small;">https://lekseikones.wordpress.com/</span></a></h1>
<h1 class="entry-title" style="border: 0px; clear: both; color: #222222; font-family: inherit; font-size: 26px; font-style: inherit; line-height: 1.5em; margin: 0px; outline: 0px; padding: 15px 76px 0.3em 0px; vertical-align: baseline;">
<a href="https://lekseikones.wordpress.com/2017/11/04/on-the-connection-of-art-theory-and-artificial-intelligence-in-greece/" rel="bookmark" style="border: 0px; color: #222222; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;">Art Theory and Artificial Intelligence in Greece</a></h1>
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by <b>Mariana Ziku</b></div>
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<span class="sep" style="border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Posted on </span><a href="https://lekseikones.wordpress.com/2017/11/04/on-the-connection-of-art-theory-and-artificial-intelligence-in-greece/" rel="bookmark" style="border: 0px; color: #1982d1; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" title="21:26">04.11.2017</a></div>
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A documentation of 30 years of cross-disciplinary research with dialog between Poly Kasda and John Kontos.</div>
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In this years conference “<a href="http://avarts.ionio.gr/ttt/" rel="noopener" style="border: 0px; color: #1982d1; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">Taboo, Transgression, Transcendence in Art & Science</a>” (26-28 May 2017, Ionian University, Corfu Greece) I presented an essay in an html format on the intersection of art theory and artificial intelligence in Greece through a case study and a critical approach.</div>
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You can browse the html presentation here: <a href="http://lekseikones.metartnet.com/ai-myth/index.html" rel="noopener" style="border: 0px; color: #1982d1; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">http://lekseikones.metartnet.com</a></div>
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<img alt="The adventures of the eye" class="alignnone wp-image-690" data-attachment-id="690" data-comments-opened="1" data-image-description="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="The adventures of the eye" data-large-file="https://lekseikones.files.wordpress.com/2017/11/conscious-eye.gif?w=411&h=288?w=360" data-medium-file="https://lekseikones.files.wordpress.com/2017/11/conscious-eye.gif?w=411&h=288?w=300" data-orig-file="https://lekseikones.files.wordpress.com/2017/11/conscious-eye.gif?w=411&h=288" data-orig-size="360,270" data-permalink="https://lekseikones.wordpress.com/2017/11/04/on-the-connection-of-art-theory-and-artificial-intelligence-in-greece/conscious-eye/" height="288" src="https://lekseikones.files.wordpress.com/2017/11/conscious-eye.gif?w=411&h=288" style="border: 1px solid rgb(238, 238, 238); display: block; height: auto; max-width: calc(100% - 14px); padding: 6px;" width="411" /><br />
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Snippet from the film documentary <i>‘The adventures of the eye’ (Οι περιπέτειες του ματιού) </i>by Poly Kasda, directed by Marc Gastine, TV show Periskopio, Athens, Hellenic Radio Television, 1986</div>
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The paper -soon to be included in the conference proceedings- is a follow up of my theoretical research in the cross-disciplinary field of art theory and artificial intelligence.</div>
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You can read the abstract below and the full paper in <a href="https://uoi.academia.edu/MarianaZiku" rel="noopener" style="border: 0px; color: #1982d1; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">Academia</a>:</div>
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<span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><b style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Title</b><br />Art Theory and Artificial Intelligence in Greece: A documentation of 30 years of cross-disciplinary research with dialog between Poly Kasda and John Kontos</span></div>
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<span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><b style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Abstract</b></span><span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The essay aims to bring forward the ongoing collaboration of artist-writer Poly Kasda and professor of artificial intelligence John Kontos, who marked the beginning of the art theory, consciousness and artificial intelligence discourse in Greece in the mid 80’s, based on an original research.</span></div>
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<span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">To this end, the essay outlines three projects of Kasda‒Kontos collaboration in the course of 30 years, which explored the intersection of their threefold field of endeavor:</span></div>
<ul style="border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; list-style: square; margin: 0px 0px 1.625em 2.5em; outline: 0px; padding: 0px; vertical-align: baseline;">
<li style="border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The film documentary ‘The Adventures of the Eye’ (1986)</span></li>
<li style="border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Kasda’s book publication ‘The Conscious Eye: Art – Perception – Informatics’ (1988)</span></li>
<li style="border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Kasda–Kontos’ joint book publication ‘Artificial Intelligence Professor John Kontos needles Poly Kasda’s “Conscious Eye”: Perception – Consciousness – Diegesis – Discovery – Creativity’ (2015).</span></li>
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<span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">In respect to Kasda–Kontos’ research in process, I will attempt a critical reflection between art theory, consciousness studies and artificial intelligence, stressing in particular the concepts of myth and mythical thought, which Kasda has explored persistently with original contributions through her long-term project Myth/Network (1990-2017).</span></div>
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<span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><b style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Keywords</b><b><br /></b></span><span style="border: 0px; color: black; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">art theory, artificial intelligence, consciousness, Poly Kasda, John Kontos, introspection, myth</span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-762702233279696022017-10-31T02:04:00.000-07:002017-10-31T02:04:57.809-07:00Purgatorium of Isis, Chiton Apeiros, Lecce, Italy 2017 <div dir="ltr" style="text-align: left;" trbidi="on">
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-5031878282028615562017-05-17T04:40:00.002-07:002017-05-17T04:40:42.426-07:00The Award<div dir="ltr" style="text-align: left;" trbidi="on">
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-89607760233613782822017-05-12T23:57:00.000-07:002017-12-12T05:44:51.327-08:00PolyXene Kasda bio updated<div dir="ltr" style="text-align: left;" trbidi="on">
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-40690180630981773012017-02-06T08:12:00.003-08:002019-10-19T01:54:18.223-07:00PXK ROUTE 17: Χιτών Άπειρος/ Chiton Apeiros*<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://www.blogger.com/null" name="4637794470936148695"></a><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 14pt;">PXK</span></b><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 14pt;"> </span></b><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 14pt;">ROUTE</span></b><b><span style="font-family: "calibri" , sans-serif; font-size: 14pt;">
17: Χιτών Άπειρος/ </span></b><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 14pt;">Chiton</span></b><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 14pt;"> </span></b><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 14pt;">Apeiros</span></b><b><span style="font-family: "calibri" , sans-serif; font-size: 14pt;">*</span></b><span style="font-family: "calibri" , sans-serif;"><o:p></o:p></span></div>
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<span style="font-family: "calibri" , sans-serif;"> <span lang="EN-US">160X220-300cm, glass,
isothermic blanket and PXK patches, 2017.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif;">*Polyxene’s sacrificial
cloak in Sophocles tragedy. </span><span lang="EN-US" style="font-family: "calibri" , sans-serif; letter-spacing: -0.1pt;">Apeiros can be translated as infinitus,
inexpertus, terra continens (Lexicon Sophocleum)</span><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif; letter-spacing: -0.1pt;"> </span><span style="font-family: "calibri" , sans-serif; letter-spacing: -0.1pt;">Here, patches of an isothermal
blanket (used by astronauts and castaways) are transformed into infinite,
non-experienced continents where the concept of home is dissolved</span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif; letter-spacing: -0.1pt;">It consists of 4 partly
superimposed glass panels 120X160cm. partially covered with patches of
space/castaway blankets and PXK (processed aluminum sheets with powder color
and liquid glass).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif; letter-spacing: -0.1pt;">PXK is my innovative material which
stands for the sacrificial skin shed behind after each cultural crucible, while
realizing my </span><span lang="EN-US" style="background: white; font-family: "calibri" , sans-serif;">global fossil installation<i> PXK Route</i></span><span lang="EN-US" style="background: white; font-family: "calibri" , sans-serif;"> <i>-</i>2004-2015-</span><span lang="EN-US" style="font-family: "calibri" , sans-serif;"> anchored in different continents (2nd Beijing Biennial 05, FMC Syria
06, 4rth Tashkent Biennial 07, <i>Nuit Blanche</i> Paris 07, Olympic Fine
Arts of Beijing 08 (Golden Medal), </span><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Flags UNESCO-Beirut 12…)</span><span lang="EN-US" style="background: white; font-family: "calibri" , sans-serif;"> T</span><span lang="EN-US" style="font-family: "calibri" , sans-serif;">he present installation is part of this planetary work<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif; letter-spacing: -0.1pt;">The overlapping glass panels can be
shifted hiding and revealing the ones behind; the density and length of the
installation is adaptable to the hosting space. They are lighted in the back from
below.<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US;">PolyXene
Kasda<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Her main <b>Project Myth/Network</b>* <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #333333;">-1990-2016 is </span>a
self-combustive system of interlaced</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> sub-projects emerging from depth psychology and
multiplexing in <b>dispersive overview
installations</b> anchored in numerous sites of the earth, through the audience
creative interaction (Chrysalis 1990 in 300
sites 27 countries), or through her
participation in big world events (PXK ROUTE 2004-2017 in 25 sites), </span><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #215868; font-family: "calibri" , sans-serif;">Affective</span></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #333333; font-family: "calibri" , sans-serif;">- cognitive </span></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #215868; font-family: "calibri" , sans-serif;">maps
merging spectral/ actual space </span></b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #215868; font-family: "calibri" , sans-serif;">(1994-1998-),</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> generic <b>language games</b> (Code Lexomorphes
1991-2017), <b>telecommunication exchanges of legends/landscapes</b> 2007, </span><b><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Agro-psycho-SAGA community projects</span></b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #215868; font-family: "calibri" , sans-serif;"> (Uranias Gardens 2009-2016)</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></div>
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<span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";">Her intuitive
real-life experimentations are processed in <b>her narrative </b></span><b><span lang="EN-US" style="background: white; font-family: "calibri" , sans-serif;">articles and </span></b><b><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";">essays</span></b><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";"> like PAI (Seven Sleepers coed Uni.Lucian
Blaga editions 1997), When that word swallowed me (Sphinx, Hidden Thebes Festival
2016)..<o:p></o:p></span></div>
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<span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";">Her early cross-disciplinary essay </span><i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin;">The Conscious Eye</span></i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin;">, Aigokeros, Athens 1988 was re-edited in
the English joint essay: </span><i><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-theme-font: minor-latin;">Artificial Intelligence
Professor John Kontos needles Poly Kasda’s Conscious Eye<span style="background: white;">,</span></span></i><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";"> Southwind,
Amazon 2015. <o:p></o:p></span></div>
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<span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-theme-font: minor-latin;">IAA UNESCO artist, member of
EETE Greece, OFAA Finland. K-DROZ PARIS
jury, ed. board Poesia e Conscenza Milan. She </span><span lang="EN-US" style="font-family: "calibri" , sans-serif;">graduated in Psychology- Sociology ACG Athens, studied Chemistry-Physics in
AUC Cairo and </span><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-theme-font: minor-latin;">Visual Arts in S. Hermann's workshop, </span><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Besancon, Alexandria. </span><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></div>
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<span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";">*Project
Myth/Network was launched in the Museum of Modern Art Joensuu, PAND conference
Meeting of the Worlds, Finland 1990.Project Myth/Network, EMST Greece Artists Archives
code 1595. Donation: Xagoraris 1991.</span><span lang="EN-US" style="background: white; color: #333333; font-family: "tahoma" , "sans-serif"; font-size: 10.0pt; line-height: 115%;"> </span><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif";"><o:p></o:p></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-3290688708918035352017-01-19T01:48:00.002-08:002020-04-22T05:52:00.869-07:00cultural botanology by PolyXene Kasda (on the make)<div dir="ltr" style="text-align: left;" trbidi="on">
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<b style="text-align: left;"><span lang="EN-US" style="font-family: "arial" , sans-serif;"> Uranias gardens, synopsis and the birth of a new project</span></b></div>
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<span style="font-size: xx-small;"><i><span lang="EN-AU" style="font-family: "calibri" , sans-serif;">“</span></i><i><span lang="EN-US" style="font-family: "calibri" , sans-serif;">At intervals, the entangled n-dimensional flow of my project was freezing by my intercepting observation and was recalibrated in the analogous time frame”.</span></i></span><span lang="EN-GB" style="font-family: "calibri" , sans-serif;"><span style="font-size: xx-small;">P. Kasda, </span></span><i><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><span style="font-size: xx-small;">Mein poezie is een reis in de geegtelidjke textuur vaan het land, 3000 Letters X, The Seven Sleepers Leuvain 1994</span></span></i></div>
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<i><span style="font-family: "times" , "times new roman" , serif;">"For an elktikon hemar</span></i><i><span style="font-family: "times" , "times new roman" , serif;">* </span></i><i><span style="font-family: "times" , "times new roman" , serif;">of seven years we have been planting seed ideas, (things per se), in the fertile fields of Uraniasgardens, eavesdropping their growth, with minimum interference. Uranias Gardens is a mental space that emerged during a friendly gathering while discussing the nature of time and space; a digitally substantiated mental field, receptive to the seeding, sprouting and sharing of new ideas and projects to be realized in real space.</span></i></div>
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<i><span style="font-family: "times" , "times new roman" , serif;"> During each realization process, modified by the peculiarity of each specific site, I could observe the intrinsic power of formulated Ideas to morph and organize themselves into spacetime structures, attracting the creative human and non-human components necessary for their fleshing out in our emergent synesthetic hyper-spaces, reappropriating with our visionary repurposing those experimental sites. </span></i><br />
<i><span style="font-family: "times" , "times new roman" , serif;">Aligned with Xene**, i was monitoring, from inside-out, the way my pattern-setting ciphers were encoded into coherent virtual constructs, the way my consciousness was mapping itself in the landscape around me; the way i was recreating and simultaneously recognizing with an</span></i><i><span style="font-family: "times" , "times new roman" , serif;">"anagnoristikon meidiama"*** the</span></i><i><span style="font-family: "times" , "times new roman" , serif;"> hermetic ancient symbols i was stumbling upon, during my parcours in the phasmatic topology of Greece...</span></i><br />
<i style="line-height: 17.6px;"><span style="font-family: "times" , "times new roman" , serif;">Uraniasgardens was a dynamic cross-pollinating working field in which i could set Trojan pattern- strategies, device my own tools to explore, with Metissian**** cunning, uncharted spectral territories integrating them in our conscious space perception..</span></i><br />
<i style="line-height: 17.6px;"><span style="font-family: "times" , "times new roman" , serif;">During this self-combustive process I kept on stumbling concretely on powerful abstract concepts, rediscovering them anew, </span></i><i><span style="font-family: "times" , "times new roman" , serif;">forepacing, at times, tech innovations and discoveries. </span></i><br />
<i style="line-height: 17.6px;"><span style="font-family: "times" , "times new roman" , serif;">By formulating my projects' praxes, in </span></i><i><span style="font-family: "times" , "times new roman" , serif;">my parallel self-reflexive narrative texts, i could assimilate and possibly anchor their contents on on-going academic research; a self-regenerating, uroboric artistic-linguistic process crammed with articles and essays, while juggling live action with spectral space elements in pliable time contractions and expansions</span></i><i style="line-height: 17.6px;"><span style="font-family: "times" , "times new roman" , serif;">...</span></i><i style="font-family: times, "times new roman", serif;">". </i></div>
<i style="font-family: times, "times new roman", serif;"><br /></i><span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times new roman";"><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">*ελκτικόν ήμαρ: attractive time-chunk of nowness</span></span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times new roman";"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><span style="font-family: "times new roman";"><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">**Xene : reference to my mythical twin 'performing her liturgical act in the other side of the mirror'; the ritual sustaining the (poly) configuration of my actual life, as described in my book "When that word swallowed me".</span></span></span></span></span><i><span style="font-family: "times" , "times new roman" , serif;"> </span></i><br />
<i><span style="font-family: "times" , "times new roman" , serif;">***</span></i><span style="font-family: "times" , "times new roman" , serif;"><i><span style="font-size: x-small;">anagnoristikon meidiama:</span></i><span style="font-size: x-small;"> </span></span><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">a special type of knowledge through identification of the seeker with the sought, expressed in the archaic smile of the Kouros.</span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times new roman";"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><span style="font-family: "times new roman";"><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">****Metissian manoeuvres stands for Odyssea's ruse, this special Greek Noessis as described in Vernant-d Etienne's "Metisse la Ruse Grecque"</span></span></span></span></span><br />
<span style="font-size: x-small;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times new roman";"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><br /></span></span></span><span style="font-size: xx-small;"><b style="font-family: times, "times new roman", serif; line-height: normal;">Poly</b><span style="font-family: "times" , "times new roman" , serif; line-height: normal;">Xene</span><span style="font-family: "times" , "times new roman" , serif; line-height: normal;"><b> Kasda,</b><i> Metisse and the Heracleian Stone*****, or, the irresistible charm of real-life project-plotting (narrative essay on-the-make).</i></span></span></span><br />
<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "times" , "times new roman" , serif; line-height: normal;"><i><br /></i></span></span></span><span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "times" , "times new roman" , serif; line-height: normal;">*****reference to the legendary magnetic stone of Samothrace that was inspiring its magnetic enthusiasm to the iron rings of the initiates and they in turn transferred its power to more and more rings creating a long chain of load-stones reaching our days. The Heraklia Lithos stands for a psychophysical element engrailed in our structure, making its presence felt by the gravity of its own void; the urge that drives us out of our skin which i call SEM or Something Essential Missing.Some name it Lapis Exilis , others The Gene of God, I name it ΠΑΙ in my book PAI, Seven Sleepers co.ed Uni.Press Lucian Blaga, 1997..</span></span></span><br />
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<b style="line-height: 17.6px;"><br /></b><span style="font-size: large;"><b style="line-height: 17.6px;">Uraniasgardens 2009-2016 projects*: the symfiliotic merging of actual /inner/ spectral space</b><b> </b></span><br />
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<b><span lang="EN-US" style="font-family: "arial" , sans-serif;">Dynamic Pattern-Setting and monitoring of a set of techno-agro-psycho- SAGA Myth/Network applications, in culturally gagged, mythically augmented loci of Greece. All projects were based on a core idea and evolving script layers </span></b><b><span lang="EN-US" style="font-family: "verdana" , sans-serif;">outpacing the emerging psychosocial play states- </span></b><br />
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<span lang="EN-US" style="background: white; color: #222222; font-family: "arial" , "sans-serif"; font-size: 9.5pt;">- the</span><span style="background-color: white; color: #222222; font-family: "arial" , sans-serif; font-size: 12.6667px; line-height: normal;"> environment-subjectivity affective entanglement </span></div>
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<span lang="EN-US" style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 9.5pt;">- the phasmatic affect of ancient relics on our cognitive processes and </span><span style="color: #222222; font-family: "arial" , sans-serif; font-size: 9.5pt;">the possible restitution of their ghost imprints that seem inseparable from our unconscious consciousness </span><br />
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<b style="background-color: transparent; line-height: 13.2pt;"><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: xx-small;">local benefits:</span></b><span lang="EN-US" style="background-color: transparent; font-family: inherit , serif; font-size: xx-small; line-height: 13.2pt;"> topological re-evaluations, myth- spectral and agro- space awareness, cross-cultural interchange, residents'creative involvement,<b><i> </i></b></span><span style="font-size: xx-small; line-height: 17.6px;">creation of permanent,</span><span style="background-color: transparent; font-size: xx-small; line-height: 13.2pt;">international polycentric art collections.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiznkrPFv-vMJxvge4aTMA2zy9q6TwumP9UC-4IYSkItcp40FQdSKEjwOJXp9KihIQeoZxSfodiGD2tn7K8xF6ivgvMwnvUk0O1z3ZA5vtIaHcDIbGAQlnbc1pnBMHqJKxbcXbbW2vmqIMU/s1600/poly+images.09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiznkrPFv-vMJxvge4aTMA2zy9q6TwumP9UC-4IYSkItcp40FQdSKEjwOJXp9KihIQeoZxSfodiGD2tn7K8xF6ivgvMwnvUk0O1z3ZA5vtIaHcDIbGAQlnbc1pnBMHqJKxbcXbbW2vmqIMU/s400/poly+images.09.jpg" width="400" /></a></div>
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<span style="background-color: white;"><b><i><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">*Gargling Sky, village/ network, for the Year of Astronomy</span></i></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">-2009</span></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">-</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCAQslY_8xrn5dGeKxY3HdKw3qcbKYO5CGLcnQ9Raca28dXtyUqaqMi1bkA2nWUFcwwgLgDc1IP4rcTz6O4YvjKzjxpGgIVzd3P9Av-OgcR00fTrZuoIwIsY-w0RHfFEpqnJREMbxkyWLb/s1600/gergeriinauguration09.bmp" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="color: black;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCAQslY_8xrn5dGeKxY3HdKw3qcbKYO5CGLcnQ9Raca28dXtyUqaqMi1bkA2nWUFcwwgLgDc1IP4rcTz6O4YvjKzjxpGgIVzd3P9Av-OgcR00fTrZuoIwIsY-w0RHfFEpqnJREMbxkyWLb/s200/gergeriinauguration09.bmp" /></span></a><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: xx-small;"> </span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: xx-small;">overview</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: xx-small;"> </span><span lang="EN-US" style="line-height: 13.2pt;">polycentric international art- constellation spread throughout the remote meteorite- showered village Gergeri, Crete.</span><span lang="EN-US" style="line-height: 13.2pt;"> </span><br />
<span lang="EN-US" style="line-height: 13.2pt;">Crumbling traditional buildings, 17th c. watermills, elderly homes, abandoned old school were restored in one morning to this end. </span></div>
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<span style="line-height: 13.2pt;">Engagement of the local youth, astrophysicists and shepherds.</span><br />
<span style="line-height: 13.2pt;"><br /></span><span style="line-height: 13.2pt;">O</span>bservation: spontaneous revival of Ariadne's thread simulacrum by the youth of the village who linked the circuitous parcours of the exhibition with constellations made of ribbons attached on the walls of the houses- spontaneous participation of housewives offering local delight and shepherds who participated with their self-made musical instruments.<br />
The Forest of Rouvas, a sanctuary of biodiversity was included in the inauguration parcours, where the residents cooked meat in the traditional "andikristo"way in a configuration echoing the orbits of the planetary system around the sun (fire).</div>
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<span lang="EN-US" style="font-size: 7.5pt;">Art co-curators Chrysa Vathiaanaki, Donatella Bisutti, Auspices Municipality of Rouvas, now, Gortys</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span><br />
<span lang="EN-US" style="font-size: 7.5pt;">The dispersive installation was extended in Croisees d'Arts, Chateau London, France (c0-cur. K-Droz Paris)</span><br />
<span style="font-family: "times new roman" , serif; font-size: xx-small;"><br /></span><span style="font-family: "times new roman" , serif; font-size: xx-small;">relevant research-n</span><span style="font-family: "times new roman" , serif; font-size: xx-small;">arrative articles</span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, T<i>he Gergerian Experience, </i>Artooth.gr articles</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
<span lang="EN-US" style="line-height: 13.2pt;">P. Kasda, <i>Gargling Sky</i>, newspaper of the Greek Chamber of the Arts </span><span style="line-height: 13.2pt;">ΕΕΤΕ</span><span lang="EN-US" style="line-height: 13.2pt;">, nb.158</span><br />
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<span style="font-size: x-small;"><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span><span style="background-color: #f3f3f3; font-family: "georgia" , serif;">P. Kasda, <i>Γάργαρος Ουρανός </i>2009, http://kasdapolyxene.blogspot.gr. 11/8/2011</span></span></div>
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<span style="background-color: white;"><b><i><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">*</span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Π</span><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">AI -</span><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">2010-</span><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">:</span><span lang="EN-US"> Mythical foundation</span></i></b></span></div>
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<span style="background-color: white;"><b><span lang="EN-US"><span style="font-size: xx-small;">Trans-border, transloci artworks and cultus performances on Time as a Child /</span></span><span style="font-size: xx-small;"><i>Π</i><i><span lang="EN-US">AI</span></i><span lang="EN-US"> playing/</span><i>ΠΑΙΖΩΝ, </i></span></b></span><span style="background-color: white;"><b><span style="font-size: xx-small;"><span lang="EN-US"> inspired by Kasda's poetic narrative essay </span></span></b></span><b><span lang="EN-US" style="background: white; color: #666666; font-family: "trebuchet ms" , "sans-serif"; font-size: x-small;">PAI, published in French, Flemish and Romanian by the Seven Sleepers Leuvain co-ed. Uni.Lucian Blaga Sibiu 1997</span></b><br />
<b><span lang="EN-US" style="background: white; color: #666666; font-family: "trebuchet ms" , "sans-serif"; font-size: x-small;"><br /></span></b><span style="font-size: xx-small;"><span lang="EN-US" style="line-height: 13.2pt;">The event was e</span><span style="line-height: 13.2pt;">xtended in Bulgaria, Thebes, Patmos, Athens (Technopolis), Lecce Italy (Primopianogallery)..</span></span><br />
and were enriched by the local Children' forest installation:"Leleki (stork), leleki come back". <span style="background-color: white;"></span><br />
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<span lang="EN-US" style="font-size: xx-small;">Org. Union of the Cultural Associations of Evros gen. secretary Katerina Kaltsou, Alexandroupolis, Samothrace</span><br />
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<span style="font-size: x-small;"><span style="font-size: 7.5pt;">Site benefits:</span><b><i><span style="font-size: 10pt;"> </span></i></b><span style="font-size: 7.5pt;">Permanent<b><i> </i></b>international EPOFE art collection <i>ΠAI</i> in Alexandroupolis-Samothrace</span></span><br />
<span style="font-size: x-small;">Exhibited in the Natural History Museum of Alexandroupolis.</span><br />
<span style="font-size: x-small;"><span style="font-size: 7.5pt;">art -.co-curators Dores Saquegna (Primipiano Italy) and Pierre Chirouze (K-Droz Paris).</span></span><br />
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<span style="font-size: x-small;"><span lang="EN-US" style="font-size: 7.5pt;">P. Kasda, </span><span style="font-size: 7.5pt;"><a href="http://uraniasgardens.blogspot.gr/2010/10/pai-2010-c0ncept.html"><span lang="EN-US" style="color: #888888; mso-ansi-language: EN-US;">PAI 2010 concept</span></a></span><span lang="EN-US" style="font-size: 7.5pt;">,</span><b><span lang="EN-US" style="background: white; color: #666666; font-family: "trebuchet ms" , "sans-serif";">“The eon is a child playing, tossing {dice}; the kingdom is the Child’s” Heraclites. Uraniasgardens 6.10.2010.</span></b></span><span lang="EN-US" style="font-size: 13.5pt;"><o:p></o:p></span><br />
<span style="font-size: x-small;"><b><span lang="EN-US" style="background: white; color: #666666; font-family: "trebuchet ms" , "sans-serif";">P. Kasda, PAI, the Seven Sleepers Leuvain co-ed. Uni.Lucian Blaga Sibiu 1997</span></b></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmr2JNhKIDc8r3PF97zpH6sbEMrDjB-Yxp8ldQSwkM594Qcgl6vFMc9W8DwATtt9RSO7zaA_jUGE8tCubyoutSEcwpa3oRbsPvANiA5LkjvncyhlHd_ySdaEefEpKnxGeEUd4xJvKeZrJV/s1600/SampleCard2%25282%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="143" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmr2JNhKIDc8r3PF97zpH6sbEMrDjB-Yxp8ldQSwkM594Qcgl6vFMc9W8DwATtt9RSO7zaA_jUGE8tCubyoutSEcwpa3oRbsPvANiA5LkjvncyhlHd_ySdaEefEpKnxGeEUd4xJvKeZrJV/s200/SampleCard2%25282%2529.jpg" style="cursor: move;" width="200" /></a><span style="background-color: white;"><span style="background-color: white;"><b><i><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">*The Samothrace Game -</span></i><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">2011<i>-, </i> </span><i><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;">To be and not to be. Aye, this is the question!: </span><span lang="EN-US" style="font-family: "times new roman" , serif;"><o:p></o:p></span></i></b></span><span lang="EN-US" style="background-color: transparent;">Looking for </span><b style="background-color: transparent;"><i>Π</i></b><span lang="EN-US" style="background-color: transparent;"><i style="font-weight: bold;">AI (</i>the Fugitive Child) in the Kabeirian island and in one's inner being, </span><span lang="EN-US" style="background-color: transparent;">with the risky ambiguous guidance of Heraclitus' antinomic Fragments.</span></span></div>
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<b>Psycho-physical reality game in the "virtual space of spectrality"(Derrida), favoring archetypal potentization, spectral /actual space transpositions, oscillations and intricate states of mind.</b><br />
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The landmark-images were remotely teledictated to game- imager A. Papantoniou in Athens, by the local residents<b>'</b> legend- freighted, subjective telenarrative, resulting in the creation of an affective, biomatic map of the island, painted on a set of 22 cards. The parcours cards of the deck could be shuffled and reshuffled by the participants creating alternative aleatory routes in their quest for inner/outer PAI. </div>
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<span lang="EN-US">A time-capsule was inserted inside the neolithic Gate of the Sun.</span><br />
<span lang="EN-US">Open-ended game set to be enriched by the participants' interactions and the assimilation of the characteristics of the game in real life through the Proteus effect.</span><br />
<span lang="EN-US"> Kasda's basic concept was enriched by a game created and organized by <span style="line-height: 13.2pt;">IDEA; an emerging local cultural association of residents, which morphed itself to this end..</span></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Concept of the treasure hunt Looking for PAI 2011</i>, </span><span style="font-size: 8pt;"><a href="http://uraniasgardens.blogspot.com/"><b><span lang="EN-US" style="color: blue; font-family: "" sans-serif "" , "serif"; mso-ansi-language: EN-US;">http://uraniasgardens.blogspot.com</span></b></a></span><span lang="EN-US" style="font-size: 8pt;"> 2011</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 8pt;">P. Kasda, Map of the hidden treasure PAI 2011in Samothrace. Ibid</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<b><span lang="EN-US" style="color: #999966; font-family: "georgia" , "serif"; font-size: 7.5pt;">P. Kasda, </span></b><b><span style="color: #999966; font-family: "georgia" , "serif"; font-size: 7.5pt;"><a href="http://polyxenekasda.blogspot.gr/2011/01/pai-2011-treasure-hunt-game-in.html"><span lang="EN-US" style="color: #999966; mso-ansi-language: EN-US;">Treasure-hunt cultural game PAI 2011</span></a></span></b><b><span lang="EN-US" style="color: #999966; font-family: "georgia" , "serif"; font-size: 7.5pt;">..//polyxenekasda.blogspot.com 9/1/11</span></b><b><span lang="EN-US" style="color: #999966; font-family: "georgia" , "serif"; font-size: 13.5pt;"><o:p></o:p></span></b></div>
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<span lang="FR" style="font-family: "times new roman" , serif; font-size: 13.5pt;"> T </span><i style="font-family: arial, sans-serif;"><b>*Tu vas a Tuva? oueh je vais a Ithaca -2011</b></i><span style="font-family: "arial" , sans-serif;">-..</span></div>
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<span lang="EN-US" style="font-family: "arial" , sans-serif;"><span style="font-size: x-small;">The project was first formulated for the apex 2011 contest with the title Tout va a Tuva? It was reformulated on paper in 2013 with primopianoatelier as <i>The Ithaca-Salento experiment</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"> to be/not to be realized in the future.</span><i style="font-family: arial, sans-serif; font-size: small;"> ....</i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYkAxBi7R3AP-KUwd-ntcl656SP-bXO06NwuurgT-fiilB67KyPaE7XDhRymtz9qVdChXgY40Pdnm8Q7fnCvJ7if_gDeaVQFJmm74Dro2XiqpLTYqWQSZScILkLTbAVV8oUEf0vo9dXTlq/s1600/I15-71-warpedi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYkAxBi7R3AP-KUwd-ntcl656SP-bXO06NwuurgT-fiilB67KyPaE7XDhRymtz9qVdChXgY40Pdnm8Q7fnCvJ7if_gDeaVQFJmm74Dro2XiqpLTYqWQSZScILkLTbAVV8oUEf0vo9dXTlq/s200/I15-71-warpedi.jpg" width="200" /></a><span lang="EN-US" style="font-family: "arial" , sans-serif;">A</span><span lang="EN-US"> playful contemporary version of Homeric Ithaca, inspired by R. Feynman's Tuva, the utopic space that has inspired poets to create epics driven by that self-devouring <i><b>SEM, </b>or, that<b> Something Essential Missing </b></i><i> that heroic conscient element engrailed in our human unconscious, retroactively charged with our human entelechy,</i></span><i> that makes its power felt through the merciless attraction of its own void.</i></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"> </span><b><span style="color: #999966; font-family: "georgia" , "serif"; font-size: 7.5pt;"><a href="http://polyxenekasda.blogspot.gr/2011/12/tu-vas-tuva.html"><span lang="FR" style="color: #999966; mso-ansi-language: FR;">Tu vas a Tuva?</span></a></span></b><b><span lang="FR" style="color: #999966; font-family: "georgia" , "serif"; font-size: 7.5pt;"> http://www.polyxenekasda.blogspot.com 27.12.11</span></b></div>
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<span lang="EN-US" style="background-color: white;"><span lang="EN-US" style="line-height: 18.4px;">*«</span><b><i><span style="line-height: 18.4px;">Πιθ΄</span></i></b><span lang="EN-US" style="line-height: 18.4px;"> </span><b><i><span style="line-height: 18.4px;">Ελλέβορον</span><span lang="EN-US" style="line-height: 18.4px;">”/</span></i></b></span><span lang="EN-US" style="line-height: normal;"> </span><span lang="EN-US" style="line-height: normal;"><i>Pith'Ellevoron / </i></span><span lang="EN-US" style="background-color: white; line-height: 13.2pt;"><b><i><span lang="EN-US" style="line-height: 18.4px;">Drink Helleborus -2014- </span></i></b></span><b style="line-height: normal;">botanology and madness.</b><br />
<b><i><span lang="EN-US" style="background: white; color: #666666; font-family: "arial" , sans-serif;">Agricultural topology affect on our mental health and cognitive processes </span></i></b></div>
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<span style="background-color: #cccccc; font-size: x-small;"><i>"Alert and flexible at the end of the line, I follow the unfolding of the self-combustive idea with which i am aligned and which is steadily growing out of itself, continuously ramifying, involving more and more creative people from all fields, winding its way through ordinary life, redefining space, sealing our future ".</i> P. Kasda (Project diary 2014).</span><br />
<span style="background-color: #cccccc; font-size: x-small;"><br /></span><span style="font-size: x-small;"><i>"and all these lovely irregularities revealing the defects of the standard model mined from its interior by the persisting Enigma revealing and hiding itself behind its own turbulence effects..." P. Kasda (Ibid)</i></span><br />
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<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="font-size: xx-small;">M.Manieri, Antikyra 2014</span></td></tr>
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<span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">The interactive SAGA performances were scattered all-over the town of Antikyra, Boetia, Greece, shock cross-cultural encounters eliciting brain-storming reactions..</span><span lang="EN-US" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-US">Helleborus is a local herb known for healing madness.</span><span lang="EN-US"> </span><br />
<span lang="EN-US"><i>Pith'Ellevoron</i> is an ancient Greek saying meaning "drink a sedative, stop talking crazy". </span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 7.5pt;">Org. Allotropia local popular academy- artistic co-curator: Primopianogallery Italy, under the auspices of the Greek Ministry of Culture.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 7.5pt;">Site benefits: Permanent art and agro collection in Allotropia museum.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 7.5pt;"><br /></span><span lang="EN-US" style="font-size: 10pt;">http://uraniasgardens.blogspot.gr/2014/02/a-seed-project-is-sprouting-in-Antikyra</span><br />
<span lang="EN-US" style="font-size: 10pt;">poly Kasda, .</span><span style="font-family: "times new roman" , serif; font-size: 13.5pt;"><a href="http://uraniasgardens.blogspot.gr/2014/02/a-seed-project-is-sprouting-in-antikyra.html"><span lang="EN-US" style="background: white; color: #888888; font-family: "" "calibri" "" , "serif"; font-size: 10pt;">http://uraniasgardens.blogspot.gr/search014PROJECT Drink Helleborus /"</span><span style="background: white; color: #888888; font-family: "" "calibri" "" , "serif"; font-size: 10pt;">ΠΙΘ</span><span lang="EN-US" style="background: white; color: #888888; font-family: "" "calibri" "" , "serif"; font-size: 10pt;">' </span><span style="background: white; color: #888888; font-family: "" "calibri" "" , "serif"; font-size: 7.5pt;">ΕΛΛΕΒΟΡΟΝ</span><span lang="EN-US" style="background: white; color: #888888; font-family: "" "calibri" "" , "serif"; font-size: 7.5pt;">!" (pith'elevoron) continuously re-edit</span></a></span></div>
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<span lang="EN-US" style="background: white; font-size: 7.5pt;">P. Kasda, Pith'Elevoron/ Drink Helleborus http://festival.culture.gr/2014/10/</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US"><b>*Sphinx 2015-16, The Hidden Thebes Festival on the contagious effect of spectral Thebes. </b>O</span><span style="background-color: white; font-family: "times new roman"; line-height: normal;">ntological entanglement of man/nature/myth, </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfLMW41LV4ZWgxdEz1dG04gPZ4OfuMcC-6zIsVVsgp4M6sOA11QmP_ERAK2i2P497mJpQS302w_aOqZLRs_e8dtI3hkDuVcFNlFTm22pJkMgGF6O8qAFUoyGvXiU-pEjDW2WVv0eTjqxwN/s1600/sphinxposter.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfLMW41LV4ZWgxdEz1dG04gPZ4OfuMcC-6zIsVVsgp4M6sOA11QmP_ERAK2i2P497mJpQS302w_aOqZLRs_e8dtI3hkDuVcFNlFTm22pJkMgGF6O8qAFUoyGvXiU-pEjDW2WVv0eTjqxwN/s200/sphinxposter.jpg" width="200" /></a><span style="background-color: white; font-family: "times new roman";">the Riddle of the Sphinx, or, the</span><span style="background-color: white; font-family: "times new roman";"> potentized incubation of our latency- the haunting affective presence of </span><span style="background-color: white; font-family: "times new roman";"> stone-walled Thebes</span><span style="background-color: white; font-family: "times new roman";">.</span><br />
<span style="background-color: white; font-family: "times new roman";"><br /></span><span style="font-size: x-small;"><span style="background-color: white; font-family: "times new roman";">pattern-setters, general curators: </span> </span><span style="font-size: x-small;">Konstantin Angelou</span><span style="font-size: x-small;">, Poly Kasda</span></div>
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<span style="font-size: x-small;">artistic co-curators: Dores Saquegna (visual arts), Maria Frangi (theatre), Maria Cheetara (architecture)</span><br />
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<span style="font-weight: normal;"><span style="background-color: white; font-family: "times new roman";"><span style="font-size: x-small;">Auspices: Athens School of Fine Arts -</span></span><span style="background-color: white; font-family: "times new roman"; font-size: x-small;"> Greek Ministry of Culture.</span></span></h2>
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<span style="background-color: white; color: #888888; font-family: "calibri"; font-size: x-small;">P. Kasda, </span><a href="http://uraniasgardens.blogspot.gr/2015/02/project-sphinx-2015-unveiling-invisible.html" style="background-color: white; color: #888888; font-family: calibri; font-size: small; text-decoration: none;">PROJECT SPHINX 2015 unveiling invisible THEBES, Greece, continuously re-edited.</a><span style="background-color: white; color: #888888; font-family: "calibri"; font-size: x-small;">25.2.15</span><br />
<span style="background-color: white; color: #888888; font-family: "calibri"; font-size: x-small;">P. Kasda, <i>When that word swallowed me,</i> Sphinx Festival of Hidden Thebes co-ed.Poesia e Conoscenza Milan 2016</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLAAkIwO7ca6wGtCj71es4GW8ZS5thWH4NjzCT2o6ubwSaVdkrJrpQTHiwHxhJWJMYJmoq_vsQsr5uJPZnwwzfrip7gzo9KmM8eVf6rK3rvuoroaDVty7rscDhhM8NAaJUj-UXk-mWADnB/s1600/Parisweb_edited-1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLAAkIwO7ca6wGtCj71es4GW8ZS5thWH4NjzCT2o6ubwSaVdkrJrpQTHiwHxhJWJMYJmoq_vsQsr5uJPZnwwzfrip7gzo9KmM8eVf6rK3rvuoroaDVty7rscDhhM8NAaJUj-UXk-mWADnB/s1600/Parisweb_edited-1.jpg" style="cursor: move;" /></a><span style="font-size: xx-small;"><span lang="EN-US">The Sphinx Hidden Thebes Festival was an outgrowth of </span><b><i>"Miorita, Melusina and the Sphinx</i>",</b> <span lang="EN-US">Kasda- Angelou telecommunications project </span>probing “mioritic”unconscious space (Lucian Blaga), digital deterritorialization and <b>the critical instability of the culturally uninformed model of hybrid Europe</b>, s<span lang="EN-US" style="line-height: 13.2pt;">elected by Arscenic French Association for the twin Capitals of Europe 2007..</span></span><br />
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<span style="font-size: x-small;">P. Kasda, MIORITA, MELUSINΕ και η Σφίγγα των Θηβών: Tinkering με τα στοιχεία de differentes cultures. http://uraniasgardens.blogspot.com 8.10.14</span></h3>
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<b><span lang="EN-US" style="color: #999966; font-family: "georgia" , serif; font-size: 7.5pt;">P. Kasda, </span></b><b><span style="color: #999966; font-family: "georgia" , serif; font-size: 7.5pt;"><span lang="EN-US" style="color: #999966;"><a href="http://polyxenekasda.blogspot.gr/2011/12/design-2011.html">Project Miorita, Melusina and the Sphinx of Thebes, //uraniasgardens 2007</a></span></span></b></h3>
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<span style="color: #333333; font-family: "verdana" , sans-serif; font-size: 7.5pt;">P. Kasda, topologie syncretique europeenne,2014, http://polyxenekasda.blogspot.com</span></h3>
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<span style="background-color: lime;"><span style="font-family: "verdana" , sans-serif; font-size: x-small;"><b><span lang="EN-US" style="color: #333333; font-family: "arial" , "sans-serif"; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">*Sphinx 2017 Kadmos looks for Europe. Europe looks for Kadmos </span></b><span lang="EN-US" style="color: #333333; font-family: "arial" , "sans-serif"; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">(under preparation)<i> while i am writing this text, speculating on my previous projects, a new hyper-project is sprouting in Urania's Gardens; I can already feel, with the Kore's anagnoristikon meidiama (recognition smile), the hot breath of spectral Thebes rekindled on my spine...I listen to the murmuration of my subconscious mind swelling in the hiatus perforating the interface of spectral/actual Thebes; an absorbing</i></span></span></span><i><span style="background-color: lime; color: #333333; font-family: "arial" , sans-serif; font-size: x-small;"> spacetime bubble</span><span style="background-color: lime; color: #333333; font-family: "arial" , sans-serif; font-size: x-small;"> in which our next community experiment will/will not be held.)</span></i></h3>
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<span style="background-color: lime; color: #333333; font-family: "arial" , sans-serif; font-size: x-small;">G</span><span style="background-color: lime; color: #333333; font-family: "verdana" , sans-serif; font-size: x-small;">eneral concept/ pattern-setting curators: Konstantin Angelou, Mariana Zikou, Poly Kasda. </span><span style="background-color: lime; color: #333333; font-family: "verdana" , sans-serif; font-size: x-small;">The whole city of Thebes is transformed into a language game playspace, crammed with linguistic codes, riddles and artifacts. Digital acoustic and olfactory topological maps of Thebes are materializing the eyeless Oedipian space of spectrality.</span></h3>
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<span style="background-color: #cccccc; color: #333333; font-family: "verdana" , sans-serif;"><span style="font-size: xx-small;">"mythical pedema is a Snakes and Ladders' board game, i.e. the ancient 'Game of the Goose', an ancient Egyptian symbol of the incarnation of the Invisible - in which a bad throw can throw you from end to start, inτο the growler's cell.. gradually, i realized that the rules of this game are primarily ethical, obeying to the boundaries of Logos and the solutions to the dilemmas are always based on the Golden Mean". P. Kasda, Surfing on the Medusa's Hair 1999, unedited. </span></span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigBLQT3CkPFyfW4aqCC2t_L9b8lPxLKZjvxDVap5e-CTgGkIxpdrAnZrcsujuBOm6zWbDDxW0oFlYjeaQ0wGQXb09OPxYtgcbnqWj8oNaGUnJxVM7oDIc-TrsFePZv3etX01J_irb4Bhop/s1600/poly+images.01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigBLQT3CkPFyfW4aqCC2t_L9b8lPxLKZjvxDVap5e-CTgGkIxpdrAnZrcsujuBOm6zWbDDxW0oFlYjeaQ0wGQXb09OPxYtgcbnqWj8oNaGUnJxVM7oDIc-TrsFePZv3etX01J_irb4Bhop/s400/poly+images.01.jpg" width="400" /></a></div>
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<b style="background-color: transparent; color: black; font-family: "times new roman"; font-size: medium;"><span style="font-family: "times new roman" , serif; font-size: large;">Myth/Network projects 1990-2009 underlying and sustaining the </span></b><b style="background-color: transparent; color: black; font-family: "times new roman"; font-size: medium;"><span style="font-family: "times new roman" , serif; font-size: large;">Uraniasgardens projects 2009-2016- :</span></b></h3>
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<span style="background-color: transparent; color: black; font-family: "times new roman"; font-size: small;">- </span><i style="background-color: transparent; color: black; font-family: "times new roman"; font-size: medium; font-weight: bold;"> Code Lexomorphes, 1991- 2009 -2017-: </i><span style="background-color: transparent; color: black; font-family: "times new roman"; font-size: small; font-weight: bold;">the intelligent design sustaining Greek language structure.</span><i style="background-color: transparent; color: black; font-family: "times new roman"; font-size: medium; font-weight: bold;"> </i><span style="background-color: transparent; color: black; font-family: "times new roman"; font-size: small;">Speaking sculptures and cryptographic patterns</span><span style="background-color: transparent; color: black; font-family: "times new roman"; font-size: small;"> generated by the </span><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #333333; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: x-small;"><span style="line-height: 17.68px;">n<b>umerical modeling of Greek words based on the Ancient Greek mathematical codification of the Greek alphabet</b></span></span></span></h3>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXoWOOOxZT9RRxhk6bXJILryNCT0O8KJ123AmjkwlnoxClcXKbzgW8MVZe9JlSHrXgq984Uov9TCp4iQjV93R0eE7PqnfLb1kI6xk9lHYsKkOsBMnFf0oqmqB57_zlHgswwLnsO4PLVue9/s1600/24poesia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXoWOOOxZT9RRxhk6bXJILryNCT0O8KJ123AmjkwlnoxClcXKbzgW8MVZe9JlSHrXgq984Uov9TCp4iQjV93R0eE7PqnfLb1kI6xk9lHYsKkOsBMnFf0oqmqB57_zlHgswwLnsO4PLVue9/s200/24poesia.jpg" width="143" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;">P. Kasda, Lexomorphe ΑΝΘΡΩΠΟΣ</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXpjNgekWAbQCWZYwgdXGXkQTNkQqVbyWVuEnzBlOtMAhN8AczQ-bqzQPr-D98DD9XEFrULl39xSpC2JN9fYbRCo5WCph7VwLNLND0tjYABCsck0fWEHY0FiyMox6kgV3Mti4117AivSHF/s1600/30onoma.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXpjNgekWAbQCWZYwgdXGXkQTNkQqVbyWVuEnzBlOtMAhN8AczQ-bqzQPr-D98DD9XEFrULl39xSpC2JN9fYbRCo5WCph7VwLNLND0tjYABCsck0fWEHY0FiyMox6kgV3Mti4117AivSHF/s320/30onoma.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;">P. Kasda, synthesis of Lexomorphes ΨΥΧΗ, ΟΝΟΜΑ, ΕΛΠΙΔΑ, ΑΝΘΡΩΠΟΣ</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiduW_mwbGR2_Wcb7hGrLj8M_VGGmpha88Lec5xPZR-MR2je-GccTW0x7pyQpKez2OZYPN94O5RnnLnpzshuySle5xg-f8mJXTLXuNv0hyphenhyphena1mhIqsbIyy1soQ1CBqVZyJ3vn2g4g_-9r76Q/s1600/poly+images.04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiduW_mwbGR2_Wcb7hGrLj8M_VGGmpha88Lec5xPZR-MR2je-GccTW0x7pyQpKez2OZYPN94O5RnnLnpzshuySle5xg-f8mJXTLXuNv0hyphenhyphena1mhIqsbIyy1soQ1CBqVZyJ3vn2g4g_-9r76Q/s400/poly+images.04.jpg" width="400" /></a></div>
participated in:</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzT_8TZPiszsvLLv-rh_pegjoOQBA32S4DNSbk9hYqF1VJLCgj2kYNfOLshibORRIaP9NpiqLtGUlZ3SkcA5HFtWbHKpqIhHoV-a4VXitKDrN9vGNxcoxmhQJHAcFw_HIX6qZ5Lx9fmgya/s1600/29roc.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzT_8TZPiszsvLLv-rh_pegjoOQBA32S4DNSbk9hYqF1VJLCgj2kYNfOLshibORRIaP9NpiqLtGUlZ3SkcA5HFtWbHKpqIhHoV-a4VXitKDrN9vGNxcoxmhQJHAcFw_HIX6qZ5Lx9fmgya/s320/29roc.jpg" width="320" /></a><span style="font-size: xx-small;"><b><span style="font-family: "times new roman" , serif;"><span lang="en-US">-Structuralist exhibition </span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i>Homage a Stazewski Concept/ Form, </i></span></span></b></span><b style="font-size: small;"><span style="font-family: "times new roman" , serif;">Municipal Center of Athens 1991.</span></b></div>
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<span style="font-size: xx-small;"><b><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;">-Panhellenic Congress on Greek Language 2009</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">, Old Parliament of Athens, org. Chamber of Fine Arts of Greece.</span></span></b></span></div>
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<span style="font-size: x-small;"><b><span style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;">-Bienale di Poesia di Alessandria, Italy</span></b><span style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;"> 2004-2008</span></span></div>
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<span style="color: navy; font-family: "arial" , "sans-serif"; font-size: x-small;"><b>-Uraniasgardens Congress for the International Year of Astronomy 2009</b>, Municipal Center of Athens </span></div>
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<b><span style="font-size: x-small;"><span lang="EN-US" style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;">-Flags</span><span style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;">, British Embassy of Beirut, </span><span lang="EN-US" style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;">UNESCO</span><span style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;">-</span><span lang="EN-US" style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;">MEADOWS-OFAA</span><span style="color: navy; font-family: "arial" , "sans-serif"; font-size: 7.5pt;"> 2012. Lexomorphes were proposed as a mathematical inter-space communication code </span></span></b><br />
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Related articles and essays:</div>
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<span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, Code Lexomorphes, </i></span><span style="font-family: "arial" , sans-serif; font-size: xx-small;"><span lang="en-US"><i>the iconic dimension of Greek language</i></span></span><span style="font-family: "arial" , sans-serif; font-size: xx-small;">”</span><i style="font-family: calibri, sans-serif;">P</i><span style="font-family: "calibri" , sans-serif; font-size: 8pt;">oesia e Spiritualita review, Milan, Italy 2007.</span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, Chrysalis/Grail, Reflections of an Object of Truth, Verita e Dubbio </i></span><span lang="EN-GB" style="font-size: 8pt;">2004. XVII Bienale di Poesia di Alessandria,Joker, </span><span lang="EN-US" style="font-size: 8pt;">Italy </span><span lang="EN-GB" style="font-size: 8pt;">200</span></div>
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<span style="font-size: xx-small;"><span style="font-family: "arial" , sans-serif;">P. Kasda,<i> </i></span><span style="font-family: "arial" , sans-serif;"><i>project Myth/network</i>,</span><span style="font-family: "arial" , sans-serif; font-style: normal;"> Τετάρτη Αποστολική, Municipal Pinacotheque of Athens1994-</span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: xx-small;"><span lang="en-US"><i>Dedication to Polyxene Kasda,</i></span></span><span style="font-family: "arial" , sans-serif; font-size: xx-small;">Tyflomyga review, Athens 2003-</span><span style="font-family: "arial" , sans-serif; font-size: xx-small;"><span lang="el-GR"><i> </i></span></span></div>
<span style="color: navy;"><span style="font-family: "calibri" , sans-serif;"><span style="font-size: xx-small;">P. Kasda,<i> When that word swallowed me,</i> narrative essay Sphinx,-The Hidden Thebes Festiva/ poesia e conoscenza 2016</span></span></span><br />
<span style="color: navy; font-family: "calibri" , sans-serif; font-size: xx-small;"><i>Artificial Intelligence Professor needles Poly Kasda's Conscious Eye</i>, essay Southwiind /Amazon 2015</span><br />
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<span style="background-color: lime; font-family: "verdana" , sans-serif; font-size: x-small;">Sonorous landscapes: as team hyper-project "Kadmus looks for Europe 2017" starts morphing, i visualize Code Lexomorphes gigantic patterns covering Mt. Phikion of Thebes, the mythical mount on which the Sphinx was challenging voyagers with its lethal Self-regenerating Riddle. The word Phikion is derived from the name Phix, the ancient Greek name for the Sphinx.The idea is to convert the mountain into a linguistic riddle. ONOMA in Greek is interpreted by Socrates as that which gives self-birth to ON (the creature in question).</span><br />
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<span style="background-color: white;"><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;"><i>- Landscape semiotics-Affective hermeneutic maps of spectral Greece</i></span></b></span><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;"><i> </i></span></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;">-1994-1996-</span></b><span style="background-color: white;"><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;"><i>, knowledge through mystic participation- </i>herding the tantalizing trails of spectral space ossified symptoms, into a self- apocalyptic matrix - evocative </span></span><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;">landscape semiotics and language games.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGacJglFyODuolIDpmAhcUWJVb7II_JdTzIc859gUoymZlxB-I3T0G7ErellL1wFEA7H2H-MjFSOZTyzgGCwMSrARaIE41SiJtph5ke_73H473V8NHA1NRSTU-u_r6Zw1A6hevxh7pAR8B/s1600/artimap.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGacJglFyODuolIDpmAhcUWJVb7II_JdTzIc859gUoymZlxB-I3T0G7ErellL1wFEA7H2H-MjFSOZTyzgGCwMSrARaIE41SiJtph5ke_73H473V8NHA1NRSTU-u_r6Zw1A6hevxh7pAR8B/s320/artimap.jpg" width="235" /></a><span lang="EN-US" style="font-family: "times new roman" , serif; line-height: 13.2pt;">Mythologically augmented, anti-historical parcours in mythical sites of Greece - graphisms and sets of instructions encouraging the participants'identification with apocalyptic symbols</span><span style="font-family: "times new roman" , serif;"> </span><span style="font-family: "times new roman" , serif;">condescendingly opening prosvassis to </span><span lang="EN-US" style="font-family: "times new roman" , serif; line-height: 13.2pt;"> 'ekstatic' noetic hyperspaces emerging in actual life, through the participants' consensual synesthetic engagement</span><span lang="EN-US" style="font-family: "times new roman" , serif; line-height: 13.2pt;">.</span></div>
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<span style="font-size: xx-small;"><span style="font-style: normal;"><span lang="EN-US" style="background-color: #cccccc; font-family: "arial" , sans-serif;"><span style="font-style: normal;">"I was unleashing in the present the repressed imagery of my deep unconscious, which, to my surprise, I was now recognizing embodied in the vigilant topology of Greece, an ontological riddle that is incessantly defying our mortality under our feet”.</span>P. Kasda, <i>When that word swallowed me,</i> Sphinx, the Hidden Thebes Festival editions 2016</span></span><span style="background-color: #cccccc; font-family: "arial" , sans-serif;">.</span></span><span style="font-family: "times new roman" , serif; font-size: small; font-style: normal;"><o:p></o:p></span><br />
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<span style="font-family: "times new roman" , serif; font-size: x-small;">Project-maps:</span><br />
<span style="font-family: "times new roman" , serif; font-size: x-small;"> -</span><i style="font-family: "times new roman", serif; font-size: small;">Tavrokathapsia,</i><span style="font-family: "times new roman" , serif; font-size: x-small;"> The Gate of Fire, crossing Crete 1994</span><br />
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-size: x-small; line-height: 13.2pt;"><i>-Arcteia,</i> tracing Artemis (Artemeo means I AM), on the triangle linking Brauron Attica, Lykeon Mi. Arcadia, Icaria Nas..1996.</span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-size: x-small; line-height: 13.2pt;">Realized under the auspices of the Municipal Radio of Athens 9,84F.M, with the participation of the Biennial of Poetry of Alessandria Italy,</span><span style="font-family: "times new roman" , serif; font-size: x-small; line-height: 13.2pt;">Το</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: x-small; line-height: 13.2pt;">uchstone poetry group for the XVth European Poetry Festival (Brussels),<i> </i>the European Poetry Network (Belgium)<i>, </i>who adopted the Maps as a new form of generative poetic expression.</span></div>
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<i style="background-color: lime;"><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: x-small; line-height: 13.2pt;"><br /></span></i><i style="background-color: lime;"><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: x-small; line-height: 13.2pt;">"ancient symbols are seen as wormhole shortcuts in the fabric of spacetime </span><span style="font-family: "times new roman" , serif; font-size: x-small;"> condescendingly opening through anagnorisistic identification with the anonymous simulator of our reality game" </span></i><span style="background-color: lime;"><i style="font-family: times, "times new roman", serif; font-size: small;"> </i><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">P. Kasda,</span><i style="font-family: times, "times new roman", serif; font-size: small;"> on the irresistible charm of real-life project-plotting </i><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">(essay on-the-make).</span></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;"><br /></span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;">Relevant articles and essays:<br /><br />P. Kasda, <i>Pyrisporos. Art-Mythology-Informatics,</i> Greek interdisciplinary hyper-essay, Aigokeros-Art, Athens 1994.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">Landscape of my Soul</span></i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">, <i>Poeti e Paesaggi,</i> XIV Biennale di Poesia di Alessandria, Joker, Italy 2008.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda,<i> </i></span><i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">Poetry and Landscape</span></i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">, Echo of Faleron, Greek newspaper of Paleon Faleron, Athens 2008.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="font-size: 8pt;">P. Kasda, <i>Ciel et Terre, Poesia, Mito, Utopia </i>ed. VIIIth Biennale di Poesia di Alessandria, Joker, Italy1996.</span><span lang="FR" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="font-size: 8pt;">P. Kasda, <i>I</i></span><i><span style="font-size: 8pt;">η</span></i><i><span lang="FR" style="font-size: 8pt;">dicibili e Ineffabile,VIII Bienale di Poesia di Alessandria, Millenium writers, Joker, Italy 1996</span></i><span lang="FR" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Taurokathapsia,</i>Touchstone Coed. Seven Sleepers 1994.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i> </i></span><i><span style="font-size: 8pt;">Μ</span></i><i><span lang="EN-US" style="font-size: 8pt;">yth/ Network 5</span></i><span lang="EN-US" style="font-size: 8pt;">, ARTI, 1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Myth/ Network 5: The Gate of Fire, </i>Euphorion Transilvania, VI, n. 55.56.57. </span><span lang="FR" style="font-size: 8pt;">Sibiu, Romania, 1995.</span><span lang="FR" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="font-size: 8pt;">P. Kasda, <i>Arkteia, on the threshold of time,</i> <i>Tradition et Modernite dans l'Ancien et le Nouveau Monde,</i> Leuvain Les Sept Dormants n4 coed. </span><span lang="EN-US" style="font-size: 8pt;">Uni. Lucian Blaga press1996.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Progetto Myth/ Network 1-5,</i> La Clessidra n.1, Joker, Italy 1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="font-size: 8pt;">P. Kasda, <i>Cer si pamant</i>, Transilvania 1-2-3, Cultura Nationala, Romania 1996.</span><span lang="FR" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Puterea elementului mic/ </i></span><i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">Power of the Small, </span></i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">translated by M. Ivanescu, La Tribuna de Sibiu1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Progetto Myth/Network 6 : Sulla soglia del tempo, </i>La Clessidra n2/1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Myth/ Network 5: The Gate of Fire, </i>Euphorion Transilvania, VI, n. 55-57, Sibiu, Romania 1995 </span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda,<i> Progetto Myth/ Network 1-5,</i> La Clessidra n.1/ Joker, Italy 1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, </span><i><span style="font-size: 8pt;">Μ</span></i><i><span lang="EN-US" style="font-size: 8pt;">yth/Network</span></i><span lang="EN-US" style="font-size: 8pt;">, International bac review of Costeas Geitonas Schools, Athens 1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Where is the Village going?</i> Arcas, Greek newspaper of Arcadia, Greece 1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Mein poezie is een reis in de geegtelidjke textuur vaan het land</i>, 3000 Letters X, The Seven Sleepers Leuvain 1994</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Taurokathapsia Mythologically augmented Route Map across the island of Crete, </i></span><i><span lang="EN-US" style="background: white; font-family: "times new roman" , serif; font-size: 8pt;">Landscape</span></i><i><span lang="EN-US" style="background: white; font-size: 8pt;"> </span></i><i><span lang="EN-US" style="font-size: 8pt;">semiotics</span></i><span lang="EN-US" style="font-size: 8pt;">, Touchstone co-ed. The Seven Sleepers 1994</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;"><span style="font-size: 7.5pt;">Project Myth/Network 1990-2011, </span><span style="font-size: 10px;">European</span><span style="font-size: 7.5pt;"> heritage integration in modern perception </span></span></i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;">http:PolyxeneKasda.blogspot.com</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjij_68TepSD-8y5TOIfgdl7Pi7aIEJwGuI1a41ZM8vtRf-tP0jhaITff8Ld0NSo1JrkIiCBF2ZJ4D9SF_SZdtQXPdejWMmYJgTiQOf5rzClywHyGSkHLTZ7d6piIxMtF1lkdRSJPrqmLm/s1600/d%25C3%25A9tour%25C3%25A9+plan%252C+pxk+savano.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: white; color: #333333; line-height: 17.68px;"><span lang="en-US" style="font-family: "courier new" , "courier" , monospace;"><i><b><span style="font-family: "courier new" , "courier" , monospace;">- </span><span style="font-family: inherit;">PXK Route, global fossil touching down across the globe 2004-2017-:</span></b><span style="font-family: inherit;">overview </span></i></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="background-color: white; color: #333333; line-height: 17.68px;"><span lang="en-US" style="font-family: inherit;"><span style="font-family: "courier new" , "courier" , monospace;">i</span><span style="font-family: "courier new" , "courier" , monospace;">nstallation made with my self-devised material PXK, </span><span style="font-family: "courier new" , "courier" , monospace;">anchored in</span></span></span></span></span><span style="font-family: inherit;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="color: #333333; line-height: 19.2pt;"> 25 world loci, often through my participation in big events like </span></span><span lang="EN-GB" style="color: #333333; line-height: 19.2pt;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;">Athens Olympics 2004, the XVII Βiennale di Poesia di Alessa</span></span><span style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;">ndria Italy 2004, the 2nd Biennial of Beijing 2005, the 4th Biennial of Tashkent 2007, </span><i style="font-family: "courier new", courier, monospace;">Nuit Blanche</i><span style="font-family: "courier new" , "courier" , monospace;"> Paris 2007...</span></span></span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-GB" style="color: #333333; font-family: "times" , "times new roman" , serif; font-size: x-small; line-height: 19.2pt;"><span lang="EN-US" style="line-height: 18.4px;"> </span><span lang="EN-US" style="line-height: 18.4px;"><span style="font-family: "courier new" , "courier" , monospace;">PXK Route represented Greece in the Beijing Biennial Olympic conference 2008 and was awarded the Olympic Fine Arts Golden medal Beijing 2008.</span></span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-GB" style="color: #333333; font-family: "times" , "times new roman" , serif; font-size: x-small; line-height: 19.2pt;"><span lang="EN-US" style="line-height: 18.4px;"><span style="font-family: "courier new" , "courier" , monospace;"><br /></span></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-GB" style="color: #333333; font-family: "times" , "times new roman" , serif; font-size: x-small; line-height: 19.2pt;"><span lang="EN-US" style="line-height: 18.4px;"><span style="font-family: "courier new" , "courier" , monospace;"><i>"PXK stands for my skin left in the process of the project;s realization while assimilating diverse cultures" Ibid</i></span></span></span></span><br />
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;"></span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;"><br /></span></div>
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<span style="background-color: white;"><span lang="EN-US" style="font-family: "times new roman" , serif;"> </span><b><i><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;">- Home/ Network </span></i></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;">-1995-1998- : broadening the definition of home. </span></b></span><b><span lang="EN-US" style="font-family: "times new roman" , serif;">Neighborhood acoustic-visual installation on the expansive dynamics of intimate territories</span></b><span lang="EN-US" style="font-family: "times new roman" , serif;">. <b>Odonymic affective resonance and</b> i<b>nter-balcony acoustic happening; a magically activated residents' instinctive connectedness..</b></span><br />
<span lang="EN-US" style="background-color: white; font-family: "times new roman" , serif; font-size: x-small;"> </span><span lang="EN-US" style="background-color: white; font-family: "times new roman" , serif; font-size: x-small;">Municipality of Pale</span><span lang="EN-US" style="background-color: white; font-family: "times new roman" , serif; font-size: x-small;">on Faleron, Athens.</span><br />
<span lang="EN-US" style="background-color: white; font-family: "times new roman" , serif; font-size: x-small;"><br /></span><i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;"><br /></span></i><span style="font-size: x-small;"><i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;">P. Kasda, Casa/ Retea, Home/Network</span></i><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 7.5pt;">, Transilvania 1-2, Sibiu, Romania 1995, translated in Romanian from French by poet Mircae Ivanescu.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN6ISmjuTcrhQhwAvbHXAYT_76NN3mfrxjjFVRYwGsMUniGWi3mnBUQjKXXPqxMnkrdAN5GHthpiBC8dbVtRzIOk1Uu3fseI5R9iLRXjFYD6oG10CWMefgFWUUmcaRd_SMgrhuYwgnVEmn/s1600/poly+images.08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN6ISmjuTcrhQhwAvbHXAYT_76NN3mfrxjjFVRYwGsMUniGWi3mnBUQjKXXPqxMnkrdAN5GHthpiBC8dbVtRzIOk1Uu3fseI5R9iLRXjFYD6oG10CWMefgFWUUmcaRd_SMgrhuYwgnVEmn/s400/poly+images.08.jpg" width="400" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidP_Ssrm9IVmGH5735AZiiq9MtXUzcIHyxH_Rf0Lzxw2gtMBN59OfAibEPNfwIwrXr7pmGq5kCLvHNE890sQZDtV5G-S0RNafUehsxQpG398HIdpr_Q_-q3wThAQpPyamDf_w0QKFoQa8N/s1600/pygeaigaioupatelibook.jpg" imageanchor="1" style="clear: right; float: right; font-size: 10.6667px; margin-bottom: 1em; margin-left: 1em; text-align: center;"><br /></a><span lang="EN-US" style="background: white; color: #333333; font-size: 11pt;"><b><span style="font-family: "times new roman";"></span></b></span><span lang="EN-US" style="background: white; color: #333333; font-size: 11pt;"><b><span style="font-family: "times new roman";"><span lang="EN-US" style="color: #333333; font-size: 11pt;"><b><span style="font-family: "times new roman";"><br /></span></b></span></span></b></span><span lang="EN-US" style="background: white; color: #333333; font-size: 11pt;"><b><span style="font-family: "times new roman";">- Doodling interludes 1985-2016,</span><span style="font-family: "courier new";"> </span></b></span><span lang="EN-US" style="background: white; color: #333333; font-family: "times new roman"; font-size: 11pt;">perturbations of a probabilistic</span><span lang="EN-US" style="background: white; color: #333333; font-family: "times new roman"; font-size: 11pt;"> mind trapped on the mental/actual interface in the space between projects where nothing, or, very little happens. Drawings on diaphanes inserted in </span><span lang="EN-US" style="color: #333333; font-family: "times new roman"; font-size: 11pt;">13 cultural </span><span style="color: #333333; font-family: "times new roman"; font-size: 11pt;">events in 7 countries ( 3</span><sup style="color: #333333; font-family: "times new roman";">rd</sup><span style="color: #333333; font-family: "times new roman"; font-size: 11pt;"> Beijing Biennial 2008, DESIGN House of Cyprus Athens 2009, Munster Night of Museums, Germany 2014, et al..).</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu6ysWnzIMite7dz-wm6Mq1T4d1X8LcQDfedV93JqMqAmU-ggjlGOqhtntGSx9KRcbzh8OTL5ZsCEFwCqOQiFxbmRVDmnQf4qyu71sIXKoiEWVBZmZO7OnKl6eYyfDWDekzKXnOTUCx9tE/s1600/poly+images.05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu6ysWnzIMite7dz-wm6Mq1T4d1X8LcQDfedV93JqMqAmU-ggjlGOqhtntGSx9KRcbzh8OTL5ZsCEFwCqOQiFxbmRVDmnQf4qyu71sIXKoiEWVBZmZO7OnKl6eYyfDWDekzKXnOTUCx9tE/s400/poly+images.05.jpg" width="400" /></a></div>
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<b>- Fugue, or, The Gate of Love 1996-1998-2005: overview </b><b>monumental Fibonacci </b><b>structure variations </b><b>anchored in </b><b>five distant sites of the earth-served as scenery for recursive performance re-enacting the mystic participation in the archetype of the Child "PAI". The carved stone sculpture used in these performances was to be the treasure to be/not to to be found in the Samothrace Game 2011. </b>Parts of Fugue are in the Castro di Piovera Alessandria, Italy 1996, Crabova Fountain, Arcadia 1997, University of Lucian Blaga Sibiu, Romania1997 (Silver Honorary Medal), The Aegean Foundation, Paros 1998, Park Floisvos 2005, Athens.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh50UQ_IpGF6FDW98CBdT8WbXspIHIKgfZUvACY6huo2-1QmNoj8riXK21R4pVY3hkaccr5GsIAgo_ntLt1hkwg2Mm5EIvAlBjFiYHU8J3O6CU0M3Ajp_nOUNvx1b1lfzikmffeRUYotvqU/s1600/poly+images.03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh50UQ_IpGF6FDW98CBdT8WbXspIHIKgfZUvACY6huo2-1QmNoj8riXK21R4pVY3hkaccr5GsIAgo_ntLt1hkwg2Mm5EIvAlBjFiYHU8J3O6CU0M3Ajp_nOUNvx1b1lfzikmffeRUYotvqU/s400/poly+images.03.jpg" width="400" /></a></div>
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<span style="background-color: white;"><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: "times new roman" , serif;">- <i>Chrysalis</i> -1990-1991-</span></b><span lang="EN-US" style="font-family: "times new roman" , serif;">: restoring the human need for a threshold ritual when hit by</span></span><span style="background-color: white; font-family: "times new roman" , serif;"> the rising Zeitgeist wave, or, </span><span style="background-color: white; font-family: "times new roman" , serif;">"composing an ideography of the web before its spreading"(M. Zikou, the Over-determination in Poly Kasda's work, Stoa tou Vivliou, 2/6 Athens).</span><br />
<span style="background-color: white; font-family: "times new roman" , serif;"><b>When the I became WE and </b></span><b><span lang="EN-US">the Atlas was turned into an interactive web and the object spirited away into a vibrational motif which turned into music, </span><span style="line-height: 13.2pt;"><span lang="EN-US" style="font-size: 8pt;">without the use of the internet technologies which in 1990 were still widely unknown.</span></span></b><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0AnHMQ9srSMZ5RFpJ-W-KDkauIVeGoA2Or59fqS1l4qQEYQP6EwNbRVw8QsAKi20KvE8Kd6HLRooXn9CZ-5ZfnSn6_6NO9k3EL4t3em4s8tmdAYg5tEjR1IfePvqAj9diIg_PTzftm8Hq/s1600/arti.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0AnHMQ9srSMZ5RFpJ-W-KDkauIVeGoA2Or59fqS1l4qQEYQP6EwNbRVw8QsAKi20KvE8Kd6HLRooXn9CZ-5ZfnSn6_6NO9k3EL4t3em4s8tmdAYg5tEjR1IfePvqAj9diIg_PTzftm8Hq/s400/arti.jpg" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ0Mfs8HBVHlzoBKZObJpB0uy_TY47Fimlsg3ewm3umzSQnFFUb5OxvG7kS8WI0u456BRDNv1m5Qw1s6pJsAeW2vQpu_p13n05LQL4ttVa0VEgAg7dOlaFttZkl3mXbZTAOgbbNxTq6vy9/s1600/lacmornosperformance90.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ0Mfs8HBVHlzoBKZObJpB0uy_TY47Fimlsg3ewm3umzSQnFFUb5OxvG7kS8WI0u456BRDNv1m5Qw1s6pJsAeW2vQpu_p13n05LQL4ttVa0VEgAg7dOlaFttZkl3mXbZTAOgbbNxTq6vy9/s200/lacmornosperformance90.jpg" width="131" /></a><span style="background-color: white;"><span lang="EN-US" style="font-family: "times new roman" , serif;"><b><o:p></o:p></b></span></span><span style="font-family: "times new roman" , serif; line-height: 13.2pt;">Performative threshold ritual on the plinth emerging from the receding Lake of Mornos, Greece. Expansion of the resulting</span><i style="font-family: "times new roman", serif; line-height: 13.2pt;"> </i><span lang="EN-US" style="font-family: "times new roman" , serif; line-height: 13.2pt;">biodegradable installation of mud sculptures </span><span lang="EN-US" style="font-family: "times new roman" , serif; line-height: 13.2pt;">into a co-creative geocaching global installation anchored in 300 sites-27 countries, meant to dissolve in the rain, releasing through entanglement the dynamic relational web structure of its interact</span><span style="font-family: "times new roman" , serif; line-height: 13.2pt;">ο</span><span lang="EN-US" style="font-family: "times new roman" , serif; line-height: 13.2pt;">rs' creative time-lapse arrows, echoing contemporary trendy data maps.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKO2Y113Fm3J5DXLwaL6Wsg-Tq4eeCKSGagmpjllXXdpuWvAJ74Vv6BI0H95CTUyVaHx085l8CZ7O97MHo99ULsd-S161yH65o5ELQomf8ejFN9aEGQwHXs91qWgFlIN3-LxZgjGSlqKdS/s1600/m94a.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKO2Y113Fm3J5DXLwaL6Wsg-Tq4eeCKSGagmpjllXXdpuWvAJ74Vv6BI0H95CTUyVaHx085l8CZ7O97MHo99ULsd-S161yH65o5ELQomf8ejFN9aEGQwHXs91qWgFlIN3-LxZgjGSlqKdS/s200/m94a.jpg" /></a><br />
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 9pt;">The<b><i> polycentric interactors' documentation </i></b>was<b><i> </i></b>augmented by a <b><i>UCT world -on- the- make libation 15-2-1991,</i></b> in the <b>acoustic structure </b>dictated by the algorithm of the word </span><span style="font-family: "times new roman" , serif; font-size: 9pt;">ΧΡΥΣΑΛΛΙΣ</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 9pt;"> performed by </span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: xx-small;">SIDAS </span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 9pt;">musical group dispersed in the crowd.</span><br />
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<b><span lang="EN-US" style="background: white; font-size: 8pt;"> Narrative-articles springing from the above sub-project:</span></b></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda,<i>The Silenziosi and Project Myth/Network 1990-2005 in Art-Act,</i> Tyflomyga revue, December. 2005. (Greek)</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda<i>, Project: Myth/Network 1990-1994: Revival of cosmological Memory in our spacetime redefinition, </i>Tetarti Apostoliki, Pinacotheque of the Municipality of Athens catalog, T.E.E. 1994.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda<i>, “Logos”</i>, ENOPE Center of Arts and Sciences, booklet 2/11/1992.(Greek)</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda<i>, Sky inside, sky outside, </i>Emvolimon magazine nb.8, Aspra Spitia Boetia, Greece 1990.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>Progetto Myth/Network 1-5,</i> La Clessidra1, Jo</span><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 8pt;">ker, magazine, Italy 1995.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda, <i>The Network,</i> Govostis ed. 1991.</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-size: 8pt;">Dedication to Polyxene Kasda, Project Myth/Network</span></i><span lang="EN-US" style="font-size: 8pt;"> interview, Tyflomyga, September, Athens 2003.(Greek)</span><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda<i>, Project Myth/Network 1990-1995,</i> TV documentary by Makis Faros, production Icona, </span></div>
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<span lang="EN-US" style="font-size: 8pt;">P. Kasda<i>, Chrysalii, a mythological experience, Politistiki ekfrassi/ </i>Cultural Expression journal, interview, Athens 1991.(Greek)</span></div>
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<span style="font-size: 10.6667px;">http://uraniasgardens.blogspot.gr/2009/01/chrysalis-chronicle.html, </span><br />
<span style="font-size: 10.6667px;">Threshold performance /Global installation by Polyxene Kasda in 1990 (Ibid).</span><br />
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<span style="background-color: cyan;"><b><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 10pt;"><i>the above sub-projects are all facets of hyper-project Myth/Network </i></span></b><b><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 10pt;"><i>-1990-2015- : a 4D scattering matrix of inter-weaved sub-projects set at the interface of ritual/actual time, emerging from depth psychology and multi-plexing in overview dispersive structures; time shift traces of my threshold instant performance in the bottom of the Lake of Mornos, Greece 1990.</i></span></b></span><br />
<span style="background-color: cyan;"><b><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 10pt;"><o:p></o:p></span></b></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDxWoDumMAAMxErLC-sBi3ILPwCbGpENKXInDr0F2aryiLZmJF5fSleeaiPLWVyu1FTr1lcepX6wbMsA5MWlqR9fICsImq38li9ZjH3txhCg7jv4WTlE5vDXfRt-FrJG2wGcIiAjDqALup/s1600/poly+images.02.jpg" imageanchor="1" style="background-color: white; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDxWoDumMAAMxErLC-sBi3ILPwCbGpENKXInDr0F2aryiLZmJF5fSleeaiPLWVyu1FTr1lcepX6wbMsA5MWlqR9fICsImq38li9ZjH3txhCg7jv4WTlE5vDXfRt-FrJG2wGcIiAjDqALup/s400/poly+images.02.jpg" width="400" /></a><br />
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<span style="background-color: red;"><b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">Project Myth/Network was launched in the Museum of Modern Art</span></b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"> <b>of Joensuu Finland, PAND Meeting of the Worlds conference 1990.</b><o:p></o:p></span></span></div>
<b><span lang="EN-US" style="background-color: red; color: #333333; font-family: "calibri" , "sans-serif";">Archives:<i> Project Myth/Network: </i>emst.gr/gr/collections National Museum of Modern Art archives code 1595. Donation: Xagoraris 1991.</span></b><br />
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<b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">They wrote:</span></b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<i><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">"Under-determination is transcribed in the work of Poly Kasda as scattered traces of language, objects, performances...which may reveal or conceal the true meaning, the core of her objectives. A core attracting into its orbit scientific theories of computational and cognitive science along with the philosophical and applied concepts of experience".</span></i><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioVfHmkF8t_AUcOtK2AVlJ_qKp15w73scyWycvAxplkZGwvBJdLVwQ8STrF3oh-B-ogRq9pEF1PsEvuUw3wT-ktMAe-YRRyC1X-ZfVT_gBd_V8w3Mw7mt_HezPKvCcMYE_cEvu02WQF3vU/s1600/poly+images.11.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioVfHmkF8t_AUcOtK2AVlJ_qKp15w73scyWycvAxplkZGwvBJdLVwQ8STrF3oh-B-ogRq9pEF1PsEvuUw3wT-ktMAe-YRRyC1X-ZfVT_gBd_V8w3Mw7mt_HezPKvCcMYE_cEvu02WQF3vU/s400/poly+images.11.jpg" width="400" /></a><b><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">Mariana Ziku</span></b><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">, art historian,<i> <b>Under-determination in poly Kasda's work,</b></i> Stoa tou Vivliou, 2/6/2016 Athens</span><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">"<i>She manages with a pre-scientific way’ Paracelsus, Leonardo’s , the witch-doctor’s and Huomo Universalis’ to connect the tangible with the intangible and to manifest in front of our eyes invisible dynamic lines that lend to our world a little more meaning"</i><o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">Dr. Yannis Almyrandis</span></b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">, Democritus institute of bioscience research and applications,<i> <b>Over-determination in poly kasda’s work,</b></i> 2/6 Stoa tou Vivliou Athens <o:p></o:p></span></div>
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<i><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">"At each and every point of her art, Kasda re-casts and re-interprets mythological and philosophical concepts bringing them back to life transfigured in aesthetic form of the highest quality".</span></i><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;"><o:p></o:p></span></div>
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<b><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">Dr. Yael Navaro-Yashin </span></b><span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">2010, anthropologist, essayist, senior university Lecturer, recommendation for EN, Cambridge 2010.</span><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="background: white; color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">“<i>In Kasda's projects original and unpredictable social “language games” are set up and left to evolve creating a multitude of narratives”.</i></span><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<b><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">Dr. John Kontos,</span></b><i><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;"> Artificial Intelligence Professor J</span></i><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">ohn Kontos <i>needles Poly Kasda's Conscious Eye”, </i></span><i style="color: #333333; font-family: calibri, sans-serif; font-size: 14.6667px;">Notio</i><i style="color: #333333; font-family: calibri, sans-serif; font-size: 11pt;">sAnemos/</i><span style="color: #333333; font-family: "calibri" , sans-serif; font-size: 11pt;">South Wind/Amazon 2015.</span><br />
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<i><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">Through collective synergy sustained by pure subjectivity, her itineraries- maps enriched with graphisms- are transformed into an embodiment experience for the participants, tending to be reduced into abstraction, through logical elaboration and writing. To seek to enter in this dimension seems at first sight difficult, but, once you accept to make the effort, doors will open to unsuspected dimensions”.</span></i></div>
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<b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;">Donatella Bisutti,</span></b><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 11pt;"> poet, writer, editor,<i> </i>“<i>Polyxene Kasda Myth/Network”</i>, La Clessidra 1/1995, Joker, Italy</span><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;"><o:p></o:p></span></div>
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<i><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">"Project Myth/Network is a state which is configured as much by the artist as by the participants in her growing interactive web. It is an open system that evolves on many ontological levels”.</span></i></div>
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<b><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">Elzbieta Koscielak</span></b><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">, </span><span style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">Α</span><span lang="EN-US" style="color: #333333; font-family: "calibri" , "sans-serif"; font-size: 11pt;">ICA art critic, “<i>Myth/Network: The vision of an open system in Art</i>”, <i>The Network,, </i>Govostis, Athens 3/2/1991.<o:p></o:p></span><br />
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<i><span lang="EN-GB" style="font-family: "calibri" , sans-serif; line-height: 17.6px;">By revisiting myth, Polyxene, crucial-timer artist, reconstructs history itself. Through the study of the landscape magnified by observation, scientific research, linguistic analogies and the involvement of residents in her work, her project is a precious “doc” important for future generations".<o:p></o:p></span></i></div>
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<b><span lang="EN-GB" style="font-family: "calibri" , sans-serif; line-height: 17.6px;">Dores Sacquegna</span></b><span lang="EN-GB" style="font-family: "calibri" , sans-serif; line-height: 17.6px;">, art-curator, gallery director,</span><span lang="EN-GB" style="font-family: "calibri" , sans-serif; line-height: 17.6px;"> </span><i><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 17.6px;">Celestial Fragments</span></i><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 17.6px;">, Primopianogallery, Lecce, Italy.<span style="font-size: 8pt;"><o:p></o:p></span></span></div>
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“<i>She</i> <i>belongs to an ancient and ever actual existential forefront, as, by analogy, the Pythagorean and Orphic mysteries would seem advanced today. The ancient mystery with its three folds- τα δεικνύμενα (the things shown), τα λεγόμενα (the things said) και τα δρώμενα (the things done) – is the type and form of creation that inspires and expresses Polyxene Kasda”.</i></div>
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<b>Victor Ivanovici</b><span lang="EN-AU" style="line-height: 17.6px;">, </span><span lang="EN-AU" style="line-height: 17.6px;">writer, essayist, literary critic, Athens 2005.</span><br />
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<span lang="EN-AU" style="line-height: 17.6px;">Polyxene Kasda is IAA UNESCO artist, studied Chemistry-Physics in A.U.C Cairo, graduated in Psychology-Sociology in A.C.G. Athens. </span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-18946127117521077642016-11-19T23:21:00.003-08:002019-05-26T02:43:21.999-07:00poly kasda<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span lang="EN-US" style="font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">PolyXene Kasda<o:p></o:p></span></b></div>
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<b><span lang="EN-US" style="font-size: 9.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> IAA UNESCO artist, lives in Athens,
works everywhere.<o:p></o:p></span></b></div>
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<b><span lang="EN-US" style="font-size: 9.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></b></div>
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<b><span lang="EN-US">Her main Project Myth/Network* <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #333333;">-1990-2017- is
</span>an open system of interlaced</span></b><span lang="EN-US"> <b>self-fueling sub-projects emerging from depth psychology and multiplexing in<o:p></o:p></b></span></div>
<div class="MsoListParagraphCxSpFirst" style="mso-list: l1 level1 lfo2; text-indent: -.25in;">
<!--[if !supportLists]--><span lang="EN-US">-<span style="font-size: 7pt; font-stretch: normal; font-variant-numeric: normal; line-height: normal;"> - </span></span><!--[endif]--><b><span lang="EN-US">Biodegradable, interactive,
overview installations </span></b><span lang="EN-US">like<b> Chrysalis
1990- </b>anchored in 300 sites-27 countries,<b> </b></span><span lang="EN-US">composing
an ideography of the web before it’s spreading</span><span lang="EN-US" style="background: white; color: #333333;"> </span><span lang="EN-US" style="background: white; color: #333333; font-size: 10.0pt; line-height: 115%;">(launched in the Museum of
Modern Art Joensuu, PAND conference, Meeting of the Worlds, Finland 1990).</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
<!--[if !supportLists]--><span lang="EN-US" style="font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">-<span style="font-size: 7pt; font-stretch: normal; font-variant-numeric: normal; line-height: normal;"> - </span></span><!--[endif]--><b><span lang="EN-US">Overlapping dispersive
overview installations</span></b><span lang="EN-US"> touching down across the globe often through her participation
in big events </span><span lang="EN-US" style="font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri;">(Biennials of Beijing 2005-2008, Biennial
of Tashkent 2007, Nuit Blanche Paris 2007, FMC Syria2006, Flags </span><span lang="EN-US" style="font-size: xx-small; line-height: 115%;">MEADOWS UNESCO</span><span lang="EN-US" style="font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri;"> Beirut 2012,,
Design House of Cyprus Athens 2009, Night of Museums Munster Germany 2015, University of Lucian Blaga Sibiu Silver Medal
2007, Olympic Fine Arts Beijing Gold Medal 2008)<o:p></o:p></span></div>
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<!--[if !supportLists]--><span lang="EN-US">-<span style="font-size: 7pt; font-stretch: normal; font-variant-numeric: normal; line-height: normal;"> - </span></span><!--[endif]--><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Affective</span></b><b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;"> - cognitive maps of mythically augmented sites merging spectral/ actual space </span></b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">adopted in 1995 by the European Network of Poetry as a new form of
poetical expression</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="background: white; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<!--[if !supportLists]--><span lang="EN-US">-<span style="font-size: 7pt; font-stretch: normal; font-variant-numeric: normal; line-height: normal;"> -
</span></span><!--[endif]--><b><span lang="EN-US">Code Lexomorphes: language games with cryptographic patterns based
on the ancient Greek mathematical codification of the alphabet</span></b><span lang="EN-US" style="font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri;">. (Symposium on Greek language, Old Parliament of Athens,
EETE Silver Medal 2009).</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpLast" style="background: white; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<!--[if !supportLists]--><span lang="EN-US" style="line-height: 115%;"><span style="font-size: 10pt;">-</span><span style="font-size: 7pt; font-stretch: normal; font-variant-numeric: normal; line-height: normal;"> </span><span style="font-stretch: normal; line-height: normal;"> - </span></span><!--[endif]--><b><span lang="EN-US" style="line-height: 115%;">Urania’s Gardens: Agro-psycho-Social art generating community
projects</span></b><span lang="EN-US" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #215868;">.</span><span lang="EN-US"> </span><span lang="EN-US" style="line-height: 115%;">http://Uraniagardens.blogspot.com</span><span lang="EN-US" style="font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri;"><o:p></o:p></span><br />
<span lang="EN-US" style="font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
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<span lang="EN-US" style="background: white; color: #333333;">Her artistic
acts are processed and formulated in Greek, English and French in her <b>research documentaries</b>, <b>cross-disciplinary
essays</b> and <b>allegoric
bionarratives. </b></span><span lang="EN-US"><o:p></o:p></span><br />
<span lang="EN-US" style="background: white; color: #333333;"><span style="color: #222222; font-family: "arial" , sans-serif; font-size: 12.8px;">html: </span><a class="m_-4482933784739446627moz-txt-link-freetext" data-saferedirecturl="https://www.google.com/url?hl=el&q=https://lekseikones.wordpress.com/&source=gmail&ust=1510472806715000&usg=AFQjCNGF5MQVGB6w8sOM9rki8Ic8HS-ffQ" href="https://lekseikones.wordpress.com/" style="color: #1155cc; font-family: arial, sans-serif; font-size: 12.8px;" target="_blank">https://lekseikones.wordpress.<wbr></wbr>com/</a></span><br />
<span style="background-color: white; color: #373737; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 15px;"> </span><a href="http://lekseikones.metartnet.com/ai-myth/index.html" rel="noopener" style="background-color: white; border: 0px; color: #1982d1; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">http://lekseikones.metartnet.com</a><br />
<span lang="EN-US" style="background: white; color: #333333;"><b><br /></b></span></div>
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<span lang="EN-US">She graduated in Psychology-
Sociology B.A. Pierce/Deree ACG, studied Chemistry-Physics in the American
University of Cairo,<span style="background: white;"> </span></span><span lang="EN-US" style="color: #333333; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;">had a 7 years apprenticeship in visual arts in S.
Hermann's workshop, </span><span lang="EN-US">Besancon, Alexandria
and </span><span lang="EN-US" style="color: #333333; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL;">has the National Arabic
language diploma. Her early paintings as Poly Casdas are in private
collections.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="background: white; color: #333333;">*Project
Myth/Network, EMST National Museum of Contemporary Art, Greece, Archives code
1595. Donation:Xagoraris 1991. <o:p></o:p></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-69137538698131353502016-09-04T20:32:00.000-07:002016-11-25T23:18:05.421-08:00Artificial Intelligence is needling The Conscious eye and that word that swallowed me<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://www.amazon.com/Artificial-Intelligence-Needles-Conscious-Eye/dp/9609511287" style="background-color: white; color: #1155cc; font-size: 11.05px; line-height: 17.68px; text-align: left; text-decoration: none;" target="_blank"><span style="font-family: "verdana" , sans-serif; font-size: xx-small;"><span style="font-family: "times" , "times new roman" , serif;">http://www.amazon.com/<wbr></wbr>Artificial-Intelligence-<wbr></wbr>N</span><span style="font-family: "helveticaneue" , "helvetica neue" , "helvetica" , "arial" , "lucida grande" , sans-serif; font-size: xx-small;">eedles-Conscious-Eye/dp/</span><wbr></wbr><span style="font-family: "helveticaneue" , "helvetica neue" , "helvetica" , "arial" , "lucida grande" , sans-serif; font-size: xx-small;">9609511287</span></span></a></div>
<span style="font-family: "verdana" , sans-serif;"><i><span lang="EN-US"><b><br /></b></span></i><i><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;"><b>Artificial Intelligence Prof. John Kontos “Needles” Poly Kasda’s Conscious Eye.<o:p></o:p></b></span></i></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;"><b>Perception-Consciousness-Diegesis-Discovery-Creativity</b></span></div>
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<span lang="EN-AU" style="font-family: "verdana" , sans-serif;">"What was the nature of this compulsive tide that pushed XXc. artists in a self-cancellation frenzy, leaving behind a dilapidated mental space and the labyrinthine traces of an unsatiated question mark?<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzTidr5f7GRMP9L4XHTZNzS1R5F8rhfpzfOV4pOumAXG1uPdrc24Z6vS1a8JscXAXf-Uayh6BcHlwKC9sIUubo27q_s3dIktCaMdKpwsS-AvkAS-7PyR4qzlkwkpgHRvWsdOVTh1Poz2Bw/s1600/%25CE%25A4%25CE%259F+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%2599%25CE%2594%25CE%2597%25CE%25A4%25CE%259F+%25CE%259C%25CE%2591%25CE%25A4%25CE%2599.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: "verdana" , sans-serif;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzTidr5f7GRMP9L4XHTZNzS1R5F8rhfpzfOV4pOumAXG1uPdrc24Z6vS1a8JscXAXf-Uayh6BcHlwKC9sIUubo27q_s3dIktCaMdKpwsS-AvkAS-7PyR4qzlkwkpgHRvWsdOVTh1Poz2Bw/s200/%25CE%25A4%25CE%259F+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%2599%25CE%2594%25CE%2597%25CE%25A4%25CE%259F+%25CE%259C%25CE%2591%25CE%25A4%25CE%2599.jpg" width="136" /></span></a><span style="font-family: "verdana" , sans-serif;"><span lang="EN-AU"> </span><span lang="EN-US">This was the question I was persistently raising throughout <i>The Conscious Eye, </i>Aigokeros 1988, </span><span lang="EN-AU">a cross-disciplinary essay dealing with an eye that sees itself seeing, that thinks itself thinking, as it undergoes the crisis of self- consciousness that sealed the arts and sciences of the 20<sup>th</sup>c; an introspective attitude which revealed the linguistic-cognitive scaffold of perception and triggered modern crisis, mining with autognostic explosives our certainties;</span><span lang="EN-US"> a cognitive revolution that shifted our attention from behavioral phenomena to their inner mechanisms.</span></span></div>
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<span style="font-family: "verdana" , sans-serif;">In the book i had made several references to the then rising science of A.I. as an introspective, philosophical tool, which, by externalizing the mechanistic aspects of our thinking helps us realize other ways of thinking; an obsession that drove me to anchor my insight on the then (1985) ongoing academic research applications in Prof. Seymour Papert’s A.I. department at the MIT. </span></div>
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<span style="font-family: "verdana" , sans-serif;"><span lang="EN-US">M</span><span lang="EN-US">y research was documented in my narrative documentary <i>The Adventures of the Eye</i></span><span lang="EN-US">, with documentarist Marco Gastine for the Greek national TV 1986. During the shootings, I met A.I.Prof. John Kontos who foreworded my essay <i>The Conscious Eye, Perception-Art-Informatics</i> that followed the documentary.</span></span></div>
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<span style="font-family: "verdana" , sans-serif;"><span lang="EN-US">Two years ago, after the lapse of a quarter of a century, Dr. John Kontos asked me to translate <i>The Conscious Eye</i> in English since he wished to ‘needle’ my old text with fresh information from the recent research developments in the field of Artificial Intelligence </span><span style="color: #333333; font-size: 12pt;">and particularly in the subfields that promote the
technologies of Machine Consciousness and Computational Creativity</span> during this time.</span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;"> A chunk or two years heavy with endless discussions on the nature of Intelligence and Consciousness followed this call. It resulted in the publication of our English book<i>: <b>Artificial Intelligence Prof. John Kontos “Needles” Poly Kasda’s Conscious Eye, </b></i>southwind/notiosanemos ed.2015<i>.<o:p></o:p></i></span></div>
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<span style="font-family: "verdana" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US">Meanwhile I started writing a narrative chronicle revealing the psychic experience underlying and sustaining my own self-combustive <i><b>project Myth/Network </b></i> dramatized in </span>the interface of ritual/ actual space, during this elapsing 'hemar', or, chunk of 25 years: a self-reflexive speculation</span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">that resulted in the publication of my allegoric narrative </span><b style="font-style: italic;">When that Word swallowed me, Sphinx, </b><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">The Hidden Thebes festival syn. Poesia e Conoscenza review (Milan)".</span><span style="font-family: "arial" , "helvetica" , sans-serif;">.</span></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;">Poly Kasda <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;">Both books<i> Artificial Intelligence Prof. John Kontos “Needles” Poly Kasda’s Conscious Eye </i>and<i> When that Word swallowed me </i>were presented in the Stoa tou Vivliou Athens 2.6.2016<i><o:p></o:p></i></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;">Commentators:<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;"><b>Dr. Harry Meletis,</b> cybernetics researcher<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;"><b>Dr. Manthos Santorinaios</b>, Prof. Athens’School of Fine arts, director of the Master in Artificial Intelligence and Art department.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;"><b>Dr. Peter Tzelepidis,</b> cognitive sciences professor<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "verdana" , sans-serif;"><b>Dr. Yannis Almyrandis,</b> Democritos research institute of biosciences and applications director.</span></div>
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<span style="font-family: "verdana" , sans-serif;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;"><b>Mariana Zikou,</b> art-historian</span><o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;">Short Book description<o:p></o:p></span></b></div>
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<li class="MsoNormal" style="text-align: center;"><b><span lang="EN-US" style="color: #111111; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">ARTIFICIAL INTELLIGENCE PROFESSOR JOHN KONTOS
NEEDLES POLY KASDA'S CONSCIOUS EYE.</span><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;"> <o:p></o:p></span></b></li>
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<span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"><b>Perception-Consciousness-Diegesis-Discovery-Creativity
2015</b></span><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="color: #111111; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">“Kasda's
book, The Conscious Eye Perception-Art-Informatics was based on her insight
into the introspective state of mind of 20<sup>th</sup>c artists as they
shifted their attention from the object of art to the function of their own
mind. Her thesis was partly supported by references to the then rising
technology of A. I. as a tool of introspection. </span><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="color: #111111; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">In the
present book, Prof. John Kontos who had written an introductory note to the
first edition of The Conscious Eye is rejuvenating this old, but still young
text, by lifting it with a set of 'needlings'; injections that connect it with
recent studies in the field of A.I. and particularly of Machine
Consciousness; a technology inspired by human consciousness”. (Excerpt from the
preface).</span><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<li class="MsoNormal" style="text-align: center;"><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;"><b>When that Word swallowed me, </b><o:p></o:p></span></li>
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<span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"><b>Allegoric biodiegesis,
Puer Aeternus, the Axiom of Maria and the Riddle of the Sphinx</b><o:p></o:p></span></div>
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<b><i><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"> “</span></i></b><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;">In this afegema I attempt to
cohere into a single narrative my surreal journey in the backstage of my
specious time work Project Myth/Network 1990-…<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;">A
psychic world of experience courses throughout and sustains the artistic act.
It is rarely revealed because of its profane singularity and yet its revelation
could open an unpredictable window to who we really are”.</span><span lang="EN-US" style="color: #111111; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">
(Excerpt from the preface).</span><span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt;"><o:p></o:p></span></div>
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<span style="font-family: "verdana" , sans-serif;"><span style="line-height: 13.2pt;"><sub><span lang="EN-US" style="color: #333333; font-family: "courier new";"><span style="font-family: Verdana, sans-serif; font-size: xx-small;"><b>What others say: </b></span></span></sub></span></span><br />
<span style="font-family: "verdana" , sans-serif;"><i style="line-height: 13.2pt;"><sub><span lang="EN-US" style="color: #333333; font-family: "courier new";"><span style="font-family: Verdana, sans-serif; font-size: xx-small;"><br /></span></span></sub></i></span>
<span style="font-family: Verdana, sans-serif;"><i style="line-height: 13.2pt;"><sub><span lang="EN-US" style="color: #333333; font-family: "courier new";"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;">"In Poly Kasda's essay The Conscious Eye she describes the consistent path of art, through the changes of the inner visual processes, before its breaking up into a chaotic process of many trends and structures that define our times. </span></span></sub></i><i style="line-height: 13.2pt;"><sub><span lang="EN-US" style="color: #333333; font-family: "courier new";">I wonder whether we should catch the line from this point on; the path through the concepts, the analysis of language and the contemporary mechanisms of its processing and the esoteric vision which her book projects as the record of an adventure”.</span></sub></i></span><br />
<span style="font-family: "verdana" , sans-serif;"><i style="line-height: 13.2pt;"><sub><span lang="EN-US" style="color: #333333; font-family: "courier new";"> </span></sub></i><span style="font-size: xx-small;"><b style="color: #333333; vertical-align: sub;">Dr. Manthos Santorinaios, </b><span style="color: #333333; vertical-align: sub;"><span style="font-size: xx-small;">Athens School of Fine Arts Professor,</span><span style="font-size: xx-small;"> </span></span><span style="color: black; font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: xx-small;">director of the Master in Artificial Intelligence and Art department.</span></span><span style="color: #333333; font-family: "times" , "times new roman" , serif; font-size: xx-small;">2/6 Stoa tou Vivliou Athens </span></span></span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span lang="EN-US" style="color: #333333; font-family: "courier new";"><span style="font-family: "verdana" , sans-serif; font-size: xx-small;">"<i> Kasda manages with a pre-scientific way’ Paracelsus, Leonardo’s , the witch-doctor’s and Huomo Universalis’ to connect the tangible with the intangible and to manifest in front of our eyes invisible dynamic lines that lend to our world a little more meaning".</i></span></span></span><br />
<span style="font-family: "verdana" , sans-serif;"><span lang="EN-US" style="color: #333333; font-family: "courier new";"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><i> </i></span></span><span style="font-size: xx-small;"><b style="line-height: 9.1pt;"><span lang="EN-US" style="color: #333333; font-family: "courier new";">Dr.Yannis Almyrandis,</span></b><span lang="EN-US" style="color: #333333; line-height: 9.1pt;"> Democritus institute of bioscience and applications EKEFE, Over-determination in poly kasda’s work, 2/6 stoa tou vivliou Athens </span></span></span></div>
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<span style="font-family: "verdana" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: xx-small;"><cite class="_Rm"></cite></span><br /></span>
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<span lang="EN-US" style="color: #222222; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">“Kontos joined
forces with Poly Kasda, an artist who studied “the self-combustive frenzy of
20th century art.” Her 1985 booklet, “The Conscious Eye,” foresaw developments
in artificial intelligence. Kasda noticed painters in the twentieth century
were obsessed with introspection: paying more attention to the workings of
their minds than the products of their art. Introspection was also in the
background of the rising computer programs in artificial intelligence. So
Kontos grasped the ingenuity of Kasda and expanded it into this broad
understanding of what artificial intelligence is all about.<o:p></o:p></span></div>
<div style="line-height: 20.25pt; margin-bottom: 15.0pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;">
<span lang="EN-US" style="color: #222222; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">Kontos included a
translation from the Greek of Kasda’s the “Conscious Eye” into this book, one text
seeding and illuminating the other. Indeed, Kontos updates and rejuvenates the
insights of Kasda, and, in this innovation, creates an exciting, timely,
refreshing, and fascinating history of artificial intelligence - of what it
could have become.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #222222; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">I recommend
Kontos’ and Kasda’s book. It is a timely, sophisticated, philosophical, and
honest account of artificial intelligence, a problematic endeavor of great
potential and grave risk”. Evaggelos Vallianatos, Computer engineering and
propaganda/the Huffington Post, US. 11/15/2016<o:p></o:p></span></div>
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<div class="MsoNormal" style="background: white; mso-hyphenate: auto; mso-outline-level: 2; mso-pagination: widow-orphan;">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">“An interesting read and I really liked the book's
unusual structure…<span style="color: #111111;">Kasda's Conscious Eye is an
engrossing discussion of the move towards cognitive content in art. Kontos
'needles' key paragraphs of Kasda's text with discussions of contemporary work
in artificial intelligence.<br />
Well worth a read if you want to find out more about art, artificial
intelligence and the relationship between them”. Dr. David Gamez March 24, 2016
<o:p></o:p></span></span></div>
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<i><sub><span lang="EN-US"><span style="color: #222222; font-family: Verdana, sans-serif;"><span style="font-size: 14pt;">"When that word swallowed me is an intriguing artistic
text… I take it as the other side of the mind from which the
Conscious Eye emerged; a structured epistemological discourse that surfaced
through that same impressive imaginary which reveals
itself consistently over the artistic course of a lifetime. It is great it revealed itself
once more in the form of this text.</span></span><br /><span style="color: #222222; font-family: Verdana, sans-serif;"><span style="font-size: 14pt;">
Thoughts that are hard to embed as language, thoughts and images
that reside submerged within us, that we ourselves do not know what they mean,
what needs they meet and in which unknown territories they game us
to.</span></span><br /><span style="color: #222222; font-family: Verdana, sans-serif;"><span style="font-size: 14pt;">
Perhaps this narrative is a call to see, to </span><span style="font-size: 18.6667px;">rectify</span><span style="font-size: 14pt;"> the uncharted,
terrible and unrecognizable dimensions of our human and
non-human(?) imaginary.</span></span><br /><span style="color: #222222; font-family: Verdana, sans-serif;"><span style="font-size: 14pt;">
The Conscious Eye continues
its search and investigation in the most elusive,
controversial, intra-real dimensions of its existence</span></span></span></sub></i><sub><span lang="EN-US" style="color: #222222; font-family: "Verdana","sans-serif"; font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EL; mso-font-kerning: 0pt;">” Mariana
Zikou, When that word swallowed me 2016<o:p></o:p></span></sub></div>
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<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US;">“Kasda's short autofiction ‘When that word swallowed
me’ marks an epitome of her research in the profound and unfathomed realms of
human experience and imaginary through artistic practice; a possible invitation
also for us, to challenge the emergence of our own minds' uncharted topoi”.
Mariana Zikou, Art-historian, Underdetermination on Poly Kasda’s work, Stoa tou Vivliou, 2/6/2016 Athens.<o:p></o:p></span></div>
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<span style="color: #1155cc; font-family: "calibri";"><a href="http://www.amazon.com/Artificial-Intelligence-Needles-Conscious-Eye/dp/9609511287" style="color: #1155cc; text-decoration: none;" target="_blank"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span style="font-family: "times" , "times new roman" , serif;">http://www.amazon.com/<wbr></wbr>Artificial-Intelligence-<wbr></wbr>N</span><span style="font-family: "helveticaneue" , "helvetica neue" , "helvetica" , "arial" , "lucida grande" , sans-serif; font-size: xx-small;">eedles-Conscious-Eye/dp/</span><wbr></wbr><span style="font-family: "helveticaneue" , "helvetica neue" , "helvetica" , "arial" , "lucida grande" , sans-serif; font-size: xx-small;">96095</span><span style="font-size: x-small;">11287</span></span></a></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-73105049896802141192016-07-24T00:09:00.000-07:002016-07-24T00:09:22.689-07:00The under-determination in Polyxene Kasda’s work <div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;"><b>The under-determination in Polyxene Kasda’s work </b></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;"><b>by Mariana Zikou, Art historian, Stoa tou Vivliou 2/6/2016, Athens</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuK9d74WOvu2zu6ambJSfl5cpEOPInjyE8loVSHmw_8ppXWARWJCkIp_4RPW3mMPwvcyvM1e8wADHBLAk2WVRj3kMzzzMw-Y5V0WiQmvsKGegjzLlJRcyHnzzH5Ob4e9XhJN6gPEV1GMJj/s1600/LEXH+ENG_exofillo+cover+spread.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuK9d74WOvu2zu6ambJSfl5cpEOPInjyE8loVSHmw_8ppXWARWJCkIp_4RPW3mMPwvcyvM1e8wADHBLAk2WVRj3kMzzzMw-Y5V0WiQmvsKGegjzLlJRcyHnzzH5Ob4e9XhJN6gPEV1GMJj/s320/LEXH+ENG_exofillo+cover+spread.jpg" width="320" /></a></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">I will try to develop some thoughts on the writings of Poly Kasda in
relation to one of her first books 'The Conscious Eye' and her latest one 'When
that word swallowed me'. The two will be linked with an epistemological
concept, the 'under-determination' and an allegory, the Kafkaesque Burrow.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">Dr. Yannis Almyrantis presented an intriguing approach with his essay
“The over-determination in Poly Kasda’s work”. The present essay reflects on
its antithetical term, the 'under-determination' in Kasda’s work.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">Within the frame of this presentation ‘under-determination’ is used
with a double interpretation, employing the prefix under- (in greek hypo-):</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">On one hand, under-determination is an epistemological concept which
challenges the univocal approach of experience. In this sense, it is considered
impossible for an experience to be fully interpreted through a single axiom.
This thinking is reflected in Gödel's incompleteness theorem and can be
extended to Derrida's philosophical term of ‘deconstruction’, which refers to
the infinite experience of language, but also to the impasse of its meaning.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">Under-determination is transcribed in the work of Poly Kasda as
scattered traces of language, objects, performances, gatherings, as well as
other manifestations like TV shows, buildings and new media, which may reveal
or conceal the true meaning, the core of her objectives. A core attracting into
its orbit scientific theories of computational and cognitive science along with
the philosophical and applied concepts of experience.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">'The Conscious Eye', one of the first books of Poly Kasda, is
associated with the epistemological interpretation of under-determination. Poly
Kasda initiates a genuine and systematic exploration of the human experience
and the cognitive processes that transpire the works of artists and the
artistic movements of the 20th century. The human eye is used as an interface,
the eye becomes a quasi-mechanical component tool which creates a tube between
the inner and outer reality topology.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">The book starts with two questions 'So what happened to many artists
and they stopped painting? What lies behind this silence that took so many
strange forms?' To these questions Poly Kasda creates insightful conceptions,
linking scientific theories and technologies with artistic methods and the
philosophical discourse.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">However, in the preamble of the book she already shows her awareness
of under-determination: 'This essay on the essence of contemporary art and
visual perception is just the tip of the iceberg'. In the last pages of the
book, she outlines the collapse of certainty, the decay of conventional
structures and with it, the withdrawal of words.</span><span lang="EN-US"><o:p></o:p></span></div>
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<br /></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">These comments lead the way to the second interpretation of the term
under-determination, into the creative-experiential extension of the term,
which can be connected to Poly Kasda’s new book 'When that word swallowed me'.</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">The book is ushering us in a wild exploration into what is under,
below the territory of the visible and of the reassuring semiology, into the
aniconic fields of artistic experience and ambiguity, of the collapse of the
subject and ultimately the collapse of the text into sub-texts, in word-symbols
that burst further into glyphs, into the smallest cracking units of language,
to become objects and anti-texts, no-texts, precipitated in a submersive trip
into the substrates of language, the hypothalamus of experience and into the
sub-liminal of perception.</span><span lang="EN-US"><o:p></o:p></span></div>
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<br /></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">The deep dive begins; a persistent recollection towards the core of
the experience described in 'When that word swallowed me', in which she notes:
'After the completion of The Conscious Eye, I was left again with this
Something Essential Missing, this SEM sensation'.</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">The course of the next 25 years would open up the topoi for the
emergence of the iceberg, an intense immersion to the core of cognition and
experience. A striking, persistent and productive exploration which often
anticipates the developments in technology and cognitive science, such as
through her artistic project Myth/Network, where Kasda composes an ideography
of the web before its spreading.</span><span lang="EN-US"><o:p></o:p></span></div>
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<br /></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">At the same time, these explorations in the other side of reasoning,
in the twilight of experience and of deconstructed meaning, had their impact.
In 'When that word swallowed me', Kasda reveals that her essay 'Pyrisporos'
which followed 'The Conscious Eye', disturbed and chased away the audience she
had gained with the latter.</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">As she continues her research into the philosophical discourse of
computational and cognitive science, her visionary leaves her at times without
applied scientific and theoretic tools. She then resorts to alleged scientific
axioms and data, some of which evolve later as validated concepts, while others
swing for now and maybe forever between the exo-logical, the alchemy and the
myth. Kasda will not renounce them as useful tools, stating: 'But is there any
other way? Those fantastic things that are directly seen by the soul are
formulated by the intellect as an absence; a dense omission from which words
return baffled'.</span><span lang="EN-US"><o:p></o:p></span></div>
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<br /></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">From then on, although her creative and exploratory course continue
intensively, she will start consciously and methodically concealing their true
essence. In 'When that word swallowed me’, she confesses the creation of a
'self-sustaining shelter' which takes the form of a woolen cocoon: '...I
started knitting around me a borderless blanket. It was gradually growing from
inside itself, mounting on the walls, towering above me like a wave swallowing
me in its cocoon-like embrace'.</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">This hermetic structure can find its counterpart in an allegorical
architecture, the Burrow of Kafka, one of his last texts that remained
unfinished. The Kafkaesque edifice can be interpreted as the agitated strive of
an individual to safeguard her safety and integrity, when disclosing the erebus
of one's own personal experience.</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">As if in a discoursive relationship with the Kafkaesque creature
residing in its underground dark maze construction, Poly Kasda writes: 'On the
ordinary level I was protecting my delicate experiment from the unexamined
eyes, shielding it behind palatable, easy to digest descriptions. I knew that
if it were contaminated by doubt, the whole structure would crumble…'.</span><span lang="EN-US"><o:p></o:p></span></div>
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<br /></div>
<div class="Standard">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">This fragile and intimate revelation, along with her uncompromising
determination to continue sinking in the profound substrates of the inner self,
destined to be the cornerstones for the creation of her allegorical biomatic
narrative 'When that word swallowed me' and ultimately, the symbolic collapse
of her Kafkaesque shelter.</span><span lang="EN-US"><o:p></o:p></span></div>
<div class="Standard" style="margin-left: -.7pt;">
<span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: Calibri;">Kasda's short autofiction marks an epitome
of the research in the profound and unfathomed realms of human experience and
imaginary through artistic practice; a possible invitation also for us, to
challenge the emergence of our own minds' uncharted topoi. The 'Conscious Eye'
continues its quest into the most elusive, controversial and intra-real
dimensions of its existence.</span><span lang="EN-US"><o:p></o:p></span></div>
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<br /></div>
<div class="Standard" style="margin-left: -.85pt;">
<br /></div>
<div class="Standard" style="margin-left: -.85pt;">
<br /></div>
<br />
<div align="right" class="Standard" style="margin-left: -.85pt; text-align: right;">
<span lang="EN-US" style="font-size: 11.0pt;">19.7.2016<o:p></o:p></span></div>
</div>
Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-19001906124071493942016-06-08T02:17:00.004-07:002016-07-27T09:35:41.160-07:00Ο υπο-προσδιορισμός στο έργο της Πολυξένης Κασδά<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;"><b>Ο
υπο-προσδιορισμός στο έργο της Πολυξένης Κασδά<o:p></o:p></b></span></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;"><b>Εισήγηση της ιστορικού τέχνης Μαριάνας Ζήκου, Στοά του Βιβλίου, 2/6/2016</b></span></div>
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<br /></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Θα
προσπαθήσω να παραθέσω κάποιες σκέψεις για το γραπτό έργο της Πόλυς Κασδά σε
σχέση με ένα από τα πρώτα της βιβλία 'το συνειδητό μάτι' και το πιο πρόσφατο
'όταν με κατάπιε εκείνη η λέξη'. Θα τα συνδέσω με μια επιστημολογική έννοια και
με μια αλληγορία.</span><o:p></o:p></div>
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<br /></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">Ο κ.
Αλμυράντης έκανε μόλις μια πολύ ενδιαφέρουσα προσέγγιση εκκινώντας από τη λέξη
που χρησιμοποίησε στον τίτλο της παρουσίασής του, μίλησε για τον
υπερ-προσδιορισμό στο έργο της Πόλυς Κασδά. </span><span lang="EN-US" style="font-size: 11.0pt;">M</span><span style="font-size: 11.0pt; mso-ansi-language: EL;">ου έδωσε έτσι την ιδέα να αναπτύξω κι εγώ αυτή την έννοια προς μια
διαφορετική κατεύθυνση όμως, προς το αντώνυμό της, να μιλήσω δηλαδή για τον
υπο-προσδιορισμό στο έργο της Κασδά.</span><o:p></o:p></div>
<div class="Standard">
<br /></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">Εκκινώντας
από τη δυναμική αυτού του προθήματος, το υπο-, ο υπο-προσδιορισμός στα πλαίσια
αυτής της παρουσίασης χρησιμοποιείται με διπλη ερμηνεία.<o:p></o:p></span></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">Από τη
μία ο υπο-προσδιορισμός είναι μια επιστημολογική έννοια, η οποία αμφισβητεί τη
μονοσήμαντη προσέγγιση της εμπειρίας. Θεωρείται αδύνατο δηλαδή η εμπειρία να
ερμηνευθεί ολοκληρωτικά μέσα από κάποιο αξίωμα. Αυτή η σκέψη αντανακλάται στα
θεωρήματα μη πληρότητας του Γκέντελ και επεκτείνεται στον φιλοσοφικό όρο του
Ντεριντά, την αποδόμηση, που αναφέρεται στο άπειρο της γλωσσικής εμπειρίας αλλά
και στο αδιέξοδο του νοήματος.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Ο
υπο-προσδιορισμός υπό αυτή την έννοια εγγράφεται στο έργο της Πόλυς Κασδά ως
διάσπαρτα ίχνη από γλώσσα, αντικείμενα, επιτελέσεις, συνευρέσεις, και άλλες
αποτυπώσεις όπως τηλεοπτικές εκπομπές, κτίρια και νέα μέσα, τα οποία
συναρμολογημένα πότε αποκαλύπτουν και πότε επικαλύπτουν τον πυρήνα της σκέψης
της. Έναν πυρήνα που έλκει σε τροχιά επιστημονικές θεωρίες της υπολογιστικής
και γνωσιακής επιστήμης και μαζί τη φιλοσοφική και εφαρμοσμένη διάσταση της εμπειρίας.<o:p></o:p></span></div>
<div class="Standard">
<br /></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">'Το
συνειδητό μάτι' λοιπόν, από τα πρώτα βιβλία της Πόλυς Κασδά, θα έλεγα ότι
συνδέεται με την πρώτη ερμηνεία του υπο-προσδιορισμού, την επιστημολογική. Η
Πόλυ Κασδά ξεκινά μια πρωτότυπη και συστηματική εξερεύνηση της ανθρώπινης
εμπειρίας και των διανοητικών διαδικασιών που βρίσκονται πίσω από τα έργα των
καλλιτεχνών και τα καλλιτεχνικά κινήματα του 20ου αιώνα. Χρησιμοποιεί το
ανθρώπινο μάτι σαν διεπαφή, το μάτι γίνεται ένα σχεδόν μηχανικό
εξάρτημα-εργαλείο, το οποίο δημιουργεί έναν δίαυλο μεταξύ της εσωτερικής
πραγματικότητας και της εξωτερικής τοπολογίας.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Το βιβλίο
ξεκινάει με δύο ερωτήσεις <i>“τι έπαθαν λοιπόν πολλοί καλλιτέχνες και
σταμάτησαν να ζωγραφίζουν; Τι κρύβεται πίσω από αυτήν τη σιωπή που πήρε τόσες
παράξενες μορφές;”</i> Σε αυτά τα ερωτήματα η Πόλυ Κασδά δημιουργεί θεωρητικούς
σχηματισμούς, πολύ γόνιμους, αντιστοιχώντας επιστημονικές θεωρίες και
τεχνολογίες με καλλιτεχνικές μεθόδους και τη φιλοσοφική γνώση.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Ήδη όμως
στο προοίμιο του βιβλίου θίγει λακωνικά το ζήτημα του υπο-προσδιορισμού,
γράφοντας: <i>“Αυτό το δοκίμιο πάνω στη φύση της σύγχρονης τέχνης και της
όρασης είναι μόνο η κορυφή του παγόβουνου”</i>. Στις τελευταίες σελίδες του
βιβλίου περιγράφει ήδη την κατάλυση της ασφάλειας, την αποσάρθρωση των
συμβατικών δομών και μαζί την απόσυρση των λέξεων.</span><o:p></o:p></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Οι
παρατηρήσεις αυτές ανοίγουν ήδη το δρόμο στη δεύτερη ερμηνεία του
υπό-προσδιορισμού, σε μια δημιουργική-εμπειρική προέκταση του όρου, που μπορεί
να συνδεθεί με το νέο βιβλίο της Πόλυς Κασδά 'όταν με κατάπιε εκείνη η λέξη'.<o:p></o:p></span></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">Το βιβλίο
μάς εισάγει σε μια αγριευτική εξερεύνηση σε ό,τι βρίσκεται υπό, κάτω από την
επικράτεια του ορατού και της καθησυχαστικής σημειολογίας, στα ανεικονικά πεδία
της καλλιτεχνικής εμπειρίας, της αμφισημίας, της κατάλυσης του υποκειμένου και
τελικά της κατάλυσης του ίδιου του κειμένου σε υπό-κείμενα, σε λέξεις-σύμβολα
που περικλείουν συμπυκνωμένους ανοίκειους κόσμους, για να καταλυθούν και οι
λέξεις με τη σειρά τους σε γλύφους, στη μικρότερη μονάδα διάσπασης της γλώσσας,
να γίνουν αντικείμενα και αντί-κείμενα, μη-κείμενα, σε ένα ταξίδι καταβύθισης
στα υποστρώματα της γλώσσας, στους υποθαλάμους της εμπειρίας και στους
υπό-λογισμούς της αντίληψης.<o:p></o:p></span></div>
<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">Έτσι
ξεκινά λοιπόν η μεγάλη βουτιά, ένας επίμονος αναστοχασμός προς τον πυρήνα της
εμπειρίας που περιγράφεται στο 'όταν με κατάπιε εκείνη η λέξη'. Εκεί η Πόλυ
Κασδά παρατηρεί για 'το συνειδητό μάτι', το άλλο της βιβλίο: <i>“μετά την
έκδοση είχα μείνει πάλι με την δίψα του ανικανοποίητου: Αυτό το κάτι το
ουσιαστικό που λείπει”</i>.</span><o:p></o:p></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Η πορεία
των επόμενων 25 χρόνων θα γινόταν ακριβώς αυτό, ο τόπος ανάδυσης του
παγόβουνου, του ουσιαστικού, μια τρομερή καταβύθιση στον πυρήνα της γνώσης και
της εμπειρίας. Μια εξερεύνηση τόσο τολμηρή, επίμονη και παραγωγική, που συχνά
προλαμβάνει τις εξελίξεις στην τεχνολογία και τη γνωσιακή επιστήμη, όπως μέσα
από την πρότασή της Μύθος/Δίκτυο, όπου συνθέτει μια ιδεογραφία του διαδικτύου
πριν αυτό εμφανιστεί.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Παράλληλα
όμως, οι εξερευνήσεις στην άλλη όψη της λογικής, στο σκοτάδι της εμπειρίας και
του αποδομημένου νοήματος, έχουν και τον αντίκτυπό τους. Στο 'όταν με κατάπιε
εκείνη η λέξη' αποκαλύπτει ότι τολμώντας τότε να δημοσιεύσει το δοκίμιό της
'Πυρίσπορος', τρόμαξε και έχασε το κοινό που είχε κερδίσει με 'το συνειδητό
μάτι'.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Καθώς
συνεχίζει την έρευνά της στη φιλοσοφική διάσταση του υπολογιστή και στη
γνωσιακή επιστήμη, το φαντασιακό της που προλαμβάνει τις νέες ανακαλύψεις, την
αφήνει ενίοτε χωρίς επιστημονικά εργαλεία. Καταφεύγει τότε σε επιστημονικοφανή
αξιώματα και στοιχεία, κάποια από τα οποία τεκμηριώνονται στη συνέχεια και
γίνονται αποδεκτές επιστημονικές θεωρίες, ενώ άλλα ακροβατούν ακόμα και ίσως
για πάντα ανάμεσα στο εξωλογικό, την αλχημεία και το μύθο. Δε θα τα αποποιηθεί
σαν χρήσιμα εργαλεία, λέγοντας χαρακτηριστικά: <i>“Όμως, πώς αλλιώς; Αυτά που
βλέπει απευθείας η ψυχή, διανοητικά εκφράζονται σα μια απουσία από όπου οι
λέξεις επιστρέφουν τρελαμένες”</i>.</span><span lang="EN-US"><o:p></o:p></span></div>
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<div class="Standard">
<span style="font-size: 11.0pt; mso-ansi-language: EL;">Από εκεί
και έπειτα, αν και η δημιουργική και ερευνητική της πορεία συνεχίζεται
εντατικά, θα αρχίσει συνειδητά και μεθοδικά να υποκρύπτει την πραγματική τους
διάσταση. Στον 'όταν με κατάπιε εκείνη η λέξη' η ίδια θα αναφερθεί στη
δημιουργία ενός 'αυτοτροφοδοτούμενου καταφυγίου' το οποίο παίρνει τη μορφή ενός
μάλλινου κουκουλιού: <i>“...άρχισα,” </i>γράφει,<i> “να πλέκω γύρω μου μια
κουβέρτα, χωρίς τέλος, ούτε αρχή. Το πλεκτό μεγάλωνε πόντο πόντο πέρα από τον
εαυτό του, υψωνόταν πάνω στους τοίχους και κύρτωνε σαν αψιδωτό κύμα
σαβανώνοντας με μέσα σε ένα μάλλινο κουκούλι σε μέγεθος δωματίου”</i>.</span><o:p></o:p></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Αυτή η
ερμητική κατασκευή μπορεί να βρει το αντίστοιχό της σε μια αρχιτεκτονική
αλληγορία, το Κτίσμα του Κάφκα, το τελευταίο του κείμενο πριν πεθάνει που
έμεινε και ημιτελές. Το καφκικό κτίσμα μπορεί να ερμηνευθεί ως η συγκλονιστική
προσπάθεια ενός ατόμου να διαφυλάξει την ασφάλεια και ακεραιότητά του, όταν
τολμά να αποκαλύψει το έρεβος της ατομικής του εμπειρίας.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Σαν σε
διαλογική σχέση με το πλάσμα του καφκικού κτίσματος στη λαβυρινθώδη του υπόγεια
κατασκευή, η Πόλυ Κασδά γράφει: <i>“Είχα μάθει να προστατεύω το πείραμά μου από
τα ανεξέταστα βλέμματα, κρύβοντας την πραγματική του διάσταση πίσω από λόγια
σοβαροφανή και ευκολοχώνευτα. Ήμουν συνεχώς σε επιφυλακή μη μου χαλάσει κάτι
και δεν προλάβω να δω που θα με πάει αυτή η περιπέτεια. Μια σαρκαστική
αμφιβολία να κατάφερνε να σφηνωθεί στο μαγικό μου οικοδόμημα και όλα θα
κατέρρεαν μέσα στον εαυτό τους”</i>.</span><o:p></o:p></div>
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<br /></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Η
αποκάλυψη αυτής της τόσο εύθραυστης και ενδόμυχης παραδοχής, και παράλληλα η
ασυμβίβαστη αποφασιστικότητα να συνεχίσει την καταβύθιση, έμελλε να αποδειχθούν
οι ακρογωνιαίοι λίθοι για τη δημιουργία του αλληγορικού βιωματικού αφηγήματός
της 'όταν με κατάπιε εκείνη η λέξη' και μαζί, η συμβολική κατάλυση του καφκικού
καταφυγίου.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">Το
αλληγορικό αυτό αφήγημα λοιπόν, αποτελεί μια επιτομή για την έννοια της
εμπειρίας και του φαντασιακού μέσα από την καλλιτεχνική έρευνα· ένα κάλεσμα για
να τολμήσουμε να αναδύσουμε κι εμείς μαζί τις αχαρτογράφητες διαστάσεις της
νόησής μας. Το 'συνειδητό μάτι' συνεχίζει την αναζήτησή του στις πιο
ασύλληπτες, αμφιλεγόμενες και ενδο-πραγματικές διαστάσεις της ύπαρξής του.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt; mso-ansi-language: EL;">25.5.2016 Αθήνα</span><span lang="EN-US"><o:p></o:p></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-44018830018790224882016-05-23T01:32:00.002-07:002016-09-07T01:19:16.715-07:00Artificial Intelligence and Consciousness, Stoa tou Vivliou, Athens 2/6 at 8 p.m.<div dir="ltr" style="text-align: left;" trbidi="on">
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-16383866378396045232016-05-19T02:13:00.002-07:002016-08-17T00:45:31.433-07:00Χιτών Άπειρος (Chiton Apeiros), Polyxene's sacrificial depotentization, 210Χ150cm,.PXK 2016.<div dir="ltr" style="text-align: left;" trbidi="on">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7NJrYs5gzcjetVNVMi5C5a_hsmSn7zB05onS8C6d8IdQQZ3zf2Tw-5ivH1lyIdf242lkEhn2URHzOh4Ix4pbDCbPUExHJrwoCpweNGKq_NkbtM0ptlZLLL_i84PRVDzSdE8xNyIQHIP2D/s1600/d%25C3%25A9tour%25C3%25A9+plan%252C+pxk+savano.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7NJrYs5gzcjetVNVMi5C5a_hsmSn7zB05onS8C6d8IdQQZ3zf2Tw-5ivH1lyIdf242lkEhn2URHzOh4Ix4pbDCbPUExHJrwoCpweNGKq_NkbtM0ptlZLLL_i84PRVDzSdE8xNyIQHIP2D/s640/d%25C3%25A9tour%25C3%25A9+plan%252C+pxk+savano.jpg" width="454" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Polyxene Kasda, XITΩΝ ΑΠΕΙΡΟΣ 210Χ150 cm. PXK scales on life-saver, 2016</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOrvuJtEbCpmhH0mT22CNSGCfZeowIDmP-gNrmWScQohK31qxMiqhNgJ6MY0vyrQeO4irf3LSCKY5hsmT4jWX2rLrG9dlvELYBloCR-oWS0GC6AFhn4MHpZO4G__OxlL28xMtQKVjze_Np/s1600/polyxene+chitonapeirosTyrrhenian+amphora+Timiades+c.a.+570-560+British+museum.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOrvuJtEbCpmhH0mT22CNSGCfZeowIDmP-gNrmWScQohK31qxMiqhNgJ6MY0vyrQeO4irf3LSCKY5hsmT4jWX2rLrG9dlvELYBloCR-oWS0GC6AFhn4MHpZO4G__OxlL28xMtQKVjze_Np/s640/polyxene+chitonapeirosTyrrhenian+amphora+Timiades+c.a.+570-560+British+museum.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Polyxene's sacrifice Tyrrhenian amphora, Timiades 570-560 a.c. British museum <br />
Polyxene is wrapped in Chiton Apeiros/ endless robe (Sofoklis 426R.)</td><td class="tr-caption"><span style="font-size: 12.8px;">Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze</span></td><td class="tr-caption"><span style="font-size: 12.8px;">Author(s): Joan B. ConnellySource: American Journal of Archaeology, Vol. 100, No. 1 (Jan., 1996)</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxcxD7Tl0o0ZkAQvVp-H4XUEvtnPaekSHuyaapRX_QbIQpJaApsJLsUXbV4WSvZVATP5l9MKCsRiOPDFV5TnR78lz6PTP9-AXWAHtqE0D2i9ORsREPv1-9LUcW_fB92b2eOrxj7OL3SFvE/s1600/lumi%25C3%25A8re+crue.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxcxD7Tl0o0ZkAQvVp-H4XUEvtnPaekSHuyaapRX_QbIQpJaApsJLsUXbV4WSvZVATP5l9MKCsRiOPDFV5TnR78lz6PTP9-AXWAHtqE0D2i9ORsREPv1-9LUcW_fB92b2eOrxj7OL3SFvE/s320/lumi%25C3%25A8re+crue.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">photos Pierre Chirouze 2016</td></tr>
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<h2>
<span style="font-family: Times, Times New Roman, serif; font-size: x-small; font-weight: normal;"><span style="background-color: white;"><span style="font-family: "times new roman" , serif; font-size: x-small;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-size: xx-small;">-</span> Chiton Apeiros is the last piece of Polyxene Kasda's global fossil installation PXK Route</i></span></span></span><span style="font-family: "times new roman" , serif; font-size: x-small;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"> </span></span></span></span><span style="font-family: "times new roman" , serif; font-size: x-small;"><span style="font-size: xx-small;"><span lang="en-GB"><i>-</i></span></span></span><span style="font-family: "times new roman" , serif; font-size: x-small;"><span style="font-size: xx-small;"><span lang="en-GB">2004-2014-</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"> anchored in more than 25 international cultural events,</span><span style="font-size: xx-small;"> like:</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">the PXK Chrysalis monument in the Athens </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Olympics 2004, the XVII Βiennale di Poesia di Alessandria, Italy 2004, the 2nd Biennale of Beijing 2005, the Syria panhellenic festival FMC Damascus, Aleppo Syria 2006, the 4rth Biennale of Tashkent 2007, </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Nuit Blanche</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">, Anvers-aux-Abesses, Place de l' Europe Paris 2007, the Olympic Fine Arts of Beijing 2008, </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>DESIGN</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i> </i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">2012 Municipal Pinacotheque of Athens.</span></span></span></h2>
<h2>
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><span style="text-align: center;"><span style="font-size: xx-small;">PXK ROUTE represented Greece in the congress on Olympism of the 3</span></span><sup style="text-align: center;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">rd</span></span></span></sup><span style="text-align: center;"><span style="font-size: xx-small;"> Biennale of </span></span><span style="text-align: center;">Beijing 2008.</span><span style="text-align: center;">and was awarded the Olympic Fine Arts of Beijing Golden Medal 2008.</span></span></h2>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-75316693563428965512015-04-13T00:29:00.002-07:002020-04-22T05:57:22.323-07:00Polyxene Kasda's dispersive biographic configuration -1990-2016-(draft spreadsheet)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "times new roman" , serif;"><span style="font-size: large;"><b>Polyxene
Kasda</b></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>project-plotter and pattern-setter</b></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b><br /></b></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">Biographic
“needle”</span></span></span><span style="font-weight: normal;">
in</span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">
the game-changing chunk of time between the first publication of </span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><span style="font-weight: normal;">The
Conscious Eye</span></i><span style="font-weight: normal;"> in Greek in 1988 and its republication in English in the joint essay titled </span><i><span style="font-weight: normal;">Artificial Intelligence Professor John Kontos Needles Poly Kasda's Conscious Eye</span></i><span style="font-weight: normal;"><i>,</i>Southwind, Athens 2015.</span><i><span style="font-weight: normal;"><br /></span></i></span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;"><br /></span></span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ3-HVX30BNqLv_2iOtp7FTAhTWO2zeHkkWSw4TCiKyXU1Fyk_EFwgFHM_LG0XR-NxM03MYFvFL4bIGo7Q9V4MaB_UbI9Ay8Sb3zli3UnILljPfVIFjyCU0-3BJxYtzQKQz4ny0-XkaTC1/s1600/Poly-stefani.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ3-HVX30BNqLv_2iOtp7FTAhTWO2zeHkkWSw4TCiKyXU1Fyk_EFwgFHM_LG0XR-NxM03MYFvFL4bIGo7Q9V4MaB_UbI9Ay8Sb3zli3UnILljPfVIFjyCU0-3BJxYtzQKQz4ny0-XkaTC1/s320/Poly-stefani.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">me and the scattered halo of my Project Myth/Network 1990-2015</span><br />
<span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;">Launched in the Museum of Modern Art of Joensuu, </span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;">Meeting of the Worlds,</span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"> PAND conference, Finland 22-6-1990.</span></span></td></tr>
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<span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>P</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><b>roject
Myth/Network </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><b>-1990-2015-
</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>is
</b></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><b>an
“hyper-string” of intertwined sub-projects emerging from depth
psychology and multi-plexing in dispersive installations of cosmonautical
perspective; time shift traces of my threshold ritualistic performance in the bottom of a lake..</b></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><b><br /></b></span></span></span>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="background-color: #cccccc;"><i><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;"><span style="font-size: xx-small;">“</span><span style="font-size: x-small;">for the past quarter of a century, </span></span></i><span style="font-size: x-small;"><i><span lang="EN-GB" style="font-family: "calibri" , sans-serif; line-height: 11px;">I have been navigating with Metissian manoeuvres my self-mending vessel </span></i><i><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;">Project Myth/Network, winding my way through a legendary space welling up from the rising depths of my unconscious. It was gradually grounded by the then burgeoning internet technologies and sustained by mind-bending theories on dispersive structures, fractal configurations, morphic fields of resonance…that were invading our Greek reality in the early nineties..<o:p></o:p></span></i></span></span></span></span></span></span></div>
<span style="background-color: #cccccc; font-size: x-small;"><i style="font-family: "times new roman", serif; line-height: 17.6px;"><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;">Instinctively, then, I had </span></i><i style="font-family: "times new roman", serif; line-height: 17.6px;"><span lang="EN-GB" style="font-family: "calibri" , sans-serif; line-height: 11px;">realised</span></i><i style="font-family: "times new roman", serif; line-height: 17.6px;"><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;"> a threshold ritual performance on the stone altar emerging from the receding Lake of Mornos in Greece…</span></i></span><br />
<span style="background-color: #cccccc; font-size: x-small;"><i style="font-family: "times new roman", serif; line-height: 17.6px;"><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;"> Metaphorically, I was sucked into my counterclockwise reflection, my whole being swallowed inward in myself, in the self-engulfing archetypal fields of Puer Aeternus</span></i><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;">..”. </span><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 11px;">P. Kasda,<i> When that word swallowed me, </i>Sphinx 2015, Hidden Thebes, Greece.</span></span><br />
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<span style="font-family: "times new roman" , serif;"><span style="font-size: medium;"><b style="background-color: cyan;">Myth/
Network end-of-the-line, self-fueling sub-projects:</b></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKRWZzYP8NCZrIgLZIC4wI0obEIer00yIuV_TuQ9ySqzVm3wo7PI0BkatihXL5IjboqD9ehDix_W24PuceCZKrRW_wX3XYi-660RijllapgKGnAANHZHpRy6ESk_dtaVQiWgpDciTCLC1L/s1600/web.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKRWZzYP8NCZrIgLZIC4wI0obEIer00yIuV_TuQ9ySqzVm3wo7PI0BkatihXL5IjboqD9ehDix_W24PuceCZKrRW_wX3XYi-660RijllapgKGnAANHZHpRy6ESk_dtaVQiWgpDciTCLC1L/s200/web.jpg" width="157" /></a><br />
<h2>
<span style="font-size: medium;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-size: small; font-style: normal;"><b><br /></b></span></span></span></span></span></span></h2>
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<span style="font-size: small;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b><br /></b></span></span></span></span></span></span></h2>
<h2 style="line-height: 17.6px;">
<span style="font-size: small;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b><br /></b></span></span></span></span></span></span></h2>
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<span style="font-size: small;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b><br /></b></span></span></span></span></span></span></h2>
<h2 style="line-height: 17.6px;">
<span style="font-size: small;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b><br /></b></span></span></span></span></span></span></h2>
<h2 style="line-height: 17.6px;">
<span style="font-size: small;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>- </b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>Chrysalis</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>-1990-1991-</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">:</span></span></span></span></span></h2>
<span style="font-size: medium;"><span style="font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;"></span></span></span></span></span>
<b style="line-height: 110%;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">when the Atlas was turned into an interactive web and
the object spirited away into a vibrational motif which turned into music</span></b></span><br />
<b style="line-height: 110%;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;"><br /></span></b>
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;">Performative
threshold ritual</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-weight: normal;">
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;">on
the stone altar emerging from the receding Lake of Mornos,</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"> Greece.
Creation of an installation of hundreds of mud, sphinx- like sculptures the </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><i>Chrysalii.</i></span></span></span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><i><br /></i></span></span></span></span></span>
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<i><span lang="EN-US" style="background-color: #cccccc; font-family: "calibri" , sans-serif;"><b>“Hit by drought, the lake was receding, revealing a sunken ancient city laden with Hellenistic mosaics and a crumbling village sheltering the ruins of a colossal stone church clothed in oysters.<o:p></o:p></b></span></i></div>
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<span style="background-color: #cccccc; font-family: "times new roman" , serif;"><b><i></i></b></span></div>
<span style="background-color: #cccccc;"><i style="font-family: calibri, sans-serif; line-height: 17.6px;"><b>The gigantic templo was towering above me like a fossilized theater curtain carved with alcoves, filled with this imposing absence of another duration, reverentially directing their gaze to the sacrificial stone shining in the center of the stage, daring me to perform my inescapable performance. Instinctively, I started carving with blind searching movements the mud overflowing the altar, as though I was trying to exhume this self-devouring SEM (Something Essential Missing), from its very sacrificial plinth, carving a way out from the labyrinthine grooves of my own fingerprint where I was feeling entrenched”</b>.</i><span style="font-family: "calibri" , sans-serif; line-height: 17.6px;"> </span><span style="font-family: "calibri" , sans-serif; line-height: 17.6px;">P. Kasda</span><span style="font-family: "calibri" , sans-serif; line-height: 17.6px;">, When that word swallowed me, Sphinx Festival of Hidden Thebes, 2016.</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><i><span style="background-color: #cccccc;"> </span><span style="font-size: xx-small;"> </span></i></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><span style="font-size: xx-small;"><br /></span></span></span></span></span>
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><span style="font-size: xx-small;">The biodegradable installation</span></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><i> </i>soon</span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;"> </span></i></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">expanded</span></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">
</span></i></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;"> into</span></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;">
a co-creative geocaching global installation in 300
sites, in 27 countries and dissolved in the rain</span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US">
releasing the dynamic relational web diagram of its interact</span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="el-GR">οrs'</span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US">
time-lapse arrows </span></span></span><b style="line-height: normal;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">without the use of the internet technologies which were still widely unknown.</span></b><br />
<b style="line-height: normal;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"><br /></span></b></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg06tZBCUU2YiSbPiHMSZLxfSkg8JvopEqmwW9etZXCzLj8463zKy7buXGW4uEO7vzsdP2NotdBWDDdmTKNSG3I2VM_dgXB-iDdNGpunoDSac4rZagZWlFeq_jSu9bjlW5TLZnLIdRAc9_6/s1600/mornosinstallationchrysalides90.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-size: xx-small;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg06tZBCUU2YiSbPiHMSZLxfSkg8JvopEqmwW9etZXCzLj8463zKy7buXGW4uEO7vzsdP2NotdBWDDdmTKNSG3I2VM_dgXB-iDdNGpunoDSac4rZagZWlFeq_jSu9bjlW5TLZnLIdRAc9_6/s320/mornosinstallationchrysalides90.jpg" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Chrysalis installation in the bottom of the Lake of Mornos. ph. Stefanos Samios 1990 </span></td></tr>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">The</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><b>
polycentric interactors' documentation </b></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">was</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><b>
</b></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">augmented
by a </span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><b>UCT
world -on- the- make libation 15-2-1991</b></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i><b>,</b></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">
</span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">in
the </span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><b>acoustic
structure </b></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">dictated
by the algorithm of the word </span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR">ΧΡΥΣΑΛΛΙΣ
</span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR">
</span></span><span style="font-family: "times new roman" , serif;">performed by SIDAS musical group dispersed in the crowd.</span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2mUDx2mlzzH_QCRcvInS9fLp0AytNxZl3WQEcI3SDOaLHpHhyphenhypheneOyUDvgigGDYrM5J-ZGJcQrr89pSQVDU6dSul3V4wjysJc-uOfYghOqcfE_4l1KYHEa-3G_r2vPMRu0LLn19PzeJ7Fp8/s1600/lacmornosperformance90.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2mUDx2mlzzH_QCRcvInS9fLp0AytNxZl3WQEcI3SDOaLHpHhyphenhypheneOyUDvgigGDYrM5J-ZGJcQrr89pSQVDU6dSul3V4wjysJc-uOfYghOqcfE_4l1KYHEa-3G_r2vPMRu0LLn19PzeJ7Fp8/s320/lacmornosperformance90.jpg" width="209" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">performance in the bottom of the Lake of Mornos 1990. Ph. Stefanos Samios</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCpTwxKDH0WxUneJgy8WpJF34Gkmnx6oqMylxod3IAyIBSNABjuRnESfvUSuM_u76Ay3rCoXRJfbAEPUAN1xVDxUWMByZz2fNywGoOiIgxVFitVvAZqtSZkoAiDBZFfKAAfPeFA714qd7J/s1600/%25CE%25A7%25CF%2581%25CF%2585%25CF%2583%25CE%25B1%25CE%25BB%25CE%25BB%25CE%25AF%25CF%2582+%25CE%25B5%25CE%25B3%25CE%25BA%25CE%25B1%25CF%2584%25CE%25AC%25CF%2583%25CF%2584%25CE%25B1%25CF%2583%25CE%25B7%252C+%25CE%25A7%25CE%25AC%25CE%25BF%25CF%2582%252C+1990.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-size: xx-small;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCpTwxKDH0WxUneJgy8WpJF34Gkmnx6oqMylxod3IAyIBSNABjuRnESfvUSuM_u76Ay3rCoXRJfbAEPUAN1xVDxUWMByZz2fNywGoOiIgxVFitVvAZqtSZkoAiDBZFfKAAfPeFA714qd7J/s400/%25CE%25A7%25CF%2581%25CF%2585%25CF%2583%25CE%25B1%25CE%25BB%25CE%25BB%25CE%25AF%25CF%2582+%25CE%25B5%25CE%25B3%25CE%25BA%25CE%25B1%25CF%2584%25CE%25AC%25CF%2583%25CF%2584%25CE%25B1%25CF%2583%25CE%25B7%252C+%25CE%25A7%25CE%25AC%25CE%25BF%25CF%2582%252C+1990.JPG" width="400" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Chrysalis installation 2, Chaos Aghia Triada, ph. Samios 1990</span><br />
<span style="font-size: small;"><span style="font-size: xx-small;"><br /></span>
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<span style="font-size: small; margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0AnHMQ9srSMZ5RFpJ-W-KDkauIVeGoA2Or59fqS1l4qQEYQP6EwNbRVw8QsAKi20KvE8Kd6HLRooXn9CZ-5ZfnSn6_6NO9k3EL4t3em4s8tmdAYg5tEjR1IfePvqAj9diIg_PTzftm8Hq/s1600/arti.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0AnHMQ9srSMZ5RFpJ-W-KDkauIVeGoA2Or59fqS1l4qQEYQP6EwNbRVw8QsAKi20KvE8Kd6HLRooXn9CZ-5ZfnSn6_6NO9k3EL4t3em4s8tmdAYg5tEjR1IfePvqAj9diIg_PTzftm8Hq/s400/arti.jpg" width="400" /></a></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
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<span lang="EN-US" style="background-color: #cccccc; font-family: "calibri" , "sans-serif"; line-height: 110%;"><i><b>“The mud Chrysalii were releasing
cultural detonations on their way. The fugitive center of this self-combustive
minefield was escaping everywhere. Soon, the bewitching installation was to
melt in the rain, leaving behind a dynamic relational web map of interactive
arrows echoing contemporary trendy data maps, changing irreversibly the
cognitive and affective map of our world</b>”.P. Kasda, </i></span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><span style="background-color: #cccccc;">when that word swallowed me, Sphinx The Hidden Thebes Festival 2016..</span><o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><span style="background-color: #cccccc;"><br /></span></span>
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><span style="background-color: white;"><b> narrative-articles relevant to the above sub-project:</b></span></span><br />
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><br /></span>
<br />
<div class="MsoNormal" style="line-height: normal; margin-left: 0.5in; text-indent: -0.5in;">
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda,<i>The Silenziosi and Project Myth/Network 1990-2005 in Art-Act,</i> Tyflomyga revue, December. 2005.<i><o:p></o:p></i></span></div>
<div class="MsoBodyText" style="line-height: normal; margin: 0in 0in 0in 0.5in; text-indent: -0.5in;">
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, Project: Myth/Network 1990-1994: Revival of cosmological Memory in our spacetime redefinition, </i>Tetarti Apostoliki, Pinacotheque of the Municipality of Athens catalog, T.E.E. 1994.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, “Logos”</i></span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">, </span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">ENOPE Center of Arts and Sciences, booklet </span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">2/11/1992.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, </i></span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Sky inside, sky outside, </span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Emvolimon magazine nb.8, Aspra Spitia Boetia, Greece 1990.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda,</span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span><i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Progetto Myth/Network 1-5,</span></i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> La Clessidra1, Jo</span><span style="font-family: "calibri" , sans-serif; font-size: 8pt;">ker, magazine, Italy 1995.</span></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, <i>The Network,</i> Govostis ed. 1991.<o:p></o:p></span></div>
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<i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Dedication to Polyxene Kasda, Project Myth/Network</span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> interview, Tyflomyga, September, Athens 2003.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small; line-height: 11.7333px;">P. Kasda<i>, Project Myth/Network 1990-1995,</i> TV documentary, production Icona director Makis Faros.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small; line-height: 11.7333px;">P. Kasda<i>, Chrysalii, a mythological experience, Politistiki ekfrassi/ </i>Cultural Expression journal, interview, Athens 1991.</span></div>
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<span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: x-small; line-height: 110%;">Archives:<i> Project Myth/Network:
</i>emst.gr/gr/collections National Museum of Modern Art archives code 1595. <o:p></o:p></span></div>
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<span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><span style="font-size: x-small;">Donation: Xagoraris</span><i><o:p></o:p></i></span><br />
<i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><b><br /></b></span></i>
<i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; line-height: 110%;"><b><br /></b></span></i>
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<h2>
<span style="background-color: cyan; font-size: small;"><span style="font-family: "times new roman" , serif; line-height: normal;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="font-size: xx-small;">-</span> Code Lexomorphes</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: normal;"><span style="font-size: xx-small;"> </span></span><span style="font-family: "times new roman" , serif; line-height: normal;"><span style="font-size: xx-small;"><span lang="en-GB"><i>-</i></span></span></span><span style="font-family: "times new roman" , serif; line-height: normal;"><span style="font-size: xx-small;"><span lang="en-GB"><b><span style="font-size: xx-small;">1991-2013</span><span style="font-size: xx-small;">-</span><span style="font-size: xx-small;"><span style="font-size: xx-small;">: </span> </span></b></span></span></span></span></h2>
</div>
</div>
<span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;">Geometric
cryptographic drawings and sculptures</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;"> generated by the numerical modeling of Greek words based on the ancient Greek codification of language.</span></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;"><br /></span></span></span></span>
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="background-color: #cccccc;"><b><i style="font-family: calibri, sans-serif;">“this is a linguistic mould-breaker with infinite generic potential; everyday words are transformed into rhythmic number-sets meant to renormalize our disrupted rhythm with their ancient examined proportions; a cryptographic code encapsulating in a snapshot the flow of life”. </i><span style="font-family: "calibri" , sans-serif;">Ibid</span></b></span></span></span></span></div>
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<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVbJ4T6MzTg-dUbGyuxhEvaFL8a-6Y6LlBfR7seKbefMHekW9nMr3CgjQt167FOULStGhgeT9Eln3u8sA7dNUO68NEASPNhrmrjd0YCZdHj8WYIesvIxv3mk369fw0b30t5MNZehgNQHGT/s400/Slide2.jpg" /><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDM0LE3rGx1B9rkuE8kvg1-AFI7clfb6S1tB1EIVvE1yoBVoyaUmWqstzpFIMVb_MRmYumYi9QFxRxJhwGFRlW7PX1GPyb2tXVbExoD3PS8vOm22hPrM6VD8CUWBqKAzPyfDQ18sOKwUfA/s400/Slide3.jpg" /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLXxZIqmiSzZJhhfbblGgwrCeoWgY9B2CPZTNTj9ZAjSlvWlxNQazUbkhQrXDdQWoszW8YYTOj2W_5eb0mBBsL1tUL_xScAwrTktDCJY3wSSfEK1ZrdqdHmkGQT_tFVi2GUACn60X4ZlO/s1600/OlympicMonumentFlameAthens04web.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLXxZIqmiSzZJhhfbblGgwrCeoWgY9B2CPZTNTj9ZAjSlvWlxNQazUbkhQrXDdQWoszW8YYTOj2W_5eb0mBBsL1tUL_xScAwrTktDCJY3wSSfEK1ZrdqdHmkGQT_tFVi2GUACn60X4ZlO/s200/OlympicMonumentFlameAthens04web.jpg" width="150" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">lexomorphe Chrysalis, iron and PXK, 2004</span></td></tr>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>Participant
in: </b></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US">The
Structuralist exhibition </span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i>Homage
a Stazewski Concept/ Form, </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">Municipal
Center of Athens 1991.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;">The
Congress on Greek Language 2009</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">,
Old Parliament of Athens, org. Chamber of Fine Arts of Greece.</span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US">The Uranias Gardens's congress for the International Year of Astronomy 2009, in the Municipal Center of Athens. Code Lexomorphes was proposed for inter-dimensional communication </span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><br /></span></span></span>
<span style="background-color: #eeeeee;"><span style="background-color: #cccccc; font-family: inherit;"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;">"</span><span style="font-family: "times" , "times new roman" , serif;"><i style="font-weight: bold;">In fact, it was the Homo Sapiens/ Word- Virus HSWV that was manipulating me to slide out from the safety of my cognitive platform into the abyssal lake of my unconscious.</i></span></span></span><br />
<span style="background-color: #eeeeee;"><span style="background-color: #cccccc; font-family: inherit;"><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><i>My whole project seems to be crouched inside the Greek word ΧΡΥΣΑΛΛΙΣ/Chrysalis, natural archetype of ontological mutation/ of culture formation</i></span><i style="font-weight: bold;">". </i>P. Kasda, Congress on Greek Language, Old Parliament of Athens 2009<i>.</i></span></span><br />
<span style="background-color: #cccccc;"><span style="font-family: inherit; font-size: xx-small;"><i style="background-color: #eeeeee;"><span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;"><br /></span></i>
<span style="font-size: xx-small;"><span style="background-color: #eeeeee;"><span lang="en-US" style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;"></span></span></span></span></span><br />
<span style="background-color: #cccccc; font-family: inherit;"><i><b>'Sometimes, a Word opens its gargling ‘mouth’ in the midst of our ordinary reality, swallowing us in its resonant belly, in which we shed our skin, peeling and molting according to its image. Thus, language is incarnated over and over again.</b></i> P. Kasda, Art-Act, Athens, 2OO5.</span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US" style="background-color: #cccccc; font-family: inherit;"><br /></span></span></span>
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><br /></span></span></span></div>
<div align="LEFT" lang="en-US" style="font-style: normal; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>Lexomorphic
Public sculptures:</b></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Lexomorphe
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">ΧΡΥΣΑΛΛΙΣ</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">monumental
sculpture</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">hosted
the Olympic Flame in Heroon Square, Floisvos, Athens 2004-2010.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">A
twin</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><span style="font-weight: normal;">ΧΡΥΣΑΛΛΙΣ
</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">monument
</span></span></span></span><span style="font-family: "times new roman" , serif;">
</span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">hosted
“</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">the
Flame of Peace” </span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">in a green replica of the Palmanova-ring city of Leucosia,
Lemar junction, North Leucosia, Cyprus 2005-2010.</span></span></span><span style="font-family: "times new roman" , serif;"><br /></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">Lexomorphe
</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i><span style="font-weight: normal;">Ψ</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">YXH,
</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Gergeri
park, Crete 2009.</span></span></span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span>
<br />
<div class="MsoBodyText" style="margin-bottom: 0in;">
<span lang="EN-GB" style="font-size: 8pt;">P. Kasda<i>, The Chrysalis Grail in the last divided capital of the world</i>, Odysseus revue, Italy 2007.<o:p></o:p></span></div>
<div class="MsoBodyText" style="margin-bottom: 0in;">
<span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, Code Lexomorphes, </i></span><span style="font-family: "arial" , sans-serif; font-size: xx-small;"><span lang="en-US"><i>the iconic dimension of Greek language</i></span></span><span style="font-family: "arial" , sans-serif; font-size: xx-small;">”</span><i style="font-family: calibri, sans-serif;">P</i><span style="font-family: "calibri" , sans-serif; font-size: 8pt;">oesia e Spiritualita review, Milan, Ιταλία 2007.</span></div>
<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda<i>, Chrysalis/Grail, Reflections of an Object of Truth, Verita e Dubbio </i></span><span lang="EN-GB" style="font-size: 8pt;">2004. XVII Bienale di Poesia di Alessandria, Joker, </span><span lang="EN-US" style="font-size: 8pt;">Italy </span><span lang="EN-GB" style="font-size: 8pt;">200</span><br />
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<span style="font-size: small;"></span></div>
<div style="color: black; font-family: "times new roman"; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin-bottom: 0cm; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
</div>
<span style="font-size: xx-small;"><span style="font-family: "arial" , sans-serif;">P. Kasda, </span><span style="font-family: "arial" , sans-serif;">project Myth/network,</span><span style="font-family: "arial" , sans-serif;"> Τετάρτη Αποστολική, Municipal Pinacotheque of Athens1994-</span></span><br />
<div style="-webkit-text-stroke-width: 0px; color: black; font-family: "Times New Roman"; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin-bottom: 0cm; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 1; word-spacing: 0px;">
<div style="margin: 0px;">
<span style="font-size: xx-small;"><span style="font-family: "arial" , sans-serif; font-size: xx-small;"><span lang="el-GR"><span style="font-weight: normal;"><i style="font-style: normal;"> </i></span></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="en-US"><i><span style="font-weight: normal;">Dedication to Polyxene Kasda, Project Myth/ Network,</span></i></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="en-US"><span style="font-weight: normal;"> Tyflomyga review, Athens 2003-</span></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="el-GR"><i><span style="font-weight: normal;"> </span></i></span></span></span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD_CRu85JZeDaz8d21flAFopkMBOrnhcLpAffe5J3tOgl4nc_IMXD5x3yBnd9yg_IGnFNgTh0y3nrIrpJtdpUwuA3arsnSp6lzn2BB2wDwvmYA39uxTG_fWyZvNRQPtqzKLJeW9WYHEirw/s1600/023.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD_CRu85JZeDaz8d21flAFopkMBOrnhcLpAffe5J3tOgl4nc_IMXD5x3yBnd9yg_IGnFNgTh0y3nrIrpJtdpUwuA3arsnSp6lzn2BB2wDwvmYA39uxTG_fWyZvNRQPtqzKLJeW9WYHEirw/s200/023.JPG" vt="true" width="155" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Lexomorphe Dakri /ΔΑΚΡΥ</span></td></tr>
</tbody></table>
<div style="margin: 0px;">
<span style="font-size: xx-small;"><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="el-GR"><i><span style="font-weight: normal;">Koza-Bans Atesi,</span></i></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="el-GR"><span style="font-weight: normal;"> Lefkosa Turk Belidiyesi 2005,</span></span></span></span></div>
<div style="margin: 0px;">
<span style="font-size: xx-small;"><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="en-US"><span style="font-weight: normal;">P. Kasda, </span></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="en-US"><i><span style="font-weight: normal;">“The Chrysalis Grail In Memoriam </span></i></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="el-GR"><i><span style="font-weight: normal;">Vasιile</span></i></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="en-US"><i><span style="font-weight: normal;"> Avram”, </span></i></span></span><span style="font-family: "arial" , sans-serif; font-style: normal;"><span lang="en-US"><span style="font-weight: normal;">Tribuna Sibiu, Romania 11-5-2004].</span></span></span></span></div>
</div>
<h2 class="date-header" style="background-color: white; border-bottom: 1px dotted rgb(153, 187, 153); color: #666633; font-family: georgia, serif; font-stretch: normal; font-weight: normal; letter-spacing: 0.3em; margin: 0px 0px 0.75em; padding-bottom: 0.35em; text-transform: uppercase;">
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<span style="font-size: xx-small;"><a href="https://www.blogger.com/null" name="8803495194631475110"></a></span></div>
<h3 class="post-title entry-title" itemprop="name" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url("https://resources.blogblog.com/blogblog/data/dots/bg_post_title_left.gif"); background-origin: initial; background-position: 0% 0.25em; background-repeat: no-repeat; background-size: initial; color: #999966; font-family: georgia, serif; font-stretch: normal; margin: 0.25em 0px; padding: 0px 0px 1px 45px;">
<span style="font-size: small;">P. Kasda, <a href="http://polyxenekasda.blogspot.gr/2011/07/code-lexomorphes-iconic-dimension-of.html" style="color: #999966; text-decoration: none;">Code Lexomorphes; iconic dimension of Greek language.</a> //polyxenekasda.blogspot.com 7.4.11</span></h3>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMclFdI-i28snzHtLMCiVHNPlQzGFYcTnjF4Rkt1Hhipwt8X4qro5cuQ7qoZzaksoA9nSvgIyQkjMMM98BilwViFg_Jt4fEYCyHz3p-YbrEwk-ZOlkMGwQDe58Ovh053P72SG9lUpCwGyL/s1600/MEDOUSA_33.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMclFdI-i28snzHtLMCiVHNPlQzGFYcTnjF4Rkt1Hhipwt8X4qro5cuQ7qoZzaksoA9nSvgIyQkjMMM98BilwViFg_Jt4fEYCyHz3p-YbrEwk-ZOlkMGwQDe58Ovh053P72SG9lUpCwGyL/s400/MEDOUSA_33.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">lexomorphe Medusa/ΜEΔΟΥΣΑ, 2005, Plexi and PXK</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Aegean Foundation , Paros island, 1998Gr.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Epistrophe gallery, Psirri, Athens, 2000</span></td></tr>
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Fugue </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>-1996-1998-2005-</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b> :</b></i></span></span></span></span></h2>
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<span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b style="font-style: italic;"> </b>P</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">olycentric
set of Fibonacci monumental structures</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
for repetitive performance</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>
</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b>Π</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>AI, l</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">eft </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">behind</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">in
the Castro di Piovera (Biennale di Poesia di Alessandria, Italy
1996), the University of Lucian Blaga Sibiu Romania 1997 (Silver
Medal), Megalopoles ancient theatre, Lykaia Arcadia 1997 (Olympias
Golden Medal), the Aegean Foundation, Paros island 1998, the Park of
Floisvos Athens 2005..</span></span></span></div>
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<span lang="EN-US" style="font-family: "calibri" , sans-serif;"><span style="background-color: #cccccc;"><i><b>“</b></i></span><span style="background-color: #cccccc;"><i><b>I was coursing throughout the world, staging my recurrent performance ΠAI (Child). Its monumental diapason settings were left behind, creating a self-growing polysymphonic ensemble of scattered metallic diapasons echoing the vacancy left behind by the Fugitive Child which ossified symptom was my infant-shaped stone sculture PAI lapis Exilis that was piercing vertically, like a teardrop of dark matter, the superimposed spaces staging my repetitive performances”.P. Kasda, when that word swallowed me, </b></i><i style="font-style: normal; font-weight: normal;">Sphinx, </i><i style="font-weight: normal;"> The Hidden Thebes Festival, 2016</i></span></span></div>
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<span style="font-size: xx-small;"><i><span lang="FR" style="font-family: "calibri" , sans-serif;">P. Kasda, Pai,</span></i><span lang="FR" style="font-family: "calibri" , sans-serif;"> Les Sept Dormants, Letters, coed. </span><span lang="EN-US" style="font-family: "calibri" , sans-serif;">University of Lucian Blaga Press 199</span><span lang="EN-US" style="font-family: "calibri" , sans-serif;">7<o:p></o:p></span></span></div>
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<span style="font-size: xx-small;"><b><span lang="EN-US"> </span></b><span style="font-family: "calibri" , sans-serif;">P. Kasda,</span><i style="font-family: Calibri, sans-serif;"> Bambino, </i><span style="font-family: "calibri" , sans-serif;">Poesia e Spiritualita, Milan 2009.</span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span lang="en-GB"><i>ΠAI,</i></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"> poetic essay, Tyflomyga, Athens 2003..</span></div>
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<span style="font-size: xx-small;"><span lang="EN-US" style="font-family: "calibri" , sans-serif;">P.Kasda,<i> </i></span><i><span lang="EN-GB" style="font-family: "calibri" , sans-serif;">L'Altro, l 'altrove e il mistero della centesima porta,</span></i><span lang="EN-AU" style="font-family: "calibri" , sans-serif;"> IX </span><span lang="EN-GB" style="font-family: "calibri" , sans-serif;">Biennale di Poesia di Alessandria, Joker 1998.<o:p></o:p></span></span></div>
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<span style="font-size: xx-small;"><i><span lang="FR" style="font-family: "calibri" , sans-serif;">P. Kasda,</span></i><span lang="FR" style="font-family: "calibri" , sans-serif;"> <i>PAI,</i> Cahiers Europeens de Poesie n.159, Les Sept Dormants, 1997.<o:p></o:p></span></span></div>
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<span lang="FR" style="font-family: "calibri" , sans-serif;"><span style="font-size: xx-small;">P.Kasda<i>, Cer si pamant</i>, Transilvania 1-2-3, Cultura Nationala, Romania 1996.<o:p></o:p></span></span></div>
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<span lang="FR" style="font-family: "calibri" , sans-serif;"><span style="font-size: xx-small;">P.Kasda,<i> Ciel et Terre Toi e moi, “</i>Poesia, Mito, Utopia”<i>, VIII </i>Biennale di Poesia di Alessandria, Joker, Italy 1996.<o:p></o:p></span></span></div>
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<span style="font-size: xx-small;"><i><span lang="FR" style="font-family: "calibri" , sans-serif;">Ne scrie poeta Polyxene Kasda,</span></i><span lang="FR" style="font-family: "calibri" , sans-serif;">Tribuna Culturale, 23/1. </span></span><span lang="EN-GB" style="font-family: "calibri" , sans-serif;"><span style="font-size: xx-small;">Sibiu, Romania 1998.</span><o:p></o:p></span></div>
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<span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB" style="font-size: small;"><i><b><br /></b></i></span></span></span></span></h2>
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<span style="background-color: cyan; font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>-
My Home/ Network </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>-1995-1998-
: </b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> </span></span></span></span></span></span></h2>
<span style="font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><b>Neighborhood
acoustic-visual installation on </b></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;"><b>the
expansive dynamics of intimate territories, interactive acoustic inter-balcony happening</b></span></span></span></span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;"><span style="font-weight: normal;">The odonymic and bioaffective topology of a </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;"><span style="font-size: medium;">Neighborhood </span><span style="font-size: xx-small;">in</span><span style="font-size: xx-small;"> the Municipality
of Pale</span></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;">on
Faleron, Athens.</span></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span lang="en-GB"><i>P. Kasda, Casa/ Retea, Home/Network</i></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span lang="en-GB">, Transilvania 1-2, Sibiu, Romania 1995, translated from French by poet Mircae Ivanescu.</span></span></span></span></span></span></div>
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<span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="font-size: small;"><br /></span></b></i></span></span></span></span></h2>
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<span style="font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="background-color: cyan;">- Αffective maps, l</span><span style="background-color: cyan;">andscape semiotics and language games </span></b></i></span></span></span><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>-1994-1996-</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b> </b></i></span></span></span></span></span></h2>
<span style="font-size: x-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB" style="font-size: x-small;"><i><b style="background-color: cyan;">spectral space transpositions and interference games- </b></i></span></span></span><i style="font-family: "times new roman", serif;"><b style="background-color: cyan;">entanglement of th</b></i><i style="font-family: "times new roman", serif;"><b style="background-color: cyan;">e affective materiality of each site with our human subjectivity, the haunting presentness of ancient relics </b></i></span><br />
<span style="font-family: "times new roman" , serif; font-size: medium;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><br /></b></i></span></span></span>
<span style="text-indent: -0.5in;"><span lang="EN-US" style="background-color: #cccccc; font-family: "calibri" , sans-serif;"><i><b>"I was unleashing in the present the repressed imagery of my deep unconscious, which, to my surprise, I was now recognizing embodied in the vigilant topology of Greece, an ontological riddle that is incessantly defying our mortality under our feet”</b>. </i>Ibid.</span></span><br />
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKO2Y113Fm3J5DXLwaL6Wsg-Tq4eeCKSGagmpjllXXdpuWvAJ74Vv6BI0H95CTUyVaHx085l8CZ7O97MHo99ULsd-S161yH65o5ELQomf8ejFN9aEGQwHXs91qWgFlIN3-LxZgjGSlqKdS/s1600/m94a.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKO2Y113Fm3J5DXLwaL6Wsg-Tq4eeCKSGagmpjllXXdpuWvAJ74Vv6BI0H95CTUyVaHx085l8CZ7O97MHo99ULsd-S161yH65o5ELQomf8ejFN9aEGQwHXs91qWgFlIN3-LxZgjGSlqKdS/s200/m94a.jpg" width="146" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRynsnv4RM0JSYO-vNr7JCPt0q7DUWDrz6Z6gj_aNbdZgj9NUs8zZW-D2IresEYEXwU5CzcF4FxfBh_TzNmbC4BfLsfE-24ZymDj0AFmxttBQgGs4OyHYDxfN2OiCCF8fQaVal6QXwiU_C/s1600/m94e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRynsnv4RM0JSYO-vNr7JCPt0q7DUWDrz6Z6gj_aNbdZgj9NUs8zZW-D2IresEYEXwU5CzcF4FxfBh_TzNmbC4BfLsfE-24ZymDj0AFmxttBQgGs4OyHYDxfN2OiCCF8fQaVal6QXwiU_C/s200/m94e.jpg" width="148" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGacJglFyODuolIDpmAhcUWJVb7II_JdTzIc859gUoymZlxB-I3T0G7ErellL1wFEA7H2H-MjFSOZTyzgGCwMSrARaIE41SiJtph5ke_73H473V8NHA1NRSTU-u_r6Zw1A6hevxh7pAR8B/s1600/artimap.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGacJglFyODuolIDpmAhcUWJVb7II_JdTzIc859gUoymZlxB-I3T0G7ErellL1wFEA7H2H-MjFSOZTyzgGCwMSrARaIE41SiJtph5ke_73H473V8NHA1NRSTU-u_r6Zw1A6hevxh7pAR8B/s200/artimap.jpg" width="146" /></a></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-size: xx-small;"> </span><span style="font-size: medium;">M</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="font-size: medium;">ythologically
augmented enchanted pathmaps in mythical sites of Greece - graphisms and sets of instructions opening
mythical barcodes, regenerating a noetic hyperspace embodied through
the participants' consensual engagement</span><span style="font-size: xx-small;">.</span></span></span></span></span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Under the auspices of the Municipal Radio of Athens 9,84F.M, the Biennale of Poetry of Alessandria Italy,</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Τοuchstone poetry group for the </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">XVth European Poetry Festival (Brussels),</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i> </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">the European Poetry Network (Belgium)</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">who adopt ed her Maps of the Present as a new form of generative poetic expression.</span></span><br />
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">P. Kasda, </span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span lang="el-GR"><i>Pyrisporos. Art-Mythology-Informatics,</i></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"> Greek interdisciplinary hyper-essay, Aigokeros-Art, Athens 1994.</span><br />
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda,</span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span><i><span lang="EN-AU" style="font-size: 8pt;">Landscape of my Soul</span></i><span lang="EN-AU" style="font-size: 8pt;">, <i>Poeti e Paesaggi,</i> XIV Biennale di Poesia di Alessandria, Joker, Italy 2008.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda,<i> </i></span><i><span lang="EN-AU" style="font-size: 8pt;">Poetry and Landscape</span></i><span lang="EN-AU" style="font-size: 8pt;">, Echo of Faleron, Greek newspaper of Paleon Faleron, Athens 2008.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Ciel et Terre, Poesia, Mito, Utopia </span></i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">ed. VIIIth Biennale di Poesia di Alessandria, Joker, Italy1996.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">I</span></i><i><span style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">η</span></i><i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">dicibili e Ineffabile,VIII Bienale di Poesia di Alessandria, Millenium writers, Joker, Italy 1996<o:p></o:p></span></i></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Taurokathapsia,</span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Touchstone Coed.</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Seven Sleepers 1994.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span></i><i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Μyth/ Network 5</span></i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">, ARTI, 1995.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Myth/ Network 5: The Gate of Fire, </span></i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Euphorion Transilvania, VI, n. 55.56.57. </span><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Sibiu, Romania, 1995.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Arkteia, on the threshold of time,</span></i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> <i>Tradition et Modernite dans l'Ancien et le Nouveau Monde,</i> Leuvain Les Sept Dormants n4 coed. </span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Uni. Lucian Blaga press1996.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Progetto Myth/ Network 1-5,</span></i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> La Clessidra n.1, Joker, Italy 1995.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Cer si pamant</span></i><span lang="FR" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">, Transilvania 1-2-3, Cultura Nationala, Romania 1996.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Puterea elementului mic/ </span></i><i><span lang="EN-US" style="font-size: 8pt;">Power of the Small, </span></i><span lang="EN-US" style="font-size: 8pt;">translated by M. Ivanescu, La Tribuna de Sibiu1995.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Progetto Myth/Network 6 : Sulla soglia del tempo, </span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">La Clessidra n2/1995.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Myth/ Network 5: The Gate of Fire, </span></i><span lang="EN-AU" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Euphorion Transilvania, VI, n. 55-57, Sibiu, Romania 1995 </span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> <o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda,</span><i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span></i><i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Progetto Myth/ Network 1-5,</span></i><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">La Clessidra n.1/ Joker, Italy 1995.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Μ</span></i><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">yth/Network</span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">, International bac review of Costeas Geitonas Schools, Athens 1995.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Where is the Village going?</span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> Arcas, Greek newspaper of Arcadia, Greece 1995.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Mein poezie is een reis in de geegtelidjke textuur vaan het land</span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">, 3000 Letters X, The Seven Sleepers Leuvain 1994<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, </span><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">Taurokathapsia Mythologically augmented Route Map across the island of Crete, </span></i><i><span style="background-color: white;"><span lang="EN-US" style="font-family: "times new roman" , serif; font-size: 8pt;">Landscape</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"> </span></span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">semiotics</span></i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">, Touchstone co-ed. The Seven Sleepers 1994</span></div>
<span style="font-size: xx-small;"><i>Project Myth/Network 1990-2011, european heritage integration in modern perception </i>http:PolyxeneKasda.blogspot.com</span><br />
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<span style="background-color: cyan;"><span style="font-family: "times new roman" , serif; font-size: medium;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="font-size: small;"><br /></span></b></i></span></span></span></span></h2>
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<span style="background-color: cyan; font-size: small;"><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="font-size: xx-small;">-</span> PXK Route</b></i></span></span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b> </b></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>-</b></i></span></span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span lang="en-GB"><b>2004 - 2014 -</b></span></span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>:</b></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"> </span></span></span></h2>
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"></span></span>
<span style="font-family: "times new roman" , serif;"><span style="background-color: #cccccc;"><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><b>“</b></span><span style="font-family: "times new roman";"><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><i><b>I was now strategically flying here and there, shedding my glittering PXK scales, silvering my pain for a departing world. I was, thus, gradually vacating my titanic fossil PXK installation meant to be looked down from on high, from some cosmonautical spot in the future”</b>.</i> Ibid</span></span></span></span><br />
<span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="background-color: #cccccc;"><i style="font-family: "Times New Roman";"><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><br /></span></i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Expanding global fossil </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">installation while installing my innovative</span></span></span></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGMnf__m972cXzKSsZQHxDk6aYOxXPF3suUiBDKT1I7jci3Clw71VCNubLMyzt2mJHxyJGLwSAixyVAOmnbQdihKCTIGNU5d6vrEUEX3JtoxoyvDMR5otEPnjTcygqi7wtsVEv8ihSnyNF/s1600/18bitalie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: medium;"><img border="0" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGMnf__m972cXzKSsZQHxDk6aYOxXPF3suUiBDKT1I7jci3Clw71VCNubLMyzt2mJHxyJGLwSAixyVAOmnbQdihKCTIGNU5d6vrEUEX3JtoxoyvDMR5otEPnjTcygqi7wtsVEv8ihSnyNF/s1600/18bitalie.jpg" width="200" /></span></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEKT-PW5F9zcPYfv1cmSzxseJoRsDo0qs4g9UY-NJOIr-H9CtgirCOwAX4DJBR634gbubeHRfuVw7Gdwh8UeSDnk6ANDHJCV_zaH_11htF7JYudlTqdgDTa8LUxgQiA_3tmE1xYLBnb9wM/s1600/Faros%5B1%5D.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: medium;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEKT-PW5F9zcPYfv1cmSzxseJoRsDo0qs4g9UY-NJOIr-H9CtgirCOwAX4DJBR634gbubeHRfuVw7Gdwh8UeSDnk6ANDHJCV_zaH_11htF7JYudlTqdgDTa8LUxgQiA_3tmE1xYLBnb9wM/s200/Faros%5B1%5D.jpg" width="148" /></span></a><span style="font-family: "times new roman" , serif;"><span style="font-size: medium;">"fossilizing” fabric PXK, anchored in more than 25 “big” international cultural events,</span><span style="font-size: xx-small;"> like:</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">the
PXK Chrysalis monument in the Athens </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">Olympics
2004, the XVII Βiennale di Poesia di Alessandria, Italy 2004, the
2nd Biennale of Beijing 2005, the Syria panhellenic festival FMC Damascus, Aleppo Syria 2006, the 4rth Biennale of Tashkent 2007, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Nuit
Blanche</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">,
Anvers-aux-Abesses, Place de l' Europe Paris 2007, the Olympic Fine
Arts of Beijing 2008, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>DESIGN</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>
</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">2012
Municipal Pinacotheque of Athens..</span></span></span><br />
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">PXK ROUTE represented Greece in the congress on Olympism of the 3</span></span><sup><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">rd</span></span></span></sup><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> Biennale of </span></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuAeg-QJBNkvF2G-e3zHorRlij5rNJqETF2yiY4L2TrS9KiyY9gM6OJ-XDH86Ux_GxCjpHZsQWXPtO_2Q6VtxwRHFUqpJNhqMWLHepFriFiTbXLnOYo44NlvdZUlgH-dmIJELnlG0XNeJq/s1600/P.+Kasda,+Alogon,+2nd+Biennale+of+Beijing,+PXK+05.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-size: xx-small;"><img border="0" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuAeg-QJBNkvF2G-e3zHorRlij5rNJqETF2yiY4L2TrS9KiyY9gM6OJ-XDH86Ux_GxCjpHZsQWXPtO_2Q6VtxwRHFUqpJNhqMWLHepFriFiTbXLnOYo44NlvdZUlgH-dmIJELnlG0XNeJq/s200/P.+Kasda,+Alogon,+2nd+Biennale+of+Beijing,+PXK+05.JPG" width="200" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Alogon, 2nd biennale of Beijing collection 2005</span></td></tr>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Beijing 2008.</span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">It was awarded the Olympic Fine Arts of Beijing Golden Medal 2008.</span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">A PXK mending was the emblem of the XVII Bienale di Poesia di Alessandria, Italy 2004.</span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">PXK ROUTE installation extending from the Beijing Biennale 05 to the Tashkent Biennale, and the Nuit Blanch</span></span><span style="font-family: "times new roman" , serif;">e in Paris07 was sponsored by the Greek Ministry of Culture. </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPg_l3PyraUo6WVnzTh3apu4FOPeT5VcR7z3tL6ecEbyyu13l497kn_9gptp0n9h5xvOo4kH81Ddf308WMH3gQyBxtUN2pwoWFjZWt6l5LLVKRGzWFnS6cZ-hSz5PPC0aUgFCCqGXAA_2Q/s1600/%CE%B1%CE%BC%CE%B1+%CF%83%CF%85%CF%81%CE%AF%CE%B1+%CE%B1+%CE%BD%CF%84%CE%AD%CE%BC%CE%B7.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="126" nt="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPg_l3PyraUo6WVnzTh3apu4FOPeT5VcR7z3tL6ecEbyyu13l497kn_9gptp0n9h5xvOo4kH81Ddf308WMH3gQyBxtUN2pwoWFjZWt6l5LLVKRGzWFnS6cZ-hSz5PPC0aUgFCCqGXAA_2Q/s200/%CE%B1%CE%BC%CE%B1+%CF%83%CF%85%CF%81%CE%AF%CE%B1+%CE%B1+%CE%BD%CF%84%CE%AD%CE%BC%CE%B7.jpg" style="font-family: times, "times new roman", serif; text-align: center;" width="200" /></a></div>
<span style="font-family: "times" , "times new roman" , serif; margin-left: 1em; margin-right: 1em; text-align: center;"></span><br />
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small;"><br /></span>
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small;"><br /></span>
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small;"></span><br />
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small;"></span>
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small;">P. Kasda,<i> Vertical link to the principle of renaissance, Colors and Olympism</i> conference abstract, Third Biennale of Beijing 2008<o:p></o:p></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">Π</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">. </span><span style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">Κασδά</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">,<i> Χρώματα και Ολυμπισμός, PXK ROUTE</i>, ΕΕΤΕ newspaper</span><span lang="EN-GB" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">, May</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;"> 2008.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: xx-small;">P. Kasda, <i>PXK ROUTE Athens-Tashkent-Paris,</i> ToVima, Eastern Attica newspaper 2008.<o:p></o:p></span></div>
<span style="font-size: xx-small;"><span style="font-family: "calibri" , sans-serif; text-indent: -0.5in;">P. Kasda, 2nd</span><i style="font-family: calibri, sans-serif; text-indent: -0.5in;"> Biennial of Beijing; The fatal leap from aesthetic vision to ethical action</i><span style="font-family: "calibri" , sans-serif; text-indent: -0.5in;">, EETE/ Greek Chamber of the Arts newspaper nb.114. Athens 2005.</span><span style="font-family: "times new roman" , serif; font-size: xx-small;"></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPFP-e5StBBvMIrYsftfl6On664kjcvchP65FbX1n6AdPQIbsO4dEny9QA1lIg43wjYxrFSGfQLnm1ONaJ7IIq_pkTHojPxIaMT5ZEYfgKES0aLfbVyRysEKerMVjDvbwWeNl9BwkDjUHP/s1600/2.beijingconference08.JPG" imageanchor="1" style="clear: right; float: right; line-height: normal; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPFP-e5StBBvMIrYsftfl6On664kjcvchP65FbX1n6AdPQIbsO4dEny9QA1lIg43wjYxrFSGfQLnm1ONaJ7IIq_pkTHojPxIaMT5ZEYfgKES0aLfbVyRysEKerMVjDvbwWeNl9BwkDjUHP/s200/2.beijingconference08.JPG" width="200" wt="true" /></a><span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">P. Kasda, </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>on Mythical Foundation,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> Union of the </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Cultural Associations of Evros, E.P.O.F.E Catalog </span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;">2010.</span><br />
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<span style="font-size: xx-small;"><span style="color: navy;"><span lang="zxx"><u><a href="http://glypto.wordpress.com/2007/10/23/kasda-nuit-blanche/-"><span style="font-family: "times new roman" , serif;">http://glypto.wordpress.com/2007/10/23/kasda-nuit-blanche/-</span></a></u></span></span></span></div>
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<cite><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">http://glypto.wordpress.com/2008/05/09/olympic-fine-arts-2008/</span></span></span></span></cite></div>
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<span style="font-size: xx-small;"><cite></cite><cite><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">http://glypto.wordpress.com/2008/02/14/polyxeni-biennale/-http://glypto.wordpress.com/2012/05/25/-</span></span></span></span></cite></span></div>
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"></span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFapasv2u1WnX1iA0opR4LKQW4YKNyDjPBMp8PAN1PE3TSDKA-FjK0oi83UYb8-hMqTFlJaQowExY3QIMHsndPeiKe_6rNfLkdOrQaGbawBalO5SK8zSFAad6KknznOnVQBBYrvnOtQ5Rw/s1600/15.JPG" imageanchor="1" style="clear: right; float: right; line-height: normal; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFapasv2u1WnX1iA0opR4LKQW4YKNyDjPBMp8PAN1PE3TSDKA-FjK0oi83UYb8-hMqTFlJaQowExY3QIMHsndPeiKe_6rNfLkdOrQaGbawBalO5SK8zSFAad6KknznOnVQBBYrvnOtQ5Rw/s200/15.JPG" width="200" wt="true" /></a><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXeSut-IjrTTMF58APO6bilE6C1wdNpODn_MdyN7Pz8P2XPXlDTZCZ2WPro4u01bCtcKCbk0Mf2yuX8Wfw1TBokb5-kEbT9BtBJ35JIIrFhAzb65ajIbcgh9CenC-D5jqM3AcJgsLOGvOV/s1600/%CF%80%CE%B1%CE%B1%CE%BB%CE%BC%CF%80%CE%B5%CE%BA+%CF%83%CF%85%CF%81%CE%AF%CE%B1+%CE%B1%CE%BB%CE%B5%CE%BE.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" height="140" nt="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXeSut-IjrTTMF58APO6bilE6C1wdNpODn_MdyN7Pz8P2XPXlDTZCZ2WPro4u01bCtcKCbk0Mf2yuX8Wfw1TBokb5-kEbT9BtBJ35JIIrFhAzb65ajIbcgh9CenC-D5jqM3AcJgsLOGvOV/s200/%CF%80%CE%B1%CE%B1%CE%BB%CE%BC%CF%80%CE%B5%CE%BA+%CF%83%CF%85%CF%81%CE%AF%CE%B1+%CE%B1%CE%BB%CE%B5%CE%BE.JPG" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Alex and Demi create PXK fabric for Syria exhibition 2006 </span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXIB0PYNPZ0ypXjeoQEINdMvU-CSeoTkA68cdFXVxiu63WhiaYw3_895KqD7E__5DEHxDCuM31gYVjA3G-f5PNg9rNLE6yCiLL7Kw7AvTm3itTwHwt9rAx4vpnG7JIctrQbtsn9gVsirmQ/s1600/pxkzephiroulaweb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-size: xx-small;"><img border="0" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXIB0PYNPZ0ypXjeoQEINdMvU-CSeoTkA68cdFXVxiu63WhiaYw3_895KqD7E__5DEHxDCuM31gYVjA3G-f5PNg9rNLE6yCiLL7Kw7AvTm3itTwHwt9rAx4vpnG7JIctrQbtsn9gVsirmQ/s1600/pxkzephiroulaweb.jpg" width="320" /></span></a></td></tr>
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<span style="font-size: small;"><i>PXK shifting calamity, </i><span style="font-style: normal;">Athens 1990-2013</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSnRL41WfMKWqvbAGAcPddQouiZavGMsSCRNkuneP5TbP9VoHDKExjf4UH6BCRmDZhS8nYXC-QXAo238o_zJ0pzd-XwbVCB2jAQs-uhArOK62sUG1Z6VoamxHAyHQrppXk7h7fjhtFWpup/s1600/gorgoweb.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSnRL41WfMKWqvbAGAcPddQouiZavGMsSCRNkuneP5TbP9VoHDKExjf4UH6BCRmDZhS8nYXC-QXAo238o_zJ0pzd-XwbVCB2jAQs-uhArOK62sUG1Z6VoamxHAyHQrppXk7h7fjhtFWpup/s200/gorgoweb.jpg" width="145" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5YDdfIVmgjFm8D94c6F6uf8Nju2ENd6cnms62N6mTIVBengfwlqPcVE2l-yi6oGUTCYszMoGjZwFmBtsBTH_6LCVfgrpgIbtPJezr5Gvws2C5y8SdLqPshEzngSqbLpWoPEHpuZkRx5x/s1600/d140001web.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5YDdfIVmgjFm8D94c6F6uf8Nju2ENd6cnms62N6mTIVBengfwlqPcVE2l-yi6oGUTCYszMoGjZwFmBtsBTH_6LCVfgrpgIbtPJezr5Gvws2C5y8SdLqPshEzngSqbLpWoPEHpuZkRx5x/s1600/d140001web.jpg" width="145" /></a><br />
<h2>
<span style="font-size: small;"><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="font-size: xx-small;">-</span>
Doodling interludes</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b><span style="background-color: cyan;">-1982-2015-
</span>:</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> </span></span></span></span></span></span></h2>
<span style="font-size: medium;"><br /></span>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLxp7FoBnVYB1_VGUAFn2w6xq8OUh6sWhf1xTHUSyDrrx_dMLUtNX2pIuyMCWImGp74khkDTa-kzo8RxgpL8Fa0WF0qtlfHFu7XZeolheaeXbOFcxxeBQtHMXk-BvsveUjgSCCaaPxXiS/s1600/gfdesign.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: medium;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLxp7FoBnVYB1_VGUAFn2w6xq8OUh6sWhf1xTHUSyDrrx_dMLUtNX2pIuyMCWImGp74khkDTa-kzo8RxgpL8Fa0WF0qtlfHFu7XZeolheaeXbOFcxxeBQtHMXk-BvsveUjgSCCaaPxXiS/s400/gfdesign.jpg" style="cursor: move;" width="390" /></span></a><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="font-size: xx-small;">magnified
notebook </span>perturbations of the probabilistic</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="font-size: medium;">
in-between-projects-space inserted in 13 cultural events in 7
countries, </span><span style="font-size: xx-small;">li</span><span style="font-size: xx-small;">ke:</span></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Artist's
Book</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
Stedeljke Akademie voor Beeldende Vorming HarelBeke Belgium 2007,</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
3</span></span><sup><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">rd</span></span></sup><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Biennale
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">of
Beijing 2008, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>DESIGN</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">House
of Cyprus in Athens 2009, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Croisees
d'Arts</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">
Château Landon France 2009, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Celestial
Fragments</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">
PrimopianoLivinGallery, Lecce, Italy 2010, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Flags
</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">Solidere
Beirut</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">UNESCO-OFAA-MEADOWS
Lebanon 2012, Stravinsky concert Sala Sanart Compostella Santiago
Spain 2013, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Transart</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">
Maison Heinrich Heine K-Droz Paris and gallery Schneeberger, Munster
Night of Museums, Germany 2014, Digital Arts and Cinema workshop,
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Sphinx
2015</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">Thebes
201</span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;">5.</span><br />
<span style="font-family: "times new roman" , serif; font-size: xx-small;"><br /></span>
<span style="font-family: "times new roman" , serif; font-size: xx-small;"><br /></span>
<span style="font-size: x-small;"><span style="background-color: #cccccc; font-family: "times" , "times new roman" , serif;"><b><i>"Doodling Interludes are perturbations of the probabilistic mind elevated, through a process of Hegelian ‘aufheben’, to the status of works of art".</i></b> P. Kasda {Open FT University, Psychico, Athens, 2008}</span><span style="font-family: "times new roman"; font-size: xx-small;"><span style="background-color: #cccccc;"><span style="font-size: xx-small;"> </span></span> <b style="font-size: medium;"> </b></span></span></div>
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<span style="font-size: xx-small;"><a href="https://www.blogger.com/null" name="1656664415976862602"></a></span></div>
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<span style="font-size: xx-small;"><a href="http://polyxenekasda.blogspot.gr/2011/03/project-pai-2011-preliminary-process-of.html" style="color: #999966; text-decoration: none;">Polyxene Doodling Perturbations of a probabilistic mind</a>, Ibid, 3.18.11.</span></h3>
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<span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB" style="font-size: small;"><b><br /></b></span></span></span></span></h2>
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<span style="background-color: cyan; font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>-</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>Miorita
Melusina and the Sphinx -</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>2007-:</b></span></span></span></span></span></h2>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqI0W33BmfjDwfFAFWtLCLV-mRbYaKV1agpVu8Rzo59fMkeZZWGx7vQV_17DQz-Msz4ZkN7Jiydm44s5gW68gz9sdvf3leHTVDZuowdWbZlFHWKdfvk7Vszv5AsnZIIDqF9bRLcXcd7Xsb/s1600/miorita.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqI0W33BmfjDwfFAFWtLCLV-mRbYaKV1agpVu8Rzo59fMkeZZWGx7vQV_17DQz-Msz4ZkN7Jiydm44s5gW68gz9sdvf3leHTVDZuowdWbZlFHWKdfvk7Vszv5AsnZIIDqF9bRLcXcd7Xsb/s1600/miorita.jpg" width="200" /></a><span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Poly
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Kasda-Konstantine
Angelou</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">
telecommunications Artooth team</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">
project on landscapes/</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
legends exchange between Sibiu, Luxemburg and Thebes, probing
“mioritic” space, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">digital
deterritorialization and the critical instability of the culturally
uninformed model of hybrid Europe. </span></span></span></span></span>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Se</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">lected
by Arscenic French Association for the</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">twin</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Capitals
of Europe 2007- </span></span></span></span>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">Interrupted
by serious accident.</span></span></span></span><br />
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<span style="font-size: xx-small;"><a href="https://www.blogger.com/null" name="161235993391924281"></a></span></div>
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<span style="font-size: small;">P. Kasda, <a href="http://polyxenekasda.blogspot.gr/2011/12/design-2011.html" style="color: #999966; text-decoration: none;">Project Miorita, Melusina and the Sphinx of Thebes, //uraniasgardens 2007</a></span></h3>
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<span style="font-size: xx-small;"><span class="watch-title watch-editable" dir="ltr" id="eow-title" style="line-height: 17.68px;" title="topologie syncretique europeenne"><span style="font-size: xx-small;">P. Kasda, topologie syncretique europeenne,</span></span><span style="line-height: 17.68px;">2014, http://polyxenekasda.blogspot.com</span></span><br />
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<span style="font-family: "times new roman" , serif; font-size: medium;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">It was partly recycled into the<span style="background-color: cyan;"> S</span></span></span></span><span style="background-color: cyan;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><b>phinx</b></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><b>
2015 </b></i></span></span></span><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">team
project under the auspices of </span></span></span>the Athens School of Fine Arts and the Greek Ministry of Culture.</span></span></div>
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<span class="MsoHyperlink"><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 8pt;">P. Kasda, </span></span><span lang="EN-US" style="font-size: 8pt;"><a href="https://www.blogger.com/blogger.g?blogID=5539639554304028037#editor/target=post;postID=2084254023413337850;onPublishedMenu=posts;onClosedMenu=posts;postNum=14;src=postname"><b><span style="font-family: "calibri" , "sans-serif"; mso-bidi-font-family: "Times New Roman";">MIORITA, MELUSINΕ και η Σφίγγα των Θηβών: Tinkering με τα στοιχεία de differentes cultures</span></b></a></span><span class="MsoHyperlink"><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 8pt;">, Uraniasgardens. com</span></span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">2014.<o:p></o:p></span><br />
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<span style="font-size: xx-small;"><a href="https://www.blogger.com/null" name="6248804558390542443"></a></span><br />
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<span style="font-size: small;">P. Kasda, <a href="http://uraniasgardens.blogspot.gr/2014/12/the-enigma-of-sphinx-thebes-rewatched.html" style="color: #888888; text-decoration: none;">The Enigma of the Sphinx- the word "Anthropos" redefined and Thebes rewatched.</a> Ibid</span></h3>
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<span style="background-color: cyan; font-size: small;"><span style="font-family: "times new roman" , serif; line-height: 110%;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><span style="font-size: xx-small;">-</span> <span style="font-size: x-small;">Uranias
Gardens</span></b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 110%;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>
-2009-2015-: the botanology of culture</b></span></span></span></span></span></h2>
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<span style="line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-family: "arial" , "helvetica" , sans-serif; font-style: normal;"><b><br /></b></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="background-color: #cccccc; font-family: "arial" , "helvetica" , sans-serif;"><i style="line-height: 11px;"><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><b><span style="font-size: xx-small;">“</span><span style="font-size: xx-small;">I</span></b></span></i><i style="line-height: 11px;"><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: xx-small;"><b> was now playing and tossing with blocks of culture, setting the pattern of highly participative interactive scripts; SAGA transloci, trans-border applications of my Myth/Network concepts”I</b></span><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: xx-small; font-weight: normal;">bid</span></i></span></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="background-color: #cccccc;"><i style="line-height: 11px;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><br /></span></i></span></span></span></span></span></div>
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<span style="font-size: medium;"><span style="font-weight: normal;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><i style="line-height: 11px;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; font-size: 8pt;"><br /></span></i></span></span></span></span></span><span style="font-family: "verdana" , sans-serif;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-weight: normal;"><b><span style="font-family: inherit; font-size: xx-small;">Monitored conceptual spreadsheet and dynamic Pattern-Setting of a set of techno-agro-psychosocial SAGA Myth/Network applications, </span></b></span></span></span></span></span><span style="font-family: inherit; font-size: xx-small;"><span style="line-height: 17.6px;"><span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif;"><b> in culturally gagged, mythically charged sites of Greece </b></span></span><span style="line-height: 14.3px;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">based on a core idea and evolving script layers </span><span style="font-family: "verdana" , sans-serif;">outpacing the emerging psychosocial play states- </span></b></span></span></span></span><br />
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<span style="background-color: white; color: #222222; font-family: "arial" , sans-serif; line-height: normal;"> Special attention is given to :</span><br />
<span style="background-color: white; color: #222222; font-family: "arial" , sans-serif; line-height: normal;">- the Phasmatic affective quality of each space </span><br />
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- the enchanting haunting presentness of ancient relics; their hypnotic omnipresence and affect on our cognitive processes..</div>
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- the possible restitution in our consciousness of their diffused stains; their ghost imprints</div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; line-height: normal;">
<span style="font-size: 12.8px;"><u>- </u> the affective environment-subjectivity entanglement </span></div>
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<span style="font-size: 12.8px;">signs providing a psycho-anthropological synesthetic signature of each place</span></div>
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<span style="background-color: lime; font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB" style="font-size: medium;"><i><b>*Gargling Sky </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b><span style="font-size: medium;">-2009</span><span style="font-size: xx-small;">--</span></b></span></span></span></span></span></h2>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">polycentric international art </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">constellation</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-size: xx-small;">throughout the meteorite showered village Gergeri, Crete.</span><span style="font-size: xx-small;"> </span></span></span></span><br />
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Engagement of the local youth, astrophysicists and shepherds.</span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Site benefits:</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b> </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Permanent</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b> </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">international polycentric pinacotheque throughout the village.</span></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">org. Municipality of Rouvas, now, Gortys</span></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;">P. Kasda, T<i>he Gergerian Experience, </i>Artooth.gr articles<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 17.6px;">P. Kasda, <i>Garglin</i></span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 17.6px;"><i>g Sky</i>, newspaper of the Greek Chamber of the Arts </span><span style="font-family: "calibri" , "sans-serif"; line-height: 17.6px;">ΕΕΤΕ</span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 17.6px;">, nb.158</span><br />
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<h3 class="post-title entry-title" itemprop="name" style="font-family: Georgia, Utopia, "Palatino Linotype", Palatino, serif; font-stretch: normal; font-weight: normal; line-height: normal; margin: 0px; position: relative;">
<span style="background-color: #f3f3f3; font-size: x-small;">P. Kasda, Γάργαρος Ουρανός 2009, http://kasdapolyxene.blogspot.gr. 11/8/2011</span></h3>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><img height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKWrLxpWI_EpJyBjecASElOX_lb679E9FtasW6Tlm-tvoYqLSJC8wffeByoFiNlo6-HRRU1fTrQxfm4LxtNKRHhTAi3A2Pvqy-gZcVleWnKgLyperzle9Rr6qklsD0iK6neZJ5_qtyC9A4/s200/impressam2w.jpg" style="line-height: 14.3px;" width="200" /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKfFVPcQmLEt1Irjyh_5OD7s50Zn_GeLVEgyihPm20BN2EDc1XGbTdpzC_wNg4aSvO3rKcZQPnlvvrqq-ZNU3CTMbmOE9xamsClJy2Oty5zJysU78-eMW-hYZUv9Or1W7e1i0Dsj4LxoUa/s1600/ashmira.jpg" imageanchor="1" style="clear: right; line-height: 17.6px; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" height="91" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKfFVPcQmLEt1Irjyh_5OD7s50Zn_GeLVEgyihPm20BN2EDc1XGbTdpzC_wNg4aSvO3rKcZQPnlvvrqq-ZNU3CTMbmOE9xamsClJy2Oty5zJysU78-eMW-hYZUv9Or1W7e1i0Dsj4LxoUa/s1600/ashmira.jpg" width="200" /></a></span></span><br />
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<span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="background-color: lime;"><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><i><b><br /></b></i></span></span></span></span></span></h2>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: small;"><span style="background-color: lime;"><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><i><b>*Π</b></i></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>A</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 26.4px;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>I -</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 26.4px;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>2010</b></span></span></span></span><span style="font-family: "times new roman" , serif; line-height: 26.4px;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>-</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 26.4px;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">:</span></span></span></span></span></span><span style="font-family: "times new roman" , serif; line-height: 26.4px;"><span style="font-size: xx-small;"> the borderline phenomenon of the Yungian archetype of the Child</span></span></span></span></h2>
<span style="font-size: medium;"><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;">trans-bord</span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;">er, transloci artworks on Time as a Child /</span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b>Π</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>AI</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"> playing/</span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b>ΠΑΙΖΩΝ.</b></i></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Org. <span style="font-size: xx-small;"><span lang="en-GB">Union of the Cultural Associations of Evros</span></span>, Alexandroupolis, Samothrace, extended in Bulgaria, Thebes, Patmos, Athens, Salentina..</span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Site benefits:</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b> </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Permanent</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b> </b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">international art collection </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">ΠAI</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> in Alexandroupolis-Samothrace.</span></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7iR1uIIJ9qValavRgt6nUzVY2Z3Gi_fkqpznzUr2O1UitTiUIQ3JdSljECX6AtWscccZtZgsna5QwVvRJJ3jXY52zL_AAcmMpscBahf2jmQ8dY-pIyVLhXBAvvUQg1S0Ku1AJkhXQ786I/s1600/Card21_LapisExilis%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7iR1uIIJ9qValavRgt6nUzVY2Z3Gi_fkqpznzUr2O1UitTiUIQ3JdSljECX6AtWscccZtZgsna5QwVvRJJ3jXY52zL_AAcmMpscBahf2jmQ8dY-pIyVLhXBAvvUQg1S0Ku1AJkhXQ786I/s200/Card21_LapisExilis%25282%2529.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1ufGvFVtf82OwFyAlPVY_Nxuh6k_OQfQPaD8c6dF9LMSf2WOeDyOqkYrHzgeENahfSnL_LhaR0StOIdJAI8H0mS048d9railqtXz3dBSfWhC6nXg08XDPrmx59S0alxSjfGPeNb9taSTL/s1600/gate2.jpg" imageanchor="1" style="line-height: 17.6px; margin-left: 1em; margin-right: 1em;"><img border="0" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1ufGvFVtf82OwFyAlPVY_Nxuh6k_OQfQPaD8c6dF9LMSf2WOeDyOqkYrHzgeENahfSnL_LhaR0StOIdJAI8H0mS048d9railqtXz3dBSfWhC6nXg08XDPrmx59S0alxSjfGPeNb9taSTL/s1600/gate2.jpg" width="320" /></a></div>
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<span style="font-size: small;">P. Kasda, <a href="http://uraniasgardens.blogspot.gr/2010/10/pai-2010-c0ncept.html" style="color: #888888; text-decoration: none;">PAI 2010 concept</a>,<b style="background-color: white; color: #666666; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; line-height: 1.4; text-align: center;">“The eon is a child playing, tossing {dice}; the kingdom is the Child’s” Heraclites. Uraniasgardens 6.10.2010.</b></span></h3>
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<span style="background-color: lime;"><span style="font-family: "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b><br /></b></i></span></span></span></span></h3>
<span style="font-size: medium;"><span style="background-color: lime;"><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>*The Samothrace Game -</b></i></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>2011</b></span></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>-</b></i></span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>:</b></span></span></span></span></span></span><span style="font-size: medium;"><span style="background-color: lime;"><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b> </b></span></span></span></span></span><b style="background-color: lime; font-family: "times new roman", serif; line-height: 26.4px;">To be and not to be. This is the question </b></span><br />
<span style="font-size: medium;"><b style="background-color: lime; font-family: "times new roman", serif; line-height: 26.4px;"><br /></b></span>
<span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Looking</span></span></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> for </span></span></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="el-GR"><i><b>Π</b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>AI, the Fugitive Child that is and is not to be found in the cabirian space inner/outer space, </b></i></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">with the ambiguous guidance of Heraclitus’</span></span></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;">antinomic Fragments.</span><br />
<span style="font-family: "times new roman" , serif; line-height: 17.6px;"> A psycho-physical virtual reality game favoring spectral space superposition, oscillation and intricate states of mind, deep experience of entanglement of man, nature myth, impregnated by the presentness of the Cabirian mysteries.</span><br />
<span style="font-family: "times new roman" , serif; line-height: 17.6px;"><br /></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;">The landmarks' illustrations were dictated by the residents<b>' legend- freighted, subjective telenarrative providing an affective alternate map of the place..</b></span><br />
<span style="font-family: "times new roman" , serif; line-height: 17.6px;"><b><br /></b></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;">The clues (hermea) of the open-ended PAI spectral reality game are scattered all over the island of the Cabirs, as for e.g. the</span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"> time-capsule inserted inside the neolithic Gate of the Sun.</span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Game set to be continuously modified by on-line/ off-line interactive participations. Org. IDEA local cultural association.</span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><br /></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 17.6px;">P. Kasda, <i>Concept of the treasure hunt Looking for PAI 2011</i>, </span><span lang="EN-US" style="font-family: "times new roman"; line-height: 17.6px;"><a href="http://uraniasgardens.blogspot.com/"><b><span style="font-family: "calibri" , "sans-serif"; mso-bidi-font-family: "Times New Roman";">http://uraniasgardens.blogspot.com</span></b></a></span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; line-height: 17.6px;"> 2011</span></span></span></div>
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="EN-US" style="font-family: "calibri" , sans-serif; line-height: 17.6px;">P. Kasda, Map of the hidden treasure PAI 2011in Samothrace. Ibid</span></span></span><br />
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<span style="font-size: small;">P. Kasda, <a href="http://polyxenekasda.blogspot.gr/2011/01/pai-2011-treasure-hunt-game-in.html" style="color: #999966; text-decoration: none;">Treasure-hunt cultural game PAI 2011</a>..//polyxenekasda.blogspot.com 9/1/11</span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFYVZeUxlo7eym_hsm9Wr3DlCkGMkAyGcWXiTd9Oq8_lERza1gi28l8VQSTqPCFttOXk7QBJivVbfCBZYclcx1nMaZ5CWqOX2Svg64_sO_fhLfLjw-ZnRGgYSyBqyiP5BWfhQhqMrNi5tC/s1600/10689629_10154635551405451_1979262059587941015_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: small;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFYVZeUxlo7eym_hsm9Wr3DlCkGMkAyGcWXiTd9Oq8_lERza1gi28l8VQSTqPCFttOXk7QBJivVbfCBZYclcx1nMaZ5CWqOX2Svg64_sO_fhLfLjw-ZnRGgYSyBqyiP5BWfhQhqMrNi5tC/s200/10689629_10154635551405451_1979262059587941015_n.jpg" style="line-height: 20.592px;" width="130" /></span></a><span style="background-color: lime; font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">*«</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>Πιθ΄</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><b>Ελλέβορον”/</b></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i><b>Drink Helleborus -</b></i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;"><span style="font-weight: normal;">2014-:</span></span></span></span></span></h3>
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<span style="background-color: lime;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background-color: white; color: #666666; font-family: "arial" , "helvetica" , sans-serif; line-height: 18.48px;"><i><b>The Wonderful Power of the Elemental- Agro-cognitive processes </b></i></span></span></span></span></span></span><br />
<span style="background-color: lime;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background-color: white; color: #666666; font-family: "arial" , "helvetica" , sans-serif; line-height: 18.48px;"><i><b><br /></b></i></span></span></span></span></span></span></div>
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<span style="background-color: lime;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;"><span style="background-color: white;"><b><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;">Challenging interactive Agro-SAGA performances </span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><span style="font-style: normal;"><span style="font-weight: normal;">on the seduction of folly and botanology s<span style="font-size: xx-small;">cattered all-over the town of Antikyra, Boetia, Greece.</span></span></span></span></span></b></span></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif; line-height: 17.6px;"><span style="font-size: xx-small;"><b>Helleborus is a local herb known for its healing of madness properties. </b>Pith'Ellevoron is an ancient Greek saying that means " drink the sedative potion to stop saying mad things". </span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-style: normal;"><span style="font-weight: normal;">Org. </span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Allotropia popular academy- </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Primopianogallery Italy- K-Droz Paris, under the auspices of the Greek Ministry of Culture.</span></span></span></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Site benefits: Permanent art and agro collection in Allotropia museum.</span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><br /></span></span><span style="font-family: "times new roman" , serif; line-height: 17.6px;">http://uraniasgardens.blogspot.gr/2014/02/a-seed-project-is-sprouting-in-antikyra.html</span><a href="http://uraniasgardens.blogspot.gr/2014/02/a-seed-project-is-sprouting-in-antikyra.html" style="background-color: white; color: #888888; font-family: calibri; line-height: normal; text-decoration: none;"><span style="background-color: white; color: #888888; font-family: "calibri"; line-height: normal; text-decoration: none;">http://uraniasgardens.blogspot.gr/search014PROJECT Drink Helleborus /"ΠΙΘ' </span><span style="background-color: white; color: #888888; font-family: "calibri"; line-height: normal; text-decoration: none;">ΕΛΛΕΒΟΡΟΝ!" (pith'elevoron) continuously re-edit</span></a>ed<br />
<span style="background-color: white; font-family: "times new roman" , serif; line-height: 17.6px;">Pith'Elevoron/ Drink Helleborus http://festival.culture.gr/2014/10/</span><br />
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<span style="background-color: lime; font-family: "verdana" , sans-serif;"><span lang="EN-US" style="font-family: "calibri" , sans-serif;">*</span><b><i><span lang="FR" style="font-family: "calibri" , sans-serif;">Tu vas a Tuva? </span></i></b><b><i><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Oui, je vais a Ithaca: </span></i></b></span><br />
<span style="background-color: lime; font-family: "verdana" , sans-serif;"><b><i><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><br /></span></i></b></span></div>
<span style="font-family: "verdana" , sans-serif;"><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: medium;">(spreadsheet project to be or not to be realized)</span></span></div>
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<span style="font-family: "verdana" , sans-serif; font-size: medium;"><span lang="EN-US" style="font-weight: normal;"><span style="font-size: xx-small;"> </span>A</span><span lang="EN-US" style="font-family: "times new roman" , serif;"> playful contemporary version of Homeric Ithaca, inspired by R. Feynman's Tuva, the utopic space that has inspired poets, artists and writers, throughout the ages, to create epics driven by this <b>SEM Something Essential Missing,</b> as I call this heroic factor that drives us out of our skin and which I consider to be the main element in our human consciousness..</span></span><br />
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<span style="font-size: xx-small;"><a href="https://www.blogger.com/null" name="3991057072397031763"></a></span></div>
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<span style="font-size: small;"><a href="http://polyxenekasda.blogspot.gr/2011/12/tu-vas-tuva.html" style="color: #999966; text-decoration: none;">Tu vas a Tuva?</a> http://www.polyxenekasda.blogspot.com 27.12.1</span></h3>
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<span style="font-family: "verdana" , sans-serif; font-size: xx-small;"><span lang="EN-US" style="font-family: "times new roman" , serif;"><br /></span></span></div>
<b><span style="font-family: "verdana" , sans-serif; font-size: xx-small;"><span lang="EN-US" style="font-family: "times new roman" , serif;"><i style="background-color: #cccccc;"><span style="font-family: "times new roman"; line-height: 17.6px;">“The open ends of my experiment were now snapping into place: My threshold ritual performance in the bottom of the lake, my persona-dissolution in the collective planetary installation Chrysalis, my cartographies of hidden Greece, the “speaking sculptures” and my Chrysalis/ Grail monument, the PXK Route that unfolded from it unshrouding PAI, all of these temporal frames were different versions of the same principle stretching itself on an 'hemar' of 25 years; symptoms of my instant rite of passage performed in the catoptric inside of the world”.</span><span style="font-family: "times new roman"; line-height: 17.6px;"> Ibid</span></i></span></span></b><br />
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<span style="font-family: "times new roman" , serif;"><span style="font-size: medium;"><span style="line-height: 17.6px;"><b>Cross-cultural</b></span><b style="line-height: 110%;">,
interdisciplinary background:</b></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXOipLbo6WvJFL6FuPnwhwbcHMp8ABWqynsNaviSEiTl9YV0ty5sQbUz56zKiAez9Dnefypx2bDiEwvlT0yjgyoFEn8ab47c9aBuXpB2RrZzXHiw7THcO0NzSQQl_hPnVvIC1vUFP4Bbq7/s1600/the+banquet+1997%252C+250X200+cm+Kallergis+collection%252C+Athens.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXOipLbo6WvJFL6FuPnwhwbcHMp8ABWqynsNaviSEiTl9YV0ty5sQbUz56zKiAez9Dnefypx2bDiEwvlT0yjgyoFEn8ab47c9aBuXpB2RrZzXHiw7THcO0NzSQQl_hPnVvIC1vUFP4Bbq7/s400/the+banquet+1997%252C+250X200+cm+Kallergis+collection%252C+Athens.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Poly Casdas, the banquet, 200X250cm. oil on Plexi Athens1978</span></td></tr>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>IAA, UNESCO artist</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">, m</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">ember of the Greek Chamber of the Arts, of the scientific committee of </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Poesia e Spritualita magazine Milano, co-editor of Poesia e Conoscenza review Milano, Primopianoatelier Lecce Italy, Who's Who Greece, OFAA Finland, M.O.F.A.A Meadows Beirut for Golden Medalists artists.</span></span></span><span style="font-family: "times" , "times new roman" , serif; font-size: 10.6667px; line-height: 17.6px; text-indent: -48px;"> K-Droz Paris (member of the jury for international contest with Kinetica museum London).</span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">She graduated from the French institute </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Besancon, </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Alexandria Egypt, S. Herman's workshop in Fine Arts, acquired the State Arabic Lyceum. Studied Chemistry-Physics in the A.U.C and Psychology- Sociology B.A. ACG, Athens. She a</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">ttended seminars in Adlerian Psychology with prof. Rudolf Dreykurs, in Experimental Social Psychology with prof. Ezra Stotland.</span></span></span><br />
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">As documentary </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>researcher</b></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> for the Greek National TV, she attended the symposium on Artificial <i>I</i>ntelligence and computational technologies for education, AI department, ΜΙΤ Boston 1984.</span></span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">P. Casdas, </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>Logo and the Cubist state of mind</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">, MIT newsletter 1986.</span></span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="text-decoration: none;">She
edited </span></span><span style="font-family: "times new roman" , serif;">the visual
arts column in </span><span style="font-family: "times new roman" , serif;"><i>Trito
Vima</i></span><span style="font-family: "times new roman" , serif;"> audiomagazine of
the 3</span><sup><span style="font-family: "times new roman" , serif;">rd</span></sup><span style="font-family: "times new roman" , serif;">
Channel of Greek Radiotelevision creating </span><span style="font-family: "times new roman" , serif;"><b>interactive
acoustic artworks 1988-1989.</b></span></span></div>
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-weight: normal;">Her
early poetry was awarded the </span></span><span style="font-family: "times new roman" , serif;">Grand
Prix International de Poesie by the Cercle International de la Pensee
et des Arts Francais and three Golden Medals from the French Academy
of Poets in Alexandria. In 1978 she published her first Greek poetry
book </span><span style="font-family: "times new roman" , serif;"><i>Zone of Silence</i></span><span style="font-family: "times new roman" , serif;">,
Voyatzis Athens.</span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"> She writes her books and articles in French, English and Greek.</span></span><br />
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-weight: normal;">As
</span></span><span style="font-family: "times new roman" , serif;"><b> </b></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><b>Poly
Casdas</b></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">
her early paintings are in private collections. Her early
experimentation include edible sculptures 1978, hand-knitted rooms
1982-1988, pseudo-archeological installations 1989</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">.</span></span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b>Books:</b></span></span><i><span style="line-height: 17.6px;"><span style="font-size: xx-small;"><b> </b></span></span></i></span></h2>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlmoiUyk15ZnSAPNCewze60WeX1s3wjl7YW8opkBn5e25LqZRRYir_QnDw9R-wZ-hSfMYbJ2UGvGKQ2o8b2_OePLulUHTYpJPjAQxVP3XQCc_iS_ibaD5SmOVC88HO_HTYu9EacdJF_nyt/s1600/%25CE%25B5%25CE%25BE%25CF%2589%25CF%2586%25CF%2585%25CE%25BB%25CE%25BB%25CE%25BF2.png" imageanchor="1" style="clear: left; float: left; line-height: normal; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlmoiUyk15ZnSAPNCewze60WeX1s3wjl7YW8opkBn5e25LqZRRYir_QnDw9R-wZ-hSfMYbJ2UGvGKQ2o8b2_OePLulUHTYpJPjAQxVP3XQCc_iS_ibaD5SmOVC88HO_HTYu9EacdJF_nyt/s200/%25CE%25B5%25CE%25BE%25CF%2589%25CF%2586%25CF%2585%25CE%25BB%25CE%25BB%25CE%25BF2.png" width="123" /></a><span style="font-family: inherit; font-size: xx-small;"><b><span style="font-size: medium;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">1978 The </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>Zone of Silence</i></span></span></span></b><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><b><span style="font-size: medium;"> </span></b><span style="font-size: xx-small;">poetic illustrated book, Voyatzis, Athens </span></span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggX9zUMayUsWGRmOz8GtqgJmYHmD_iMpvKyvWeok5-yfPSVvskHbFL4Hq8rJAo7kJzoUtKjRp1rtn4ASoCir3li2ExmeAyevNDAmHcm4Qivhe-GFremegesSxfQyOcuIGcXhyY50r2HMMT/s1600/%25CE%25A4%25CE%259F+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%2599%25CE%2594%25CE%2597%25CE%25A4%25CE%259F+%25CE%259C%25CE%2591%25CE%25A4%25CE%2599.jpg" imageanchor="1" style="clear: left; float: left; line-height: 17.6px; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggX9zUMayUsWGRmOz8GtqgJmYHmD_iMpvKyvWeok5-yfPSVvskHbFL4Hq8rJAo7kJzoUtKjRp1rtn4ASoCir3li2ExmeAyevNDAmHcm4Qivhe-GFremegesSxfQyOcuIGcXhyY50r2HMMT/s200/%25CE%25A4%25CE%259F+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%2599%25CE%2594%25CE%2597%25CE%25A4%25CE%259F+%25CE%259C%25CE%2591%25CE%25A4%25CE%2599.jpg" width="136" /></a><span style="font-family: inherit; font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><b><span style="font-size: medium;">1988<i> The Conscious Eye</i></span><i>,</i></b><span style="font-style: italic;"> Perception-Art-Informatics,</span><span style="font-style: italic;"> </span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;">Greek</span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"> interdisciplinary essay Aigokeros-Art, Athens </span></span></span><br />
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<span style="font-family: inherit; font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-size: medium;"><b>1994<i> Pyrisporos</i></b><i>,</i></span><span style="font-style: italic;"> Art-Science-Mythology, </span><span style="font-style: italic;">Ibid.</span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"> </span></span></span><br />
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<span style="font-family: inherit; font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-size: medium;"><b>1997</b><i> </i><i style="font-weight: bold;">ΠΑΙ </i></span><span style="font-size: xx-small;">bionarrative,</span><span style="font-size: xx-small;"> written in French, </span></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;">published in 3 languages by The Seven Sleepers Leuvain-coed Uni. Press Lucian Blaga Romania 1997, participated in International Frankfurt Bookfair. PAI was published in Greek </span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;"><i>in </i></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span style="font-size: xx-small;">Greek, by Tyflomyga, Athens 2004</span></span></span><br />
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<span style="font-family: inherit; font-size: xx-small;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: medium;">2001<b><i> Small Arctos</i></b></span><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8pt;"><span style="font-size: medium;">, <b><i>What a wonderful time we have in the countryside,</i></b></span><span style="font-size: 8pt;"> handmade Art-poetry book, limited edition Epistrophe gallery.</span></span></span><br />
<span style="font-family: inherit; font-size: xx-small;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;"><br /></span></span></div>
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<span style="font-family: inherit; font-size: xx-small;"><span style="font-size: medium;"><b><span style="line-height: 17.6px;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">1981 C</span></span><span style="line-height: 17.6px;"><i><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 9.0pt;">ode</span></i></span><span lang="EN-US" style="line-height: 17.6px;">,<i style="font-size: x-small;"> between prediction<span style="font-size: xx-small;"> and depiction</span></i></span></b><i style="line-height: 17.6px;"><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;">,</span></i></span><span lang="EN-US" style="line-height: 17.6px;"> hand-made illustrated collection of English poems. ACG Athens.</span></span><br />
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<span style="font-family: inherit; font-size: xx-small;"><span style="line-height: 17.6px;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;"><b><span style="font-size: xx-small;">2015</span></b></span></span></span></span></span><span style="line-height: 17.6px;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: medium;"><span style="font-weight: bold;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;"> </span></span></span></span></span><b style="font-size: x-small;"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">Artificial Intelligence professor John Kontos Needles Poly Kasda's ConsciousEye</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">,</span><span style="font-weight: normal;"> </span></span></span></span></span></b></span><span style="font-weight: bold;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="font-family: "verdana" , sans-serif;">S</span><span style="font-family: "times new roman" , serif; font-size: xx-small;">outhWind, Athens </span></span></span></span></span></span></span></span><br />
<span style="font-family: inherit; font-size: xx-small;"><span style="line-height: 17.6px;"><span style="font-weight: bold;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: xx-small;"><br /></span></span></span></span></span></span></span></span>
<b><span style="font-size: medium;"><span lang="EN-US" style="font-family: inherit; line-height: 17.6px;">2016 W<i>hen that word swallowed me</i>, </span><span style="font-family: inherit; line-height: 17.6px;"><i><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Puer Aeternus, the Axiom of Maria and the Riddle of the Sphinx</span></i></span><span style="font-family: inherit; line-height: 17.6px;"><i><span lang="EN-US" style="font-family: "calibri" , sans-serif;">,</span></i></span></span></b><span style="font-family: inherit; line-height: 17.6px;"><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><b style="font-style: italic;"> </b><span style="font-size: xx-small;">Sphinx The Hidden Thebes Festival, </span></span></span><span lang="EN-US" style="font-family: inherit; line-height: 17.6px;"> </span><span lang="EN-US" style="font-family: inherit; line-height: 17.6px;">allegoric biodiegeses written in Greek and in English.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj73km6r5Pu1MFjBV8lpklyk6usbJE9ZT2uV8u2Ou0OkPX3MYXFJXlWqMxRx5cFTuok4OwRQorX_IGQpk2RTSTwfNst8Hr3pWciTyuuzOZhOWYljrOIsHOoE-hNhqzmBQquK45Hjgoq1Rjg/s1600/skitsobio71_web.jpg" imageanchor="1" style="clear: right; font-family: "times new roman"; line-height: normal; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" height="153" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj73km6r5Pu1MFjBV8lpklyk6usbJE9ZT2uV8u2Ou0OkPX3MYXFJXlWqMxRx5cFTuok4OwRQorX_IGQpk2RTSTwfNst8Hr3pWciTyuuzOZhOWYljrOIsHOoE-hNhqzmBQquK45Hjgoq1Rjg/s1600/skitsobio71_web.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">extract from Poly's biocomic 1974</span><br />
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<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">She
is Greek from Aigeon and Syros </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">island,</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
born in Egypt- </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">in
the cognitive revolution of “the point zero of the present” as
defined by radiocarbon calibration,</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">in
the beginning of nuclear tests and the changes in the measurement of
time with the first computers </span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">-
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">in
multicultural Alexandria, a shifting Hellenistic home grafted with
the element of deconstruction, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">reconstructed
in the planetary dimension of her work.</span></span></span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;"><br />She </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">lives
in Athens. She works everywhere.</span></span></span></span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span></div>
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<span style="font-size: xx-small;"><b>They
wrote: </b></span>
<br />
<span style="font-size: xx-small;"><b><br /></b></span>
<span style="font-size: xx-small;"><span style="font-size: small; line-height: 17.6px;"><i>"Under-determination is transcribed in the work of Poly Kasda as scattered traces of language, objects, performances, gatherings, as well as other manifestations like TV shows, buildings and new media, which may reveal or conceal the true meaning, the core of her objectives. A core attracting into its orbit scientific theories of computational and cognitive science along with the philosophical and applied concepts of experience".</i></span></span><br />
<span style="font-size: xx-small;"><span style="line-height: 17.6px;"><b>Mariana Zikou</b>, art historian, Stoa toy Vivliou, 2/6/2016 Athens</span></span><br />
<span style="font-size: xx-small;"><span style="line-height: 17.6px;"><br /></span></span></div>
<div align="LEFT" lang="en-GB" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>"Project
Myth/Network is a state which is configured as much by the artist as
by the participants in her growing interactive web. It is an open
system that evolves on many ontological levels”.</i></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Elzbieta
Koscielak</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">,
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR">Α</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">ICA
art critic,</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US">
“</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i>Myth/Network:
The vision of an open system in Art</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">”</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US">,
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i>The
Network, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US">Govostis,
Athens 3/2/1991</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">.</span></span></span></div>
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<br /></div>
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“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><i>It
</i></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>is
a personal multi-trend path of the contemporary artist extending
towards the depths of centuries and towards the unknown future of
humanity in this crucial time of transition”. </i></span></span></span>
</div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Elzbieta
Koscielak</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">,
AICA, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Myth/Network,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">La
Mia Casa, Athens 5-6/1991.</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>
</i></span></span></span>
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“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><i>Her
visionary landscape work</i></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>
springs from the psychology of the unconscious.. myth </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>is
</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>reconstructed
as present in the sites where it was born bringing back the drastic
hypostasis of Greek language. We could define her work as Space
Semiotics... </i></span></span></span>
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<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>Through
collective synergy sustained by pure subjectivity, her itineraries-
maps enriched with graphisms- are transformed into an embodiment
experience for the participants, tending to be reduced into
abstraction, through logical elaboration and writing.</i></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>To
seek to enter in this dimension seems at first sight difficult, but,
once you accept to make the effort, doors will open to unsuspected
dimensions”.</i></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Donatella
Bisutti,</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;">
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">poet,
writer, editor,</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>
</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">“</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Polyxene
Kasda Myth/Network”</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
La Clessidra 1/1995, Joker, Italy</span></span></span></span></span></div>
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“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><i>She</i></span><span style="font-family: "times new roman" , serif;">
</span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>belongs
to an ancient and ever actual existential forefront, as, by analogy,
the Pythagorean and Orphic mysteries would seem advanced today. T</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>he
ancient mystery with its three folds</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>-
τα </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>δεικνύμενα</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>
(the things shown), τα λεγόμενα (the things said) και τα
δρώμενα (the things done) – is the type and form of creation
that inspires and expresses Polyxene Kasda”. </i></span></span></span>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Victor
Ivanovici</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>,
</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">writer,
essayist, literary critic, recommendation for IAS, Athens 2005.</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>"At
each and every point of her art, Kasda re-casts and re-interprets
mythological and philosophical concepts bringing them back to life
transfigured in aesthetic form of the highest quality</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">".</span></i></span></span><span style="font-family: "times new roman" , serif;">
</span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Dr.
Yael Navaro-Yashin </b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">2010,
</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">anthropologist,
essayist, senior university Lecturer, recommendation for EN,
Cambridge 2010.</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>By
revisiting myth, Polyxene reconstructs history itself. Crucial timer
artist with creative genius.. her project is a precious “doc”
important for future generations". </i></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Dores
Sacquegna</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
art-curator, art gallery director, recommendation for EN, Italy 2010.</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><i>W</i></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">e
can speak of an authentic outpour of mythical knowledge. Her artistic
act transforms space into a holy site. Her (transloci) sculptural
installations are left behind after her performances creating a
planetary network; a way of rethinking and restituting the rapport of
the human being to the cosmos”.</span></i></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Eugene
Van Itterbeek, </b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">writer,
poet, literary critic, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Avant-propos
PAI</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
Cahiers Europeens de Poesien.159-collection Les Sept Dormants n51997</span></span></span></span></span></div>
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<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><i>She
captures myth in its original state</i></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">”</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">.</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Vasiile
Avram</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
anthropologist, writer, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Kasda's
monumental installation in Lucian Blaga University</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
Tribuna Culturala, Sibiu 16/5/1997 .</span></span></span></span></span></div>
<div align="LEFT" lang="en-GB" style="font-style: normal; font-weight: normal; line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" lang="en-US" style="font-weight: normal; line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>In
her projects original and unpredictable social “language games”
are set up and left to evolve creating a multitude of narratives”.</i></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><b>Dr. John Kontos,</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">
prof. of A.I, “</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">A.I.
needling The Conscious Eye, Notios Anemos 2015.</span></i></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;"><br /></span></i></span></span></span>
<br />
<div style="line-height: 17.6px; margin: 0px;">
<span style="line-height: 11.7333px; vertical-align: sub;"><span style="font-family: inherit; font-size: xx-small;"><i>"In her essay The Conscious Eye she describes the consistent path of art, through the changes of the inward visual processes, before its breaking up into a chaotic process of many trends and structures that define our times.</i></span></span></div>
<div class="MsoNormal" style="line-height: 17.6px; margin: 0px;">
<sub><span lang="EN-US"><span style="font-family: "verdana" , sans-serif;"><span style="font-family: inherit; font-size: small;"><i>I wonder whether we should catch the line from this point on; the path through the concepts, the analysis of language and the contemporary mechanisms of its processing and the esoteric vision which her book The Conscious Eye projects as the record of an adventure”.</i></span></span></span></sub></div>
<span style="font-family: "verdana" , sans-serif; line-height: 17.6px; vertical-align: sub;"><span style="font-size: xx-small;"> </span><span style="font-size: xx-small;"><b>Dr. Manthos Santorinaios, </b> Athens School of Fine Arts Professor, 2/6 Stoa tou Vivliou Athens </span></span><span style="font-family: "verdana" , sans-serif; line-height: 17.6px; vertical-align: sub;"> </span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;"><br /></span></i></span></span></span>
<br />
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "calibri" , sans-serif;"><span style="font-size: 8pt;">"</span><i><span style="font-size: xx-small;"> she manages with a pre-scientific way’ Paracelsus, Leonardo’s , the
witch-doctor’s and Huomo Universalis’ to connect the tangible with the
intangible and to manifest in front of
our eyes invisible dynamic lines that lend to our world a little more meaning"</span></i><span style="font-size: 8pt;"><o:p></o:p></span></span></div>
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><br />
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;"><b>Dr. Yannis Almyrandis,</b> Democritus institute of bioscience and applications
EKEFE,, Over-determination in poly kasda’s work, 2/6 stoa tou vivliou Athens <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "calibri" , "sans-serif"; font-size: 8.0pt;"></span></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2IdXJ-FRAeJI5yAvajuGeEG5pNfYXy8zh6QpyMgLjQQ8tuD4io0-JJxhRh16FrFBHZb92qLXwPryYweJ9xRyFPkYIQEQcZhQUsXvlkt8Zh9D_4R9f4Vz3LcxX7WaRm9Ug5RcLiOpOOioA/s1600/LEXH+ENG_exofillo+cover+spread.jpg" imageanchor="1" style="clear: right; float: right; line-height: 17.6px; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="141" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2IdXJ-FRAeJI5yAvajuGeEG5pNfYXy8zh6QpyMgLjQQ8tuD4io0-JJxhRh16FrFBHZb92qLXwPryYweJ9xRyFPkYIQEQcZhQUsXvlkt8Zh9D_4R9f4Vz3LcxX7WaRm9Ug5RcLiOpOOioA/s200/LEXH+ENG_exofillo+cover+spread.jpg" width="200" /></a><span style="font-size: small;"><sub><span lang="EN-US" style="background: white; color: #222222; font-family: "verdana" , "sans-serif";"><i>"..intriguing<span class="apple-converted-space"> </span>artistic text… I take it as the other
side<span class="apple-converted-space"> </span>of the mind<span class="apple-converted-space"> </span>from which the Conscious Eye emerged;
a structured epistemological discourse that surfaced through that same
impressive imaginary which<span class="apple-converted-space"> </span>reveals
itself<span class="apple-converted-space"> </span>consistently over the
artistic course of a<span class="apple-converted-space"> </span>lifetime. It
is great<span class="apple-converted-space"> </span>it<span class="apple-converted-space"> </span>revealed<span class="apple-converted-space"> </span>itself once more in the form of this
text.</i></span></sub><sub><span lang="EN-US" style="color: #222222; font-family: "verdana" , "sans-serif"; font-size: 8.0pt;"><i><br />
<span style="background: white;">Thoughts that are hard to<span class="apple-converted-space"> </span>embed<span class="apple-converted-space"> </span>as<span class="apple-converted-space"> </span>language,
thoughts and images that reside submerged within us, that we ourselves do not
know what they mean, what needs they meet and in which unknown territories they<span class="apple-converted-space"> </span>game<span class="apple-converted-space"> </span>us
to.</span><br />
<span style="background: white;">Perhaps this narrative<span class="apple-converted-space"> </span>is a<span class="apple-converted-space"> </span>call
to see,<span class="apple-converted-space"> </span>to reify<span class="apple-converted-space"> </span>the<span class="apple-converted-space"> </span>uncharted,
terrible<span class="apple-converted-space"> </span>and<span class="apple-converted-space"> </span>unrecognizable<span class="apple-converted-space"> </span>dimensions of our human<span class="apple-converted-space"> </span>and non-human(?)<span class="apple-converted-space"> </span>imaginary.</span><br />
</i><span style="background: white;"><i>The Conscious Eye continues its<span class="apple-converted-space"> </span>search<span class="apple-converted-space"> </span>and<span class="apple-converted-space"> </span>investigation<span class="apple-converted-space"> </span>in<span class="apple-converted-space"> </span>the
most elusive, controversial, intra-real dimensions of its existence"</i>.<b> </b></span></span></sub></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggX9zUMayUsWGRmOz8GtqgJmYHmD_iMpvKyvWeok5-yfPSVvskHbFL4Hq8rJAo7kJzoUtKjRp1rtn4ASoCir3li2ExmeAyevNDAmHcm4Qivhe-GFremegesSxfQyOcuIGcXhyY50r2HMMT/s1600/%25CE%25A4%25CE%259F+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%2599%25CE%2594%25CE%2597%25CE%25A4%25CE%259F+%25CE%259C%25CE%2591%25CE%25A4%25CE%2599.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><sub><span lang="EN-US" style="color: #222222; font-family: "verdana" , "sans-serif"; font-size: 8.0pt;"><span style="background: white; font-size: small;"><b>Mariana
Zikou, </b>Art-historian, introduction to P.Kasda's allegorical narrative "when that word swallowed me". <o:p></o:p></span></span></sub></div>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">e</span></i></span></span><span style="font-family: "times new roman" , serif;"><i>lle
ecrit que sa maison ouvre sa face vers la mer - tout pres des lieux
d'ou partaient</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><i>les
processions des torches pour eleusis - donc, le</i></span><span style="font-family: "times new roman" , serif;">
</span><span style="font-family: "times new roman" , serif;"><i>soir, quelquefois, elle
renversait tout d'un coup,</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>le
temps ...... </i></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>Il
existe certaines verites, si proches de notre pensee qu'il suffit que
l'on ouvre ses yeux pour les voir-?</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>et
sinon - ce serait seulement une plage et les pas se perdant dans le
sable“.</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;"><b>Mircae
Ivanescu</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">,
Mihae Eminescu awarded poet of Romania,</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>“</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">h</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">ypothetical
voyage to polyxenia in an immobile train”,</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> 10 pages long intreractive poem to her article </span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;"><span lang="en-GB"><i>Casa/ Retea</i></span></span><span style="font-family: "times new roman" , serif; font-size: xx-small;">, Transilvania 1-2, Sibiu, Romania 1995,</span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"> </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">XVIIth
Sibiu Poetry Festival 18-22/10-1995.</span></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><b>She
wrote essays and articles (1990-2014 selections):</b></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">
</span></span></span>
</div>
<div align="LEFT" lang="en-US" style="margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>Pyrisporos.
Art-Mythology-Informatics,</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;">
Greek interdisciplinary essay, Aigokeros-Art, Athens 1994. </span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">ΠAI
</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i><span style="font-weight: normal;">Si
Tu Si Eu</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">,
</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">poetic
essay</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">
</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">written
in French, translated in Romanian by Mircae Ivanescu and in Flemish
by Eugene Van Itterbeek, Seven Sleepers Coed. University Press Lucian
Blaga 1997, participated in the Frankfurt International Book Fair.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">ΠAI,</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">
poetic essay, Tyflomyga, Athens 2003..</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i><span style="font-weight: normal;">Myth/Network
4, ΛΟΓΟΣ,</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-weight: normal;">
ENOPE Center for the sciences and the arts, Athens 2.11.1992.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>Sky
outside, sky inside,</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;">
Emvolimon review, Aspra Spitia, Boetia, Greece 1990.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>Dispersion
and Interaction,</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;">
ARTI, Athens 9-10/91.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>Chrysalii,
a mythical experience,</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;">
interview to M. Papadimitriou, Politistiki Ekfrassi, Athens1991.</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR">
</span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><i>Project:Myth/Network
1990-1994: Revival of cosmological Memory in our spacetime
redefinition, </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;">Tetarti
Apostoliki, Pinacotheque of the Municipality of Athens catalog,
T.E.E. June 1994.</span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Polyxene
Kasda, </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Myth/Network,
</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;">TV
documentary directed by Makis Faros, Studio Eikona 1995.</span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><span style="font-weight: normal;">Polyxene
Kasda</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">,
interview, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">Tyflomyga
review, Athens 2003.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><span style="font-weight: normal;">Code
Lexomorphes,</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">
Poesia e Spiritualita review, Milan, Ιtaly 2007. </span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">Chrysalis/Grail
</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Verita
e</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><b>
</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><span style="font-weight: normal;">Dubbio
2004, XVII Bienale di Poesia di Alessandria, Joker 2004. </span></span></span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="text-decoration: none;"><span style="font-weight: normal;">The
Chrysalis Grail in the last divided capital of the world</span></span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><span style="font-weight: normal;">,
Odysseus revue, Italy 2007. </span></span></span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">Il
Bambino, </span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">Poesia
e</span></span></span><span style="font-family: "times new roman" , serif;">
</span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">Spiritualita
review, Milan 2009.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlmoiUyk15ZnSAPNCewze60WeX1s3wjl7YW8opkBn5e25LqZRRYir_QnDw9R-wZ-hSfMYbJ2UGvGKQ2o8b2_OePLulUHTYpJPjAQxVP3XQCc_iS_ibaD5SmOVC88HO_HTYu9EacdJF_nyt/s1600/%25CE%25B5%25CE%25BE%25CF%2589%25CF%2586%25CF%2585%25CE%25BB%25CE%25BB%25CE%25BF2.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">L'Altro,
l 'altrove e il mistero della centesima porta,</span></i></span></span><span style="font-family: "times new roman" , serif;">
IX </span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">Biennale
di Poesia di Alessandria, Joker 1998. </span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Casa/
Retea</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">,
Transilvania 1-2, Sibiu, Romania 1995, translated from French by poet
Mircae Ivanescu.</span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-weight: normal;">
</span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i>Taurokathapsia,</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">
interactive map of Crete,</span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">Touchstone
</span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR">Coed.</span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">
</span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">Seven
Sleepers 1994.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Μyth/
Network 5</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">,
ARTI,1995. </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Mein
poezie is een reis in de geegtelidjke textuur vaan het land</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">,
E</span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">uropees
Poeziecentrum “De Zevenslapers” </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">3000
Letters X, </span></span><span style="font-family: "times new roman" , serif;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Leuvain</span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">1994.
</span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Myth/
Network 5: The Gate of Fire, </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">Euphorion
Transilvania, VI, n. 55.56.57. Sibiu, Romania,1995. </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Myth/
Network 6: Arkteia, on the threshold of time,</i></span></span><span style="font-family: "times new roman" , serif;">
</span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">Tradition
et Modernite, Les Sept Dormants n4 coed. Uni. Lucian Blaga press1996.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Progetto
Myth/ Network 1-5,</i></span></span><span style="font-family: "times new roman" , serif;">
</span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">La
Clessidra n.1, Joker, Italy 1995.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><span style="font-weight: normal;">The
Power of the Small,</span></i></span></span></span><span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">translated
by M. Ivanescu, La Tribuna de Sibiu1995.</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i>Progetto
Myth/Network 6 :Sulla soglia del tempo, </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">La
Clessidra n2/1995.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
“<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i>Indicibili
e Ineffabile”,</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US">VIII
Bienale di Poesia di Alessandria, Millenium writers, Joker, Italy
1996. </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Cer
si pamant</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">,
Transilvania 1-2-3, Cultura Nationala, Romania 1996. </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>Ciel
et Terre Toi e moi, “</i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;">Poesia,
Mito, Utopia”</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>,
VIII </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">Biennale
di Poesia di Alessandria, Joker, Italy 1996. </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i>The
Landscape of my Soul </i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB">XIV
Biennale di Poesia di Alessandria, Poeti e Paesaggi, Joker, Italy
2008. </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="text-decoration: none;"><span style="font-weight: normal;"><span style="font-family: "times new roman" , serif;">The
fatal leap from aesthetic </span><span style="font-family: "times" , "times new roman" , serif;">vision </span><span style="font-family: "times new roman" , serif;">to ethical action, </span></span></span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="text-decoration: none;"><span style="font-weight: normal;">Journal
of the Greek Chamber of the Arts n. 114, Athens 2005.</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">V</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><i><span style="font-weight: normal;">ertical
link to the principle of renaissance</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">,</span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">
“Colors and Olympism” </span></span></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-US"><span style="font-weight: normal;">Third
Biennale of Beijing conference abstract 2008.</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">Gargling
Sky</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
ΕΕΤΕ Greek Chamber of Fine Arts journal nb.158, Athens 2009.</span></span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-size: xx-small;"><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><i><span style="font-weight: normal;">The
Samothrace Game</span></i></span></span><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
IDEA 2011.</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><i><span style="font-family: "times new roman" , serif;"><span lang="en-GB">The
Gergerian Experience 2009,</span></span></i><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;">
Artooth.gr articles</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><i><span style="font-family: "times new roman" , serif;"><span lang="en-GB">PAI
2010-2011, </span></span></i><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;">
Artooth.gr articles</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><i><span style="font-family: "times new roman" , serif;"><span lang="en-GB">The
Underworld Star and the Eagle 2006, </span></span></i><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;">Artooth.gr
articles</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-size: xx-small;"><i><span style="font-family: "times new roman" , serif;"><span lang="en-GB">Tzoutzouka
Sagapo 2006, </span></span></i><span style="font-family: "times new roman" , serif;"><span lang="en-GB"><span style="font-style: normal;">
Artooth.gr articles.</span></span></span></span></div>
<div align="LEFT" lang="en-GB" style="font-style: normal; font-weight: normal; line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Miorita,
Melusina and the Sphinx of Thebes 2007, Artooth.gr articles </span></span>
</div>
<div align="LEFT" lang="en-GB" style="font-style: normal; font-weight: normal; line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">Pith'Elevoron/
Drink Helleborus http://festival.culture.gr/2014/10/ </span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="color: navy;"><span lang="zxx"><u><a href="http://polyxenekasda.blogspot.gr/"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">http://polyxenekasda</span></span></a></u></span></span><a href="http://polyxenekasda.blogspot.gr/"><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-weight: normal;">.blogspot.gr</span></span></span></span></a><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">
</span></span></span></span><span style="color: navy;"><span lang="zxx"><u><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-weight: normal;"><a href="http://uraniasgardens.blogspot.gr/">http://uraniasgardens.blogspot.gr</a>
</span></span></span></u></span></span>
<br />
<span style="color: navy;"><span lang="zxx"><u><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><br /></span></span></u></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<div style="line-height: 17.6px;">
<span style="font-family: "times" , "times new roman" , serif;"><b style="line-height: 17.6px;"><span lang="EN-US" style="font-size: 8pt;">interdisciplinary articles on innovative systems in education:</span></b></span></div>
<div class="MsoNormal" style="line-height: 17.6px; margin-left: 0.5in; text-indent: -0.5in;">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2013 John Kontos, Polyxene Kasda <b><i>Text Mining and Image Anomaly Explanation with Machine Consciousness,</i></b><i> </i>ACSIJ Advances in Computer Science. Vol.2 n6 Nov.13<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 17.6px;">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1987 <b><i>Children teach computers</i></b>, article in Vradini newspaper, Athens 15/3/87.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 17.6px; margin-left: 0.5in; text-indent: -0.5in;">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1985<i> <b>Logo and the Cubist State of Mind,</b></i> MIT newsletter.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 17.6px; margin-left: 0.5in; text-indent: -0.5in;">
<span style="font-family: "times" , "times new roman" , serif;"></span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-left: 1em; text-indent: 0px;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdk3Fu56CqgJNhyphenhyphenrmvtO3T9_gnZ0TFS_Hf3_2FOrcY_1GaGHuGcFysFWbSwHgmWMj0b50utqmCxKyu_U6JRAsc99pXWgzE7JLk31GS3iX4v-dXcrEgJ8KkNbd-gT4dp8jVLCsZ5g5XU5kJ/s1600/DSC_3877%255B1%255D.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdk3Fu56CqgJNhyphenhyphenrmvtO3T9_gnZ0TFS_Hf3_2FOrcY_1GaGHuGcFysFWbSwHgmWMj0b50utqmCxKyu_U6JRAsc99pXWgzE7JLk31GS3iX4v-dXcrEgJ8KkNbd-gT4dp8jVLCsZ5g5XU5kJ/s200/DSC_3877%255B1%255D.jpg" width="133" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Place de l Europe Paris 2007</span></td></tr>
</tbody></table>
</div>
<div class="MsoNormal" style="line-height: 17.6px;">
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</div>
<div align="LEFT" lang="en-GB" style="font-weight: normal; line-height: 110%; margin-bottom: 0cm;">
<div align="LEFT" style="line-height: normal; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-weight: normal;">extra CV information:</span></span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-family: "times" , "times new roman" , serif; font-weight: normal;"><br /></span></span></span></span></span></div>
<div align="LEFT" style="line-height: normal; margin-bottom: 0cm;">
<div class="MsoNormal">
<b><span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">Conferences and symposiums, poetry festivals, lectures and narrative:<o:p></o:p></span></b></div>
<div class="MsoNormal">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkvYFnM3n8NuUj7cpdb10gi2h5ze-3xHjN4L08x2iQSt8H-IGcmGH0c6RANhToGhCLplNXLN6kHAX-Nqcmruj9khcMfvf62K9TG_ZHh1IVBGEMk4U00C97HM6UDhZPfwOkS8QQxOy_fJEG/s1600/sibiu.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkvYFnM3n8NuUj7cpdb10gi2h5ze-3xHjN4L08x2iQSt8H-IGcmGH0c6RANhToGhCLplNXLN6kHAX-Nqcmruj9khcMfvf62K9TG_ZHh1IVBGEMk4U00C97HM6UDhZPfwOkS8QQxOy_fJEG/s200/sibiu.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Sibiu Poetry Festival 1996</span></td></tr>
</tbody></table>
<span style="font-family: "times" , "times new roman" , serif;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2016<b><i> When that word swallowed me,</i></b> narrative evening in artistic installation, The Hidden Thebes Festival 26/6 Auspices Greek Ministry of Culture.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2016 Artificial Intelligence Professor John Kondos Needles Poly Kasda’s Conscious Eye.. presentation with Dr. Harry Meletis, Dr. Manthos Santorinaios, Dr. Peter Gelepidis, Dr. Yannis Almyrandis, Art historian Mariana Zikou, Stoa tou Vivliou, Athens 2/6.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2015 <b><i>Sphinx 2015, The Hidden Thebes Festival</i></b> Press Conference. Polytechnic School of Athens (Pattern-setter, general co-curator).<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2014<i> <b>Miorita, Melusina and the Sphinx of Thebes</b></i>, Launching the <i>Hidden Thebes Festival Sphinx 2015.</i> Lab of digital Arts and cinema Thebes (co-curator-presenter).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2010 <b><i>PAI 2010-2011 </i></b>Speech: <i>The PAI Elemen</i>t. Primopiano LivinGallery, Lecce, Italy.<o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Transyvania literary itinerary 1996</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Cyprus PAND Conference1988</span></td></tr>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2010<b><i> PAI 2010-2011</i></b> Intervention: <i>The Crucial-Time game-changer</i><i>, </i>Thebes Conference Center. Org. Independent Citizens Network.<o:p></o:p></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><i><span lang="EN-US" style="font-size: 8pt;">2009 <b>Congress on Greek Language 2009</b>.</span></i><span lang="EN-US" style="font-size: 8pt;"> Intervention: <i>Language, the Virus of Man</i>. Old Parliament of Athens, org. Chamber of Fine Arts of Greece.<o:p></o:p></span></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><i><span lang="EN-US" style="font-size: 8pt;">2009<b> Uranias' Gardens,</b> International Year of Astronomy</span></i><span lang="EN-US" style="font-size: 8pt;"> conference 2009. Intervention: <i>Lexomorphes, an interdimensional communication code? </i>Municipal Center of Athens. (Participant, curator, jury and organizer).<o:p></o:p></span></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><i><span lang="EN-US" style="font-size: 8pt;">2009 <b>Gargling Sky Symposium on Astronomy</b>,</span></i><span lang="EN-US" style="font-size: 8pt;"> Municipality of Rouvas, Gergeri, Crete. (Curator, jury, co-organizer).<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">2008 <b><i>Colours and Olympism, </i></b>Third Biennial of Beijing Symposium. She represented Greece with<b> <i>PXK ROUTE.<o:p></o:p></i></b></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">2008 <b><i>Poetic landscapes</i></b>, Biennale di Poesia di Alessandria, Italy.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2008 <b><i>Project Myth/Network implications</i></b><i>,</i> Open Freetime University Paleon Psychiko, Athens<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2008<b> <i>Culture and Digital Society,</i></b><i> </i>F.T. University, Cultural Municipal Center, Neo Psychiko, Athens. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">2007 <b><i>Digital Era-New Technologies</i>,</b> Art-Act, 15/10/07, Athens.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">2005 Lecture: <b><i>Myth/Network project</i>,</b> Art- Act, 2/12/05, Athens.<o:p></o:p></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><span lang="FR" style="line-height: 11.7333px;">2004 <b><i>Verita e Dubbio, </i></b>Biennale di Poesia di Alessandria,<i> Italy. </i></span><span lang="EN-US" style="line-height: 11.7333px;">Intervention<i>: Words; Extraordinary Attractors.</i></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8nn-RxyXPzhHwHr_J0bKS_Ddq1NkR5NKpHP7I0SfEhyIj7ecUJCHD7xgQ0yklfnvSoWp-VTizbkfHJYLPr1kWBvH8gVuLdvKpCL0bGB-vKdDH0QhQrN9pkXymzdEXe_Eey-t4EQN4DD5P/s1600/openstudio.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><span style="font-family: "times" , "times new roman" , serif;"><span lang="EN-US" style="line-height: 11.7333px;"><i></i></span></span></div>
<span style="font-family: "times" , "times new roman" , serif;"><span lang="EN-US" style="line-height: 11.7333px;"><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8nn-RxyXPzhHwHr_J0bKS_Ddq1NkR5NKpHP7I0SfEhyIj7ecUJCHD7xgQ0yklfnvSoWp-VTizbkfHJYLPr1kWBvH8gVuLdvKpCL0bGB-vKdDH0QhQrN9pkXymzdEXe_Eey-t4EQN4DD5P/s1600/openstudio.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><i style="line-height: 11.7333px; text-align: left; text-indent: -0.5in;"><span style="line-height: 11.7333px;">2002 </span><b style="line-height: 11.7333px;"><i> All-night poetry,</i></b><span style="line-height: 11.7333px;"> Kalamiotou10, Greek Ministry of Culture, Athens.</span></i></a></i></span></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1999 <b><i>Panhellenic Metaphysical Research Society</i></b>, Intervention: <i>Art; experienced Metaphysics. </i>Royal Olympic hotel, Athens<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1998 <b><i> L’ Altro e L’Altrove</i></b>, Intervention:<i>The Mystery of the 100th Door, </i>Bienale di Poesia di Alessandria, Italy.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1997 <b><i>XVIII</i></b> <b><i>Festival of European Poetry</i></b> Poets of Southeastern Europe, Centre of Cultural Dialogue Constantin Noica, Alsos Cafe Parastasi, Athens (Participant-co-curator).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1997<b><i> Third Symposium on Emil Cioran</i></b>. Lecture: <i>Ecstasy and Intellectuality</i>, University of Lucian Blaga, Sibiu, Romania<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1997<b><i> Literary/Artistic itinerary</i></b> in northern Romania with Vassile Avraam and Eugene Van Itterbeek, presentation of her poetic French essay <i>Pai </i>and of her engravings <i>"Icônes sur film d'Aluminium"</i>, I. L.Caragiale Libraria, Sebez, Timisouara, amphitheatre Emil Racovita University, Festival of Lucian Blaga.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">1996 <b><i>XVII Poetry Festival in Sibiu</i></b>, Romania, Réseau Européen pour la Promotion de la Poésie (European Association for the Promotion of Poetry), <i>Symbols as Dispersive Structures, </i>Sibiu, Romania.<o:p></o:p></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><span lang="FR" style="font-size: 8pt;">1996<b><i> Eros- Agape-Filia, Samothrace International Symposium </i></b>in Palaiopolis, organized by her cultural association To Moli, The Reseau International pour la Promotion de la Poesie, the Center of Cultural Dialogue Constantin Noica. </span><span lang="EN-US" style="font-size: 8pt;">Intervention:<i> Mystery, a black hole in the center of our Space –Time Metaphor.</i><br /> 1996 <b><i>Biennale di Poesia di Alessandria</i></b>, Performance and Intervention: <i>Myth /Network, </i>Italy.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1996 International Poetry and Arts Network workshop,Castello di Piovera, Alessandria, Italy.<br /> 1995 <b><i>Sibiu International Theatre Festival</i></b>, Romania, Musical / poetic event<i> Chrysalis </i>with cellist Nichifore Serban<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">1995 <b><i>Tradition et Modernite, XVI </i>Poetry Festival, Leuvenstein</b> Art Centre, Louvain, Belgium, Réseau Européen pour la Promotion de la Poésie. Intervention: <i>Chasing Ursus, Mapping Consciousness in Space. </i>She proposes<i> L'Objet-qui m'a trouvé</i> vrs Duchamp's <i>Objet-trouvé.<o:p></o:p></i></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><span lang="FR" style="font-size: 8pt;">1994 <b><i>XV Poetry Festival</i></b> in Crete, Réseau Européen pour la Promotion de la Poésie, European Association for the Promotion of Poetry, lecture: <i>Mythology, an anti-historical approach to symbols. </i></span><span lang="EN-US" style="font-size: 8pt;">Touchstone, for the XV poetry festival Brussels<o:p></o:p></span></span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><i><span lang="EN-US" style="font-size: 8pt;">1994 <b> Fourth Apostolic Letter.</b></span></i><span lang="EN-US" style="font-size: 8pt;"> Intervention: <i>Myth/Network 1990-1994.</i> Municipal Gallery of Athens<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1991<b><i> Logos</i></b>, Lecture in ENOPE Center of the Arts and the Sciences, Kolonaki Athens.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1991<b><i> Project Myth/Network</i></b>, Press conference in the Municipal Center of Athens<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">1991<b><i> Meeting of the Worlds, Joensu, Finland, </i></b>International Art Festival, Museum of Modern Art of Joensuu: Intervention/performance: <i>Myth/Network,</i> followed by the launching of her global, interactive, geocaching installation <i>Chrysalis</i>.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1987 <b><i>National Technical University conference on Informatics in Education</i></b>.<i> Intervention: Information Technology and the Cubist State of Mind, </i>Polytechnic University Athens, org. Greek Computer Society.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1986 <b><i>Massachusetts Institute of Technology (MIT), International Conference on Informatics and Education</i></b>, Boston, U.S.A. as Documentary researcher for the Greek National T.V.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1991 Performers and Artists for Nuclear Disarmament conference, Finland.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1989 Performers and Artists for Nuclear Disarmament conference, Vienna.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1987 Performers and Artists for Nuclear Disarmament conference, Cyprus.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">1980 <b><i>European Cultural Identity conferences</i>,</b> translator for the Hellenic Centre of the International Society of Literature Critics, Paris (1980) and Madrid (1981)</span><br />
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<b><span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Early experimentations and early exhibitions as Poly Casdas:<o:p></o:p></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz3sgAXNiPeeGWdWz5Ei3Z5TUyE-dvalngbs9x8PLHec_e03ZOn5a2fuB44rli21g_PCyLdqm3V-X64Qs2xMDKjHDQM1Yo00WkWb9933XSI5p7L6eelN7pMkKoQA5bEvxOE4vD_ovZ7Xra/s1600/letters6+003.jpg" imageanchor="1" style="clear: right; float: right; line-height: normal; margin-bottom: 1em; margin-left: 1em; text-align: center; text-indent: 0px;"><img border="0" height="128" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz3sgAXNiPeeGWdWz5Ei3Z5TUyE-dvalngbs9x8PLHec_e03ZOn5a2fuB44rli21g_PCyLdqm3V-X64Qs2xMDKjHDQM1Yo00WkWb9933XSI5p7L6eelN7pMkKoQA5bEvxOE4vD_ovZ7Xra/s200/letters6+003.jpg" width="200" /></a><span style="font-family: "times" , "times new roman" , serif;"><span lang="EN-US" style="font-size: 8pt;">1988-1989<b><i> </i></b></span><b><i><span lang="EN-GB" style="font-size: 8pt;">I</span></i></b><b><i><span lang="EN-US" style="font-size: 8pt;">nteractive acoustic artworks,</span></i></b><span lang="EN-US" style="font-size: 8pt;"> <i>Trito Vima</i> audiomagazine, 3<sup>rd</sup> Channel Greek Radiotelevision.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1989 <b><i>The King’s Room</i>,</b> pseudo-archeological room-size living installation, <i>Artist at Home</i>, Municipality of Paleon Faleron, Athens.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1988<b> <i>Cyclops circuit</i></b><i>,</i> The House of Cyprus, Embassy of Cyprus, Athens.(Painted Parcours).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1988 <b><i>Knitting Room installation</i></b>, EVMAROS Gallery, Athens<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1985 <b><i>Room-size Cocoon-hand- knit installation</i></b>, Artist at Home.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1985 Painting exhibition, EPIPEDA Gallery, Athens<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1985 Set and costumes for M. Limberaki's<i> Danaids,</i> University of Athens<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1983<b> <i>Art Bionics Fitness, </i><i>60 meters field painting</i></b><i>,</i> redefining empty field space in the Municipality of Paleon Faleron, Athens.</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCYy-_zi82LW-YvHtFR_L_BdVbpGFoVr_tC5FQP4ZFGTl3zDhEINcYucpA_ZRGt2gJzYtcUhkqi2eYRNTElF_sTQSV-GUo0d19A0eJVlhHuwgF6xQFOGXDEsYAqIn1TbvKQE_j5HKvu6ow/s1600/l%25CE%25B1%25CF%2584%25CE%25B5%25CE%25BB%25CE%25B9%25CE%25B5.jpg" imageanchor="1" style="clear: right; float: right; line-height: normal; margin-bottom: 1em; margin-left: 1em; text-align: center; text-indent: 0px;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCYy-_zi82LW-YvHtFR_L_BdVbpGFoVr_tC5FQP4ZFGTl3zDhEINcYucpA_ZRGt2gJzYtcUhkqi2eYRNTElF_sTQSV-GUo0d19A0eJVlhHuwgF6xQFOGXDEsYAqIn1TbvKQE_j5HKvu6ow/s200/l%25CE%25B1%25CF%2584%25CE%25B5%25CE%25BB%25CE%25B9%25CE%25B5.jpg" width="156" /></a><span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1982 <o:p></o:p></span><b style="font-family: times, "times new roman", serif; line-height: 11.7333px; text-indent: -0.5in;"><i>Pixel Doodling, snapshots of the future</i></b><i style="font-family: times, "times new roman", serif; line-height: 11.7333px; text-indent: -0.5in;">,</i><span style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px; text-indent: -0.5in;"> ACG Athens.</span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiSodg6XkpCt9j8x2KKBPHsTwNsNyVxY89JkKWpO0M6II3fwDr8YpjFHOmujKrCM073u8Xyr_rNB88Kv9CDi-khKMD8f8JYvO1PGu33L4MPLEmt_lVCwjVrbcxo-tQ0-CiU5xEA7whlSLR/s1600/doodling1980.jpg" imageanchor="1" style="font-family: times, "times new roman", serif; line-height: 17.6px; margin-left: 1em; margin-right: 1em; text-align: center; text-indent: -0.5in;"><img border="0" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiSodg6XkpCt9j8x2KKBPHsTwNsNyVxY89JkKWpO0M6II3fwDr8YpjFHOmujKrCM073u8Xyr_rNB88Kv9CDi-khKMD8f8JYvO1PGu33L4MPLEmt_lVCwjVrbcxo-tQ0-CiU5xEA7whlSLR/s200/doodling1980.jpg" width="200" /></a><br />
<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">1980 </span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: -0.5in;"><i>The Banquet</i></b><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">, KAPA Gallery, Athens.(paintings).</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirJcsDOSBi0Nrkl2sjLlFAaD90-QZpu2FRyWUHMNRY3JIauI-FNGeA9QvbPhCuLbSWZtLVKcWTR_wOmfZvn0SsaZfddEIhAkblKWfoFzJ8HDJV3lLo4D7kzn_ysCau2lKqmTKsWhtdsl3a/s1600/maros.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="93" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirJcsDOSBi0Nrkl2sjLlFAaD90-QZpu2FRyWUHMNRY3JIauI-FNGeA9QvbPhCuLbSWZtLVKcWTR_wOmfZvn0SsaZfddEIhAkblKWfoFzJ8HDJV3lLo4D7kzn_ysCau2lKqmTKsWhtdsl3a/s200/maros.jpg" width="200" /></a><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">1979 </span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: -0.5in;"><i>The SOS Syndrome</i></b><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">, Grand Hotel, Rhodes island, Greece. (paintings)</span><br />
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<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">1978</span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: -0.5in;"> <i>Edible Woman</i></b><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">, 2m. long sculpture made of cheese, artist's studio, Stratiotikou Syndesmou 2, Dexameni, Kolonaki, Athens.</span><br />
<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">1977 </span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: -0.5in;"><i>Hats,</i></b><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;"> Barbarossa Gallery, Athens (paintings).</span><br />
<span style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px; text-indent: -0.5in;">1976</span><i style="font-family: times, "times new roman", serif; line-height: 11.7333px; text-indent: -0.5in;"> <b>and </b></i><b style="font-family: times, "times new roman", serif; line-height: 11.7333px; text-indent: -0.5in;"><i>Theseus was knitting socks</i></b><i style="font-family: times, "times new roman", serif; line-height: 11.7333px; text-indent: -0.5in;">,</i><span style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px; text-indent: -0.5in;"> Installation, Barbarossa Medieval Castle Gallery, Rethymnon, Crete.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt89101WIOG4FVUkCuL5eqNO5-5EwoUNv6BPMdKwL3gQ8bsmrlN9mIig-EN2toWlDVrZKH6QfAu-Ed3H003oNrQ599jY-GJnQZ15ojfGXTDf2wC3a3zqtIO2LD6Dm_X5Ms8KUeeipLXzKD/s1600/oldcollage+70s.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="135" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt89101WIOG4FVUkCuL5eqNO5-5EwoUNv6BPMdKwL3gQ8bsmrlN9mIig-EN2toWlDVrZKH6QfAu-Ed3H003oNrQ599jY-GJnQZ15ojfGXTDf2wC3a3zqtIO2LD6Dm_X5Ms8KUeeipLXzKD/s200/oldcollage+70s.jpg" width="200" /></a></div>
<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;">1974 </span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: 0px;"><i>Internal Landscapes</i></b><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;">, Armodiou 10, European Union Center, (now Art-Tower Gallery), Athens.</span><br />
<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;">1973</span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: 0px;"> <i>Windmills of my mind</i></b><i style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: 0px;">, </i><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;">American College of Athens (paintings).</span><br />
<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;">1970 </span><b style="font-family: times, "times new roman", serif; line-height: 17.6px; text-indent: 0px;"><i>The Looking Glass Self</i>, </b><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;"> American College of Athens.(mixed media).</span><br />
<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: 0px;">1968 American University in Cairo, Egypt (paintings, First prize).</span><br />
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<b style="line-height: 17.6px; text-indent: 0px;"><span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">Collections, Museums, Galleries:</span></b><br />
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<span lang="EN-GB" style="font-family: "times" , "times new roman" , serif; line-height: 11.7333px;">Project Myth/Network, EMST National Museum of Contemporary Art, Greece, Artists’Archives, code 1592. Donation: - Xagoraris 1991.<o:p></o:p></span><br />
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-UNESCO-MEADOWS Beirut, Golden Medalists artists' collection, Lebanon 2012<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-National Collection of the Biennial of Tashkent 2007.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-International Poetry and Arts Network collection, Bienales di Poesia di Alejandra, Italia 2004-06-08<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-National Collection of the consecutive Biennials of Beijing 2005-2008</span></div>
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<tr><td><br /></td><td align="left" valign="top"><span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-indent: -0.5in;">-Olympic Fine Arts Golden Medal Collection, Beijing, 2008.</span></td></tr>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-PrimoPianoLivinGallery, Lecce, Italy.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-<i> Gargling Sky 2009, m</i>unicipal international collection, Gergeri, Crete. 2009<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">-<i>PAI 2010,</i> international Art collection, Union of Cultural Associations of Evros (EPOFE), Alexandroupolis, Greece.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 7pt;">-Private Collections</span></div>
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<b style="line-height: 17.6px; text-indent: -0.5in;"><span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">Collaborator -Member of:</span></b></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">The Hidden Thebes Festival, Greece (general curator, member of the jury).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Poesia e Spritualita review Milan (scientific collaborator)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Poesia et Conoscenza review Milan (editor for Greece).<br />Who is Who Greece<br />EETE, Chamber of the artists of Greeces<o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">OFAA Finland association for Golden Medalist</span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">MOFAA-MEADOWS Beirut for Golden Medalist artists.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">IAA , International Artists Association UNESCO<br />Olympia Fine Arts Golden Medalists Artists' Association, OFAA Finland.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">PrimoPianoatelier, Lecce, Italy. (Artist-scientific collaborator).<br />Artooth.org, Independent Artists Network, Athens (member of the jury for international contests).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">International Poetry and Arts Network, Alessandria Italy (member of jury and curator of the Greek participation)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Honorary member of K-Droz French artistic association in Paris (member of the jury for international contest on kinetic art with Kinetica museum London).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Honorary member of Olympias Greece<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Center of Cultural Dialogue East-West Constantine Noica, Romania.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Réseau Européen pour la Promotion de la Poésie, Belgium.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">PAND Performers and Artists for Nuclear Disarmament, Harry Bellafonte.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">Hellenic Centre of the International Society of Literature Critics, translator.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">The French Academy of Poets, Alexandria 1964.</span></div>
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<span style="font-family: "times" , "times new roman" , serif;"><b><span lang="EN-US" style="font-size: 9pt;">Public art:</span></b><span lang="EN-US" style="font-family: "calibri" , "sans-serif"; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"><br /></span><span lang="EN-US" style="font-size: 9pt;">2009 <i>Psyche</i>, 'speaking sculpture', Municipality of Rouvas, Gergeri park, Crete.<o:p></o:p></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Monument to the Ursus Minor, 2001, Floisvos Park, Athens.</span><br />
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">2005 <i>Monument to Ursus Minor</i>, Park of Flisvos, Athens. In 2012 its copper dress was ripped and stolen.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">2005 <i>Chrysalis, </i>'speaking sculpture', hosting the Flame of Peace, Lemar junction, occupied North Nicosia Cyprus. In 2010 it was moved to unexamined place and replaced by a 10m. tall Military Rider's monument.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">2004 <i>Chrysalis,</i> Olympic 'speaking sculpture, Floisvos Park, Palaion Faleron, Athens (hosting the Olympic Flame). In 2010, it was clumsily moved to the Park of Floisvos and was replaced by a 10m. tall Military Rider's monument. In 2012 it was destroyed by extreme weather conditions.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">1998 <i>Fountain of the Aegean</i>, Aegean Foundation, Paros island.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">1997 <i>The Gate of Love</i>, Monument to Evgenia Derechani, Fountain Crabova, Lykaion Mountain. Municipality of Ano Karyes, Arcadia.</span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">1997 <i>Monument to Emil Cioran</i>, entrance hall of the University of Lucian Blaga, Sibiu, Romania<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 9pt;">Awards – Distinctions:<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2012<i> </i>Honorary event in the British Embassy of Beirut for golden medalists artists UNESCO Beirut, OFAA Association.<br />2009 Honorary Silver Medal from the Chamber of Visual Arts of Greece for her participation in the congress on Greek language, Old Parliament of Athens.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2008 Golden Medal and Olympic Torch, Olympic Fine Arts, Beijing, China.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8FbrePx5BFjE84Lxpv97ZLP3RbBP-2WkLBHsNhICL2paFCvkZXch4PmY7mYEgESoJL8an3858YkJaF4Vyy0hksMt_NhvvhwiTWJHSJ0mUa7vdelzFM3rko6pJB6r7NnYBUH8zlosXQQZ/s1600/letters6+005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8FbrePx5BFjE84Lxpv97ZLP3RbBP-2WkLBHsNhICL2paFCvkZXch4PmY7mYEgESoJL8an3858YkJaF4Vyy0hksMt_NhvvhwiTWJHSJ0mUa7vdelzFM3rko6pJB6r7NnYBUH8zlosXQQZ/s200/letters6+005.jpg" width="200" /></a></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2008 Honorary evening and award for her cultural contribution, Municipality of Paleon Faleron Athens.</span><br />
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<span style="font-family: "times" , "times new roman" , serif; line-height: 17.6px; text-align: left; text-indent: -0.5in;">2005 Silver Medal and honorary diploma for her literary artistic contribution, Lucian Blaga University of Sibiu, Romania.</span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">2004 Lykaia Arkadia and Olympias association Golden Medals.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1997 Blazon of the City of Sibiu by the Mayor of Sibiu for her Monument to Emile Cioran at the entrance of the Lucian Blaga University of Sibiu, Romania.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1964 Three Golden Medals, French Academy of Poets, Alexandria, Egypt.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "times" , "times new roman" , serif; font-size: 8pt;">1964 First international Poetry Award by the Société Internationale des Lettres et des Arts, Paris</span></div>
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Polyxene Kasda recycled her Olympic monument 2004 into AEON 2015<br />
Iron and PXK 210X180 cm </div>
Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-54344047037284319232014-08-19T03:16:00.000-07:002020-04-22T05:58:53.171-07:00Polyxene Kasda, selected bionotes from period 1990-2014<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><b>P</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><b>olyxene
Kasda</b></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: small;"><b>selected
bionotes and publications -1990-2014-</b></span><br />
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<span style="font-family: "arial" , sans-serif; font-size: small;"><b></b></span><br />
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<span style="font-family: "arial" , sans-serif; font-size: small;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKQFV5kvxfbRN3DxxtEG86vq6MoETZO8Cqj1Gp2xCbl2df64qTf5HbzNS6AzefHIFuCpAiZnfOwPlAedptv1iwUXXOqz58VMwXzWqDHorvVUG1-baZPXP1sv17NEQyFmXBHdl4Bnd7095O/s1600/polyphoto07w.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKQFV5kvxfbRN3DxxtEG86vq6MoETZO8Cqj1Gp2xCbl2df64qTf5HbzNS6AzefHIFuCpAiZnfOwPlAedptv1iwUXXOqz58VMwXzWqDHorvVUG1-baZPXP1sv17NEQyFmXBHdl4Bnd7095O/s1600/polyphoto07w.jpg" width="131" /></a></b></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US">H</span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">er
experimental</span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>
</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>P</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><b>roject
Myth/Network </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><b>[
-1990-2014- ]</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US">
is an “hyper-string” of intertwined sub-projects, emerging from
depth psychology and multi-plexing in open-ended works of
cosmonautical perspective; traces of a liminal rite of passage to our
new aeon:</span></span></div>
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0TDICMjE_m36tCjgIPfUR62cB_FEKUtjHzr8hGP3W-Em-Cwbr4JR41M12PAeLAGyN3NF2scUJ_TOTNPLpegYohHFgqxTJ93w5pxoEqmmpJYpxj6TzukzHUDJhCTXtbbNLdMJsZunevlQG/s1600/hyperstring.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0TDICMjE_m36tCjgIPfUR62cB_FEKUtjHzr8hGP3W-Em-Cwbr4JR41M12PAeLAGyN3NF2scUJ_TOTNPLpegYohHFgqxTJ93w5pxoEqmmpJYpxj6TzukzHUDJhCTXtbbNLdMJsZunevlQG/s1600/hyperstring.jpg" width="400" /></a></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: x-small;"><i>Myth/Network
(ήμαρ -1990-2014-) </i></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span style="font-style: normal;">is</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><i>
</i></span><span style="font-family: "arial" , sans-serif; font-size: x-small;">a
single work of lasting present “resting in its permutations”. </span>
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<span style="font-size: small;"><br /></span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihO3YoAwTYxaWHzRFIKITDKQiCDvLLVhT1zzqxzHvoSOmCfJ-N-Zboewt02CXcX7krO60g_JAnkk_xYUOieZ3lN43GPGde3qsLoLF42B-U-zLAM8CvFd_MZ6JtRV7QoEN7BeLQh_w9xnpb/s1600/2006-03-08+14.42.10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihO3YoAwTYxaWHzRFIKITDKQiCDvLLVhT1zzqxzHvoSOmCfJ-N-Zboewt02CXcX7krO60g_JAnkk_xYUOieZ3lN43GPGde3qsLoLF42B-U-zLAM8CvFd_MZ6JtRV7QoEN7BeLQh_w9xnpb/s1600/2006-03-08+14.42.10.jpg" width="253" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chrysalii seeds, photo StefanosSamios 1990</td></tr>
</tbody></table>
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>- Chrysalii</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><b>,
</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="el-GR"><b>Τhe
topology of change</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>
[</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><b>
-1990-1994- ]: </b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><span style="font-weight: normal;">Liminal
performance-installation in the bottom of the Lake of Mornos in
Greece, expanded in a global biodegradable, collective installation
in 300 sites, in 27 countries la</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US">unched
in the Museum of Modern Art of Joensuu, PAND conference, Meeting of
the Worlds, Finland 1990. </span></span>
<br />
<div lang="en-US" style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;">Coordinated
Universal Time polycentric documentation in the State University of
Cleveland U.S.A, the Cultural Center of the Municipality of Athens,
the Center of optico-acoustic research EIKONA, Govostis editing House
in Athens ....</span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">E.
Koscielak, AICA, “</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>Myth/Network:
The vision of an open system in Art</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">”,</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>The
Network, </i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">Govostis,
Athens 3/2/1991- “</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>Dispersion
and Interaction</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">”,
ARTI review, Athens 9-10/1991 - E. Koscielak “</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>Myth/Network,</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-style: normal;">
La Mia Casa 5-6, Athens 1991</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>-
</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">G.Marcou,
AICA, “</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>Art
and Philosophy</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">”,
Greece’s Weekly 3/2/1991</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">-
</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Myth/Network”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;">
TV documentary directed by Makis Faros 1995, Studio Eikona
1995</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">-</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">Dedication
to Polyxene Kasda, </span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">Tyflomyga,
Athens 2003 -</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">
</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">
</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
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<span style="font-size: small;"></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxrfJkX8aAmSzgjEYC_06ng2WuoORYcOTS7gMX4HE21qzXDzd26iJpnScornpdqiKSqmf05pI-Gsk8CWVIqOwWbKy0yFfsCy3R7-xrLMEKN3k24RqFVt50lpBLQ5RzjO_gF_YUHiJqN9GW/s1600/chrysalisCHAOS90.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chrysalii installation 2, Chaos AghiaTriada, photo. S. Samios 1990</td></tr>
</tbody></table>
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<span style="font-size: small;"></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>-
Code Lexomorphes</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>
[</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i>-</i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>1991-2013-
</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>]:
</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><span style="font-weight: normal;">Geometrical
cryptograms </span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">based
on the ancient Greek codification of language.</span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US">Structuralist
exhibition </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i>Homage
a Stazewski Concept/ Form, </i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US">Municipal
Center of Athens 1991- </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i>Congress
on Greek Language </i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US">2009,
Old Parliament of Athens, Chamber of Fine Arts of Greece (honorary
medal).</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZp0hJ0M2mmINXDAaQfijzsZ5XvqCwr2HenyEO8J1VilsnyZN9L_s7gphfWpLgw1T_e-i7ZqArZ3yCn9vYHc54Ujjit1pmtWNg9mo2reIV4bu8n4Dt6mS2KHP9VCNz3w3VgDVgHF_ynvDl/s1600/Code+synthesis+1+(Kasda-Sitra).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZp0hJ0M2mmINXDAaQfijzsZ5XvqCwr2HenyEO8J1VilsnyZN9L_s7gphfWpLgw1T_e-i7ZqArZ3yCn9vYHc54Ujjit1pmtWNg9mo2reIV4bu8n4Dt6mS2KHP9VCNz3w3VgDVgHF_ynvDl/s320/Code+synthesis+1+(Kasda-Sitra).jpg" width="320" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"> </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><span style="font-weight: normal;">
</span></span></span>
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQi2QXRiyq9zriXdlQDi1uUa4Vwt9kQ_cDwPZXQ86hgmUSjyhE864ApRk9LcbPWPyLEycA8bFcvw1fg78tMq-z1h1XKmzb74d1cgkSw7XveUug6q_PymaICnrZ5eOiXHDRHvjZjzAP9z7n/s1600/code+synthesis+2+(Kasda-Sitra).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQi2QXRiyq9zriXdlQDi1uUa4Vwt9kQ_cDwPZXQ86hgmUSjyhE864ApRk9LcbPWPyLEycA8bFcvw1fg78tMq-z1h1XKmzb74d1cgkSw7XveUug6q_PymaICnrZ5eOiXHDRHvjZjzAP9z7n/s1600/code+synthesis+2+(Kasda-Sitra).jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kasda-Sitra, Lexomorphes for architectural application, 2006</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH4wG5XHVN0TrXmS4EENsMBvT9Ba1WNBvgjd_M0ru7ZHKZni35_vZW_Ygm1bjJlha6XMNbwy21f_ZNU3H7uJOZazK7fEM_TRGSeUoqByM0brwfU2ars2amrTZnt9hgckUJoX4b_JZ0HH91/s1600/P_w.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH4wG5XHVN0TrXmS4EENsMBvT9Ba1WNBvgjd_M0ru7ZHKZni35_vZW_Ygm1bjJlha6XMNbwy21f_ZNU3H7uJOZazK7fEM_TRGSeUoqByM0brwfU2ars2amrTZnt9hgckUJoX4b_JZ0HH91/s1600/P_w.jpg" width="149" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZp0hJ0M2mmINXDAaQfijzsZ5XvqCwr2HenyEO8J1VilsnyZN9L_s7gphfWpLgw1T_e-i7ZqArZ3yCn9vYHc54Ujjit1pmtWNg9mo2reIV4bu8n4Dt6mS2KHP9VCNz3w3VgDVgHF_ynvDl/s1600/Code+synthesis+1+(Kasda-Sitra).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">Her
Lexomorphe </span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><span style="font-weight: normal;">ΧΡΥΣΑΛΛΙΣ</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">
monumental sculpture </span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">hosted
the Olympic Flame in Heroon Square,Floisvos, Athens 2004.</span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">A twin
Lexomorphe </span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><span style="font-weight: normal;">ΧΡΥΣΑΛΛΙΣ
</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">monument</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">
hosted the Flame of Peace in </span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">North
Leucosia, Cyprus 2005-2010</span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">. Lexomorphe</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="el-GR"><i><span style="font-weight: normal;">Ψ</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><span style="font-weight: normal;">YXH
</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">was
installed in Gergeri, Crete 2009.</span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">P.
Kasda, “</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">Code
Lexomorphes, the iconic dimension of Greek language</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">”,
Poesia e Spiritualita review, Milan, Ιtaly 2007- .</span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;"><br /></span></div>
<div style="margin-bottom: 0cm;">
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrfJSWZGXqm1WruTmz7ujUMVzwPjZFAqh_6Rzdat81gcKdfLT2854nGDESTvfySmyp8c25KLgGYHaEXQ3rr_1BmipRfZ1w96ob4Y_qB4KMMKd1AMyp4xzBMnULRaVericOeDN73glFpwJd/s200/epistrofiiptamenow.jpg" style="margin-left: auto; margin-right: auto;" width="219" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Small Arctos, Epistrophe Gallery, Psirri, Athens 2001</td></tr>
</tbody></table>
<br />
<br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><b>-
</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>Fugue,
the Fugitive Child </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>
[ -1996-1998-2005- ]: </b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">Variations
of a Golden Series monumental structure, initially used as scenery
for her recursive performance </span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="el-GR"><i><span style="font-weight: normal;">Π</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><span style="font-weight: normal;">AI
</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">and
left behind</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">
</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">in
the Castro di Piovera, Biennale di Poesia di Alessandria, Italy 1996,
the University of Lucian Blaga Sibiu Romania 1997 (silver medal),
Megalopoles ancient theatre, Lykaia Arcadia 1997 (honorary medal),
the Aegean Foundation,Paros island 1998 and Floisvos Park, Athens,
Greece 2005..</span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">P.
Kasda,</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">
</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">poetic
essay</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">
ΠAI Toi et Moi, </span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">written
in French, translated in Romanian by Mircae Ivanescu and in Flemish
by Eugene Van Itterbeek, Seven Sleepers Coed. University Press Lucian
Blaga 1997, Frankfurt International Book Fair 1997- P. Kasda, </span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Il
Bambino, </span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">Poesia
e</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">
Spiritualita review, Milan 2009 - </span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">
</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Π.
Κασδά,</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><i><span style="font-weight: normal;">
</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">ΠAI,</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">
Tyflomyga, Athens 2003 - P. Kasda, </span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">“L'Altro,
l 'altrove e il mistero della centesimal porta”,</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">
Biennale di Poesia di Alessandria, Joker 1998 -</span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;"><br /></span></div>
<ul>
<li><div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>My
Home/ Network </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>[
-1995-2000-2009- ]: </b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">neighborhood
installation on </span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">the
dynamic topology of intimate territories </span></span></span>
</div>
</li>
</ul>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Casa
Retea precum pestele in apa”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">,
Transilvania 1-2, Sibiu, Romania 1995, translated from French by
Mircae Ivanescu.</span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;"><br /></span></div>
<ul>
<li><div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>Ontological
topology </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="el-GR"><i><b>of
the Greek landscape </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>[
</b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>-19</b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>94-1996-
</b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;">]:
</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">mythologically
augmented maps with the international participation of poets,
auspices of the Municipal Radio of Athens 9, 84F.M.</span></span></span></span></div>
</li>
</ul>
<div style="margin-bottom: 0cm;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZjFYRGm5-Z3wKwgTvS2Ds_M2_5UWE7_UFT00E2M6Ww7IWDsraWiC8NNF_rlTc0OtOF9Rz9NaRReTyPALzC-9mVRZoGrbaYRyXYlFuhC2Pkitk6U7sh2NRJnQ7SfLvPO-QiykvdXyVI5UE/s1600/artimap.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZjFYRGm5-Z3wKwgTvS2Ds_M2_5UWE7_UFT00E2M6Ww7IWDsraWiC8NNF_rlTc0OtOF9Rz9NaRReTyPALzC-9mVRZoGrbaYRyXYlFuhC2Pkitk6U7sh2NRJnQ7SfLvPO-QiykvdXyVI5UE/s1600/artimap.jpg" width="146" /></a><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> </span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">P.
Kasda,</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><b>
</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Pyrisporos,</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">
Art-Mythology-Informatics </span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">essay,
</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Aigokeros-Art,
Athens1994 - </span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;">
</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Μyth/
Network 5”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">,
ARTI, Greece1995 - D. Bisutti,”</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>Polyxene
Kasda Myth/Network”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">,
La Clessidra 1/1995 Joker, Italy - P. Kasda, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Griekenland:
Mein poezie is een reis in de geegtelidjke textuur vaan het land”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">,
E</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">uropees
Poeziecentrum “De Zevenslapers” </span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">3000
Letters X, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Leuvain</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">1994
– P. Kasda, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Myth/
Network 5: The Gate of Fire”, </i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">Euphorion
Transilvania, VI, n. 55.56.57. Sibiu, Romania,1995 – P. Kasda,
</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Myth/
Network 6: Arkteia”,</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">
Tradition et Modernite, Les Sept Dormants n4 coed. Universite Lucian
Blaga press 1996- P. Kasda, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Progetto
Myth/ Network 1-5”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">
La Clessidra n.1/ 1995 Joker, Italy –</span></span><span style="font-size: x-small; text-decoration: none;"><span style="font-family: "arial" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">
P. Kasda,</span></span></span></span><span style="font-size: x-small; text-decoration: none;"><span style="font-family: "arial" , sans-serif;"><span lang="en-US"><i><span style="font-weight: normal;">
“The Power of the Small” </span></i></span></span></span><span style="font-size: x-small; text-decoration: none;"><span style="font-family: "arial" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">
translated by M. Ivanescu, La Tribuna de Sibiu1995</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">
–</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">
P. Kasda, “</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i>Progetto
Myth/Network 6 ”, </i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US">La
Clessidra n2. Millenium writers, Joker, Italy 1996 </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">
</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">-
P. Kasda, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Cer
si pamant”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">,
Transilvania 1-2-3, Cultura Nationala, Romania 1996 – P. Kasda,</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>
“Ciel et Terre, Poesia, Mito, Utopia”,</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">
Biennale di Poesia di Alessandria, Joker, Italy1996 </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR">-
</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">V.
Avram “</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Spatiul
Primordial”</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">,
Transilvania 1-2-3, Romania1996 - </span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“The
Landscape of my Soul” </i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">XIV
Biennale di Poesia di Alessandria, Poeti e Paesaggi, Joker, Italy
2008</span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">.</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>http://.</i></span></span><i><cite class="_Rm">www.artooth.gr/index </cite></i><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: 8pt;"><i>The Underworld Star and the Eagle, ΕΔΙΖΗΣΑΜΗΝ ΕΜΕΩΥΤΟΝ I searched for myself </i>{Heraclites} </span></div>
<div style="margin-bottom: 0cm;">
<a href="https://www.blogger.com/blogger.g?blogID=5323622935035104766" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="font-size: small;"><br /></span></div>
<div style="margin-bottom: 0cm;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhha9GCq_9v5T4MemdLK1PXMIadENJMH9CDLhfdyq2AAOGKAqWIt3qcZgCdraJtCNCXEMWdZl6pYOrqmrgPkXyHDKk1MMoo6Mh3swdzRZ69QE4NSCJysKB8GxkqMF84tiANUgyiAB5_Za8N/s1600/anthropoweb.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhha9GCq_9v5T4MemdLK1PXMIadENJMH9CDLhfdyq2AAOGKAqWIt3qcZgCdraJtCNCXEMWdZl6pYOrqmrgPkXyHDKk1MMoo6Mh3swdzRZ69QE4NSCJysKB8GxkqMF84tiANUgyiAB5_Za8N/s1600/anthropoweb.jpg" width="160" /></a><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4y5cUaWSU_KDCXqqFEHOo7tnUP1OPdT64UG41fWiEnTcPaqu9-pCj5pXxVBAwu7KKYvCVLm2NLBRmZU_0ojfvZnBe4-DJoHxPJ41ooyMBTU1hYZKduRkHpMx3vfjWJt0s_IkEysoxuoJu/s1600/laurelsweb.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4y5cUaWSU_KDCXqqFEHOo7tnUP1OPdT64UG41fWiEnTcPaqu9-pCj5pXxVBAwu7KKYvCVLm2NLBRmZU_0ojfvZnBe4-DJoHxPJ41ooyMBTU1hYZKduRkHpMx3vfjWJt0s_IkEysoxuoJu/s1600/laurelsweb.jpg" width="92" /></a><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><i><b>-
PXK Route</b></i></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><b>
</b></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><i><b>
</b></i></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-style: normal;"><b>[
</b></span></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><i><b>-</b></i></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><b>2004-2014-
]</b></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-style: normal;"><b>:</b></span></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><b>
</b></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Global
fossil installation spread in 25 sites in 7 countries wrapped up in
her innovative fossilising material PXK, r</span></span></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB">ealized
through her participation in 'big' events like: the Olympics 2004 PXK
Chrysalis monument in Athens, the Βiennale di Poesia di Alessandria,
Italy 2004, the 2nd Biennale of Beijing 2005, the Syria festival of
Greek art FMC 2006, the 4rth Biennale of Tashkent 2007, the Nuit
Blanche, Anvers-aux-Abesses, Place de l' Europe Paris 2007, the
Olympic Fine Arts of Beijing (gold medal 2008), </span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB">DESIGN</span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB">
2012 Municipal Pinacotheque of Athens, the Olympics 2012 the British
embassy of Beirut,</span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB">
UNESCO-MEADOWS</span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB">,
Lebanon 2012..</span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">P.
Kasda</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">
“V</span></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">ertical
link to the principle of renaissance”</span></i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">,
3</span></span></span><span style="font-size: x-small;"><sup><span style="font-family: "arial" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">rd</span></span></span></sup><span style="font-family: "arial" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">
Biennale of Beijing conference abstract 2008 </span></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> </span></span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">http://glypto.wordpress.com/2007/10/23/kasda-nuit-blanche/</span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">http://glypto.wordpress.com/2008/05/09/olympic-fine-arts-2008/</span></span></span></span><br />
<br /></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;"><br /></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>-
Doodling interludes </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>[
-1982-2008-2013- ]: </b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">the
“terrible silence”of in-between-space, inserted in
13 sites in 7 countries like the</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>
</b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">Biennale
</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">of
Beijing 2008, </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">DESIGN</span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">
House of Cyprus in Athens 2009, Croisees d'Arts Château Landon
France 2009, Flags in Solidere Beirut</span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">
UNESCO-OFAA-MEADOWS </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">Lebanon
2012, K-Droz Transart, Maison Heinrich Heine in Paris and in gallery Schneeberger in the Munster Night
of Museums,Germany 2014..</span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">.http://glypto.wordpress.com/2008/02/14/polyxeni-biennale/</span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">http://glypto.wordpress.com/2012/05/25/</span></span><br />
<span style="font-size: x-small;"><a href="http://www.beirut.com/l/15607" target="_blank">http://www.beirut.com/l/15607</a></span><br />
<span style="font-size: x-small;">
</span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-size: x-small;">http://glypto.wordpress.com/2007/05/28/kasda-kipelo/ </span></span></span></div>
<div lang="en-GB" style="margin-bottom: 0cm;">
<span style="font-size: small;"><br /></span></div>
<div lang="en-GB" style="margin-bottom: 0cm;">
<br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><b>Concept
curator and initiator of a set of techno-socio-psycho-art experiments like: </b></span></div>
<div lang="en-GB" style="margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><b> </b></span><span style="font-family: "arial" , sans-serif; font-size: small;">
<b>-
</b></span><span style="font-family: "arial" , sans-serif; font-size: small;"><i><b>
Miorita Melusina and the Sphinx-</b></i></span>
</div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-size: small;">“<span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-weight: normal;">Mioritic”
landscape/ folktale exchange Kasda-Angelou telecommunications
project, selected by Arscenic French Association for the</span></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><i><span style="font-weight: normal;">
</span></i></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">twin</span></span></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><i><span style="font-weight: normal;">
</span></i></span></span><span style="font-family: "arial" , sans-serif;"><span lang="en-GB"><span style="font-weight: normal;">Capitals
of Europe 2007, </span></span></span></span>
</div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">E.Venardou,</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>
“Which is the way to the cultural capitals?</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">”
Eleftherotypia Sunday newspaper, Athens 2007.</span></span></div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>-
Gargling Sky 2009, </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">international
art </span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">constellation</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">
throughout village Gergeri, Crete. </span></span>
</div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">P.
Kasda,</span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>“Gargling
Sky”</i></span></span><span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB">,
ΕΕΤΕ Greek Chamber of Fine Arts journal nb.158, Athens 2009- <i>http://.</i></span></span><i><cite class="_Rm">www.artooth.gr/index</cite> The Gergerian experience</i> 2009</div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span style="font-style: normal;"><b>-
</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><i><b>Π</b></i></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>AI
2010 “The Aeon is a Child playing” </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">(Heraclitus,
fg. 52)</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
multimedia mythical foundation event in Evros</span></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">,Samothrace,
Patmos, Thebes, Bulgaria, Italy....org. EPOFE</span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: x-small;"><span lang="en-GB"><i>http://.</i></span></span><i><cite class="_Rm">www.artooth.gr/index </cite></i><i>ΠΑΙ 2010-2011 </i></div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhThvDf2Putl1uI1IoQQ4A-WgPiYCVFAFk_YENPzWGkz0ty3y41qr_jWC_2DxP_0Ik0BsjIoucX9rclg7nF9dIAdr9DVG4Hr5MCqibSMUK33kRIjes9pmsrKNuZpTc-sNwZt-b8wC8kJ7Ma/s1600/Card2_Pai_V3(2).jpg" style="margin-left: auto; margin-right: auto;" width="200" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cards for the Samothrace Game illustrated by Antonis Papantoniou</td></tr>
</tbody></table>
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>-
</b></span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>The
Samothrace Game </b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><b>2011-<i> </i></b></span></span></span><i><b><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Looking for PAI </span></span></span></span></b></i><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">with
the enthralling ambiguous guidance of Heraclitus’ antinomic
Fragments.Org. IDEA. </span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;"><span style="font-size: x-small;">A.Kaltsou,<i> PAI 2010-2011, the Map of the Hidden Treasure</i>, The Citizen of Thrace 15/12/2010</span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;"><br /></span></span></span></div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>-
</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><b>«</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>Πιθ΄</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><b>
</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>Ελλέβορον</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-US"><i><b>»</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><i><b>
2014 -</b></i></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
on the philosophy of Folly in Antikyra - Salento - org. Allotropia and PrimopianoLivinGallery, under the auspices of the Greek Ministry of Culture.</span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">http://www.resartis.org/fr/actualites/?id_content=534</span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">http://www.uraniasgardens.blogspot.com </span></span></span></span><br />
<br />
<b><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Current research projects on-the-make:</span></span></span></span></b><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> <b><i>The Third element and the Riddle of the Sphinx,</i></b> Kasda-Angelou </span></span></span></span><br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;"> <b><i>Tu vas a Tuva? oui je vais a Ithaca, </i></b>Kasda-Sacquegna</span></span></span></span>
</div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-size: small;"><br /></span></div>
<div style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><b>IAA,
UNESCO artist</b></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">,
she graduated from the French institute </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"><span style="font-weight: normal;">Besancon
in</span></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">
Alexandria Egypt and was attending for 7 years Soeur Herman's
workshop in Fine Arts. She also acquired the state Arabic “Τhanaweya Αma”. She studied Chemistry-Physics in the American University of
Cairo and graduated in Psychology- Sociology in Pierce (Deree)
College, Athens. </span></span>
<br />
<div style="margin-bottom: 0cm; margin-left: 1.27cm; text-indent: -1.27cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">Has attended seminars and/or symposiums in Adlerian Psychology with Rudolf Dreykurs, in Experimental
Social Psychology with Ezra Stotland,</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"> Αrtificial
intelligence and computational technologies for education, Prof.
Seymour Papert's AI department, ΜΙΤ Boston 1984.</span></span><br />
<br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">Has published interdisciplinary and poetic essays. Her semiological maps were adopted by the biennale of poetry of Alessandria ITaly and the European Poetry Network (Belgium) as a new form of poetic expression, her early poetry was awarded three golden meals by the French Academy of Poets of Alexandria..... </span></span>
</div>
<br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"> </span></span>
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">She
is Greek, from Aigeon and Syros </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="el-GR">island</span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">,
born in“the point zero of the present” (as defined by radiocarbon calibration),</span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: x-small;"> in the beginnings of nuclear tests and
the changes in the measurement of time with the first computers, </span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">in multicultural
Alexandria Lost, a shifting Hellenistic home<span style="font-size: x-small;">, </span></span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: x-small;">grafted with the element of deconstruction<span style="font-size: small;">, </span></span></span>which she now retrieves
in the planetary dimension of her work.<br />
<span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB"></span></span><span style="font-family: "arial" , sans-serif; font-size: small;"><span lang="en-GB">She lives in Athens. She
works everywhere.</span></span><br />
<br />
<div align="LEFT" lang="en-GB" style="font-style: normal; line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><b>They
wrote: </b></span></span>
</div>
<div align="LEFT" lang="en-GB" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>"Myth/Network
is not a work in the usual form of an art work, but a state which is
configured as much by the artist as by the participants in her
growing interactive web. It is an open system that evolves on many
ontological levels.. the old system of art centered on the
artist-emitter and the passive audience is transformed into a living
system-network of the international creative society”.</i></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Elzbieta
Koscielak</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">,
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR">Α</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">ICA
art critic,</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US">
“</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i>Myth/Network:
The vision of an open system in Art</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">”</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US">,
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i>The
Network, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US">Govostis,
Athens 3/2/1991</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">.</span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Myth/Network
is an original invitation where many trends coexist. It is a
personal path of the contemporary artist extending towards the depths
of centuries and towards the unknown future of humanity in this
crucial time of transition”. </i></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Elzbieta
Koscielak</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">,
AICA, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>Myth/Network,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">La
Mia Casa, Athens 5-6/1991.</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>
</i></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>it</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>
has to do with a vision springing from the psychology of the
unconscious. Her unusual point of departure is that myth becomes act
of the soul in the sites where it was born to be reconstructed as
present bringing back the creative and drastic hypostasis of Greek
language. We could define her work as Space Semiotics... </i></span></span></span>
</div>
<div align="LEFT" lang="en-GB" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>The
maps of her itineraries, dont follow a predetermined program but they
reveal themselves to her gradually, based on a series of subliminal,
symbolic coordinates and synchronistic events that elevate in front
of our eyes, in her words: “the matrix of meaning that sustains the
world”.</i></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>Through
collective synergy which is sustained by pure subjectivity, her
itinerary maps are transformed into an embodiment experience for the
participants, tending to be reduced into abstraction, through
rational elaboration and writing.</i></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>To
seek to enter in this dimension seems at first sight difficult, but,
once you accept to make the effort, doors will open to unsuspected
dimensions”.</i></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Donatella
Bisutti,</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><i>
</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">“</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Polyxene
Kasda Myth/Network”</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
La Clessidra 1/1995 Joker, Italy</span></span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>"
I sustain that Polyxene Kasda can be included as one of the most
notorious representatives today, on an international level, of a
culture capable to realize the conjunction of antique traditions with
contemporary sciences. Her research re-actualizes the immense
mythical patrimony that Greek civilization has left to us, which she
proposes as a transtemporal, operating living reality</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">”</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>.
</i></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Donatella
Bisutti</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-weight: normal;">,
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB">poet,
writer, chief editor of Poesia e Spiritualita review, Milan 2010,
Italy </span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Polyxene
Kasda belongs to a diachronic and existential forefront, as by
analogy, the Pythagoren and Orphic mysteries would seem advanced
today</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">”</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">.
</span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><b>Victor
Ivanovici</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i>,
</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">writer,
essayist, literary critic 2005.</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>"At
each and every point of her art, Kasda re-casts and re-interprets
mythological and philosophical concepts, bringing them back to life
in aesthetic form</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">".</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Dr.
Yael Navaro-Yashin </b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">2010,
</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;">anthropologist,
essayist, senior university Lecturer.</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>By
revisiting myth, Polyxene reconstructs history itself. Crucial Timer
artist with creative genius, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en"><i>
</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>her
language is mythic, her thought original</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en"><i>.</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>
From her study of the landscape, amplified by observation, scientific
research, linguistic analogies and involvement with the local
residents, a precious project was born; a “doc” important for
future generations". </i></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Dores
Sacquegna</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
art-curator, art gallery director, Lecce, Italy 2010.</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>We
traverse with the author a mythological landscape, a field of self
exploration through “a forest of symbols” in Baudelaire words or
in more actual terms “Project Myth/Network”, of which I lived
certain stages and I am more and more struck by t</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i><span style="font-weight: normal;">his
ekstatic experience that allows us to realise the initiatic potential
of Greek mythical paidei</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i><span style="font-weight: normal;">a
which is always contemporary</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">.
In her work we can speak of an authentic outpour of mythical
knowledge. Her artistic act intervenes and transforms space into a
holy site</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">“</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">.
</span></span></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Eugene
Van Itterbeek, </b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">writer,
poet, literary critic, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Avant-propos
PAI</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
Cahiers Europeens de Poesien.159-collection Les Sept Dormants n51997</span></span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">She
captures myth in its primordial state, experiencing its meaning in
the depths of our existence”</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">.
</span></span></span></span></span>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Vasiile
Avram</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
anthropologist, writer, Tribuna Culturala, Sibiu 16/5/1997.</span></span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Her
courageous initiative to bind immanence to transcendence..”.</span></i></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><b>Vasiile
Avram</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><i><span style="font-weight: normal;">,«Spatiul
primordial»</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
Transilvania 1-2-3, Romania</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">1996</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">.</span></span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“ <span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i>In
her projects original and unpredictable social “language games” a
la Wittgenstein are set up and left to evolve creating a multitude of
narratives that would never happen in real law-restricted
societies.</i></span></span></span><span style="color: black;"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i>The
originality of Polyxene’s dromena has been documented by a number
of participants and art critics. Concepts like virtual reality, role
playing multiple worlds, tangible space-time deformations, lived
sense of differential rate of flow of time during critical events or
dromena, cultural shock encounters, culturally/memory informed models
and reevaluation of existing policies are suggested in the relevant
documents.</i></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i>.
”.</i></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><b>J.
Kontos,</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;">
prof. of A.I, “</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i>A.I.
Needling The Conscious Eye”, Southwind 2015.</i></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
“<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">e</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>lle
ecrit que sa maison ouvre sa face vers la mer - tout pres des lieux
d'ou partaient</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>les
processions des torches pour eleusis - donc, le</i></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>soir,
quelquefois, elle renversait tout d'un coup,</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>le
temps ...... </i></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>et
nous sommes ici, a lire ce qu'elle ecrit - et</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>elle
est ailleurs -”et le silence est terrible”-....</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>Il
existe certaines verites, si proches de notre pensee qu'il suffit que
l'on ouvre ses yeux pour les voir-?</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><i>et
sinon - ce serait seulement une plage et les pas se perdant dans le
sable“.</i></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span style="font-style: normal;"><b>Mircae
Ivanescu</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">,
Mihae Eminescu awarded poet of Romania,</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
“</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">h</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><i><span style="font-weight: normal;">ypothetical
voyage to polyxenia in an immobile train”,</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: xx-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">XVIIth
Sibiu Poetry Festival 18-22/10-1995.</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<br /></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><b>Kasda's
publications on Project Myth/Network (selection):</b></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">
</span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i>Sky
outside, sky inside,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">
Emvolimon review, Aspra Spitia, Greece 1990.</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">P.
Kasda interview by M. Papadimitriou,</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i>
Chrysalii a mythical experience,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">
Politistiki Ekfrassi, Athens1991.</span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i>Project:Myth/Network1990-1994:
Revival of cosmological Memory in the redefinition of our spacetime
perception, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">Tetarti
Apostoliki, Pinacotheque of the Municipality of Athens catalog,T.E.E.
June 1994</span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">P.
Kasda, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i>Pyrisporos.
Art-Mythology-Informatics,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;">
interdisciplinary essay, Aigokeros-Art 1994. </span></span></span></span>
</div>
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Polyxene
Kasda, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Myth/Network,
</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;">TV
documentary directed by Makis Faros, Studio Eikona 1995</span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">Polyxene
Kasda</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">,
interview, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">Tyflomyga
review, Athens 2003 -</span></span></span></span><br />
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i><span style="font-weight: normal;">Myth/Network
4, ΛΟΓΟΣ,</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">
ENOPE Center for the sciences and the arts, Athens 2.11.1992 </span></span></span></span>
<br />
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">Code
Lexomorphes, the iconic dimension of Greek language</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">,
Poesia e Spiritualita review, Milan, Ιtaly 2007- </span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">P.
Kasda </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i><span style="font-weight: normal;">in
Memoriam Vasiile Avram </span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">Tribuna,
11-5-2004 -</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Chrysalis/Grail,
Reflections of an Object of Truth, </span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Verita
e</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><b>
</b></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><span style="font-weight: normal;">Dubbio
2004, XVII Bienale di Poesia di Alessandria, Joker 2004 –</span></span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="text-decoration: none;"><span style="font-weight: normal;">the
Chrysalis Grail in the last divided capital of the world</span></span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><span style="font-weight: normal;">,
Odysseus revue, Italy 2007 </span></span></span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">J.
Kontos- P. Kasda</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">,</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">
</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">Artificial
Intelligence needling The Conscious Eye, </span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">SouthWind
A.I. Series Notios Anemos, Athens 2014 (under publication).</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda,</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">ΠAI
</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><i><span style="font-weight: normal;">Si
Tu Si Eu</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">,
</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">poetic
essay</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">
</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">written
in French, translated in Romanian by Mircae Ivanescu and in Flemish
by Eugene Van Itterbeek, Seven Sleepers Coed. University Press Lucian
Blaga 1997, participated in the Frankfurt International Book Fair
1997</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Il
Bambino, </span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">Poesia
e</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">Spiritualita
review, Milan 2009</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Π.
Κασδά,</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">ΠAI,</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">Tyflomyga,
Athens 2003</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">L'Altro,
l 'altrove e il mistero della centesima porta,</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
IX </span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">Biennale
di Poesia di Alessandria, Joker 1998 -</span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Casa
Retea precum pestele in apa</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">,
Transilvania 1-2, Sibiu, Romania 1995, translated from French by poet
Mircae Ivanescu.</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">
</span></span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm; margin-left: 1.25cm;">
<br /></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">P.
Kasda,</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i>Taurokathapsia,
the Gate of Fire</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">
interactive map of Crete,</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">Touchstone
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR">Coed.</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">
</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">Seven
Sleepers 1994-</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Μyth/
Network 5</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">,
ARTI, Greece1995 </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">“</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Griekenland:
Mein poezie is een reis in de geegtelidjke textuur vaan het land”</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">,
E</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">uropees
Poeziecentrum “De Zevenslapers” </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">3000
Letters X, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-style: normal;"><span style="font-weight: normal;">Leuvain</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">1994
</span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">“</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Myth/
Network 5: The Gate of Fire”, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">Euphorion
Transilvania, VI, n. 55.56.57. Sibiu, Romania,1995 </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Myth/
Network 6: Arkteia, on the threshold of time,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">Tradition
et Modernite, Les Sept Dormants n4 coed. Universite Lucian Blaga
press 1996-</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Progetto
Myth/ Network 1-5,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">La
Clessidra n.1/ 1995 Joker, Italy –</span></span></span><span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">P.
Kasda,</span></span></span></span></span><span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span></span><span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">The
Power of the Small </span></i></span></span></span></span><span style="text-decoration: none;"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">translated
by M. Ivanescu, La Tribuna de Sibiu1995</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
–</span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i>Progetto
Myth/Network 6 :Sulla soglia del tempo, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">La
Clessidra n2/95,VIII Bienale di Poesia di Alessandria, “</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-style: normal;">Indicibili
e Ineffabile”</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US">,
Millenium writers, Joker, Italy 1996 </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">-
</span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Cer
si pamant</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">,
Transilvania 1-2-3, Cultura Nationala, Romania 1996 </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda,</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">
</span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Ciel
et Terre Toi e moi, “</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;">Poesia,
Mito, Utopia”</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>,
VIII </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">Biennale
di Poesia di Alessandria, Joker, Italy1996 </span></span></span>
</div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>The
Landscape of my Soul </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">XIV
Biennale di Poesia di Alessandria, Poeti e Paesaggi, Joker, Italy
2008 </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR">-</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>Chrysalis/Grail,
Reflections of an Object of Truth, </i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">Verita
e</span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="text-decoration: none;"><b>
</b></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="text-decoration: none;"><span style="font-weight: normal;">Dubbio
2004, XVII Bienale di Poesia di Alessandria, Joker, 2004.</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="text-decoration: none;"><span style="font-weight: normal;">P.
Kasda,</span></span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="text-decoration: none;"><span style="font-weight: normal;">
2</span></span></i></span></span></span><sup><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="text-decoration: none;"><span style="font-weight: normal;">nd</span></span></i></span></span></span></sup><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="text-decoration: none;"><span style="font-weight: normal;">
Biennale of Beijing, the fatal leap from aesthetic vision to ethical
action, </span></span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="text-decoration: none;"><span style="font-weight: normal;">Journal
of the Greek Chamber of the Arts n. 114, Athens 2005</span></span></span></span></span></div>
<div align="LEFT" style="margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="el-GR"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">V</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><i><span style="font-weight: normal;">ertical
link to the principle of renaissance</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">,</span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-style: normal;"><span style="font-weight: normal;">
“Colors and Olympism” </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">Third
Biennale of Beijing conference abstract 2008-</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">Gargling
Sky</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
ΕΕΤΕ Greek Chamber of Fine Arts journal nb.158, Athens 2009-</span></span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">P.
Kasda, </span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">The
Gergerian experience</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
2009 http://.</span></span></span></span></span><cite><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">www.artooth.gr/index.</span></span></span></span></span></cite><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">
</span></span></span></span></span>
</div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">P.Kasda,</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i><span style="font-weight: normal;">
concept of The Samothrace Game</span></i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">,
IDEA 2011.</span></span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<a href="https://www.blogger.com/null" name="6265546585025993071"></a>
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">P.
Kasda, </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><i>on
Mythical Foundation,</i></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">
Union of the </span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">Cultural
Associations of Evros, E.P.O.F.E Catalog 2010.</span></span></span></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB">
</span></span></span>
</div>
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<cite>
</cite><span style="color: navy;"><span lang="zxx"><u><a href="http://glypto.wordpress.com/2007/10/23/kasda-nuit-blanche/-"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span style="font-style: normal;"><span style="font-weight: normal;">http://glypto.wordpress.com/2007/10/23/kasda-nuit-blanche/-</span></span></span></span></a></u></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<cite><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">http://glypto.wordpress.com/2008/05/09/olympic-fine-arts-2008/
</span></span></span></span></span></cite>
</div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<cite>
</cite><cite><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-style: normal;"><span style="font-weight: normal;">http://glypto.wordpress.com/2008/02/14/polyxeni-biennale/-http://glypto.wordpress.com/2012/05/25/-<br />-http://glypto.wordpress.com/2007/05/28/kasda-kipelo/ </span></span></span></span></span></cite></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><b>Main
working sites:</b></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="color: navy;"><span lang="zxx"><u><a href="http://polyxenekasda/"><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;">http://polyxenekasda</span></span></a></u></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-US"><span style="font-weight: normal;">.
blogspot.gr</span></span></span></span></div>
<div align="LEFT" style="line-height: 110%; margin-bottom: 0cm;">
<span style="color: navy;"><span lang="zxx"><u><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span style="font-weight: normal;"><a href="http://uraniasgardens.blogspot.gr/">http://uraniasgardens.blogspot.gr</a>
</span></span></span></u></span></span><span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><span lang="en-GB"><span style="font-weight: normal;">
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<span style="font-family: "times new roman" , serif;"><span style="font-size: x-small;"><br /></span></span></div>
</div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-10207442264619069282012-08-06T08:01:00.000-07:002019-12-01T02:07:42.941-08:00Olympic Chrysalis Monument 04-12<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOIp54Fd7YQJFRs3sydOfDK1s7tCZ25AKeVLa97VFIXxMIJpnn0bTF_LLMurCG7h3LUife9iwoi_NyjRZ2D9KSy5_3Y-o5RhgBiNkEGDY56q4imVYk_JoU2hzft3Gl1YTucrrAGHyQ3fmQ/s1600/chrisalis.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOIp54Fd7YQJFRs3sydOfDK1s7tCZ25AKeVLa97VFIXxMIJpnn0bTF_LLMurCG7h3LUife9iwoi_NyjRZ2D9KSy5_3Y-o5RhgBiNkEGDY56q4imVYk_JoU2hzft3Gl1YTucrrAGHyQ3fmQ/s400/chrisalis.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><b>P<span style="font-size: xx-small;">oly</span> Kasda's Olympic Chrysalis Monument 2004, which hosted the OlympicFlame in Floisvos Park, Athens. photo by .D. Sacquegna 30/7/12</b></span></td><td class="tr-caption" style="text-align: center;"></td></tr>
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<span style="font-family: "comic sans ms" , cursive; font-size: x-small;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">"In
Greek, the Olympic Games are called Agones which means Agony, or, 'I
am 'striving towards Being' and this is why the champions were
venerated as Immortals. </span></span></span></i></span></div>
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<span style="font-family: "comic sans ms" , cursive; font-size: x-small;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">Chrysalis is a </span></span><span lang="el-GR"><span style="font-weight: normal;">
logocentric monument, generated by the numerical modelling of the Greek word ΧΡΥΣΑΛΛΙΣ, </span></span><span lang="en-US"><span style="font-weight: normal;">reminding
us that the Olympic Games were not 'games' of survival, but,
expressions of the Agony of trespassing, like the Chrysalis, the
instinct of survival itself".(P.<b> </b>Kasda, conference of the Beijing Biennale 2008)</span></span></span></i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdrpVt988PkyVKhBvz6BSEWgQjVmfNF1cO93Q_b8az1IuwSXCLtimcM8KM25MbDoUB0fST00YBXI7bwBgD_zB04cma3BcO8mfTB6TR-XpJGzhU0_EsoXhd7UIvxh5UaT-52XLbiU2Obpwv/s1600/polys+flag%252C+british+embassy%252C+beirut.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdrpVt988PkyVKhBvz6BSEWgQjVmfNF1cO93Q_b8az1IuwSXCLtimcM8KM25MbDoUB0fST00YBXI7bwBgD_zB04cma3BcO8mfTB6TR-XpJGzhU0_EsoXhd7UIvxh5UaT-52XLbiU2Obpwv/s1600/polys+flag%252C+british+embassy%252C+beirut.jpg" width="320" /></a></div>
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<span style="font-family: "comic sans ms" , cursive; font-size: x-small;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;">P, kasda's Chrysallis in British Embassy of Beirut, London Olympics 2012 </span></span></span></i></span></div>
<span style="font-family: "comic sans ms" , cursive; font-size: x-small;"><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="en-US"><span style="font-weight: normal;"> </span></span></span></i><span lang="en-US"><b> </b></span></span>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-39910570723970317632011-12-27T01:25:00.000-08:002014-11-10T02:48:33.375-08:00Tu vas a Tuva?<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTLKPY2-3d9j_S40JD3oAgI27OtN4BlgBD_FquoU7U3wrS0kFqyPBFbmYasHN7NCU3y7enYNiGkW3l7oFrjDOJcIWXWEjQUl5t_fG848lg4ikImBR8pVIj1NOOUkhT0-ZS-HwBKwtfYVMY/s1600/image058.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTLKPY2-3d9j_S40JD3oAgI27OtN4BlgBD_FquoU7U3wrS0kFqyPBFbmYasHN7NCU3y7enYNiGkW3l7oFrjDOJcIWXWEjQUl5t_fG848lg4ikImBR8pVIj1NOOUkhT0-ZS-HwBKwtfYVMY/s400/image058.jpg" height="334" width="400" /></a></span></div>
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<span style="font-size: small;"><b>Tu vas a Tuva?*</b></span><br />
<span style="font-size: small;"><b>oui, je vais a Ithaki</b></span><br />
<br />
<span style="font-size: small;"><b>Text by Polyxene Kasda </b></span><br />
<span style="font-size: small;"><b><br /></b></span></div>
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<span style="font-size: small;"><i> Ithaca you are always in my mind</i></span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;"><br /></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;"><b>Introduction </b></span><br />
<span style="font-size: small;">At the end of his life, R Feynman has lended a playful actuality to our primordial drive for adventure that pushes us to device Ulyssian ways to reach the ever receding Hercules' columns.</span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">For Feynman, this drive for perpetual navigation took the name of Tuva, a strange land in Mongolia trying out different ways, to reach it. When things were made easy for him to visit this far away land, he died ”still roaming with a hungry heart” </span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">His was a highly playful contemporary version of the transtemporal Homeric Ithaca, that has inspired poets, artists and writers throughout the ages, to create epics and chef d'oeuvres, driven by this Something Essential Missing.. </span></div>
<div style="margin-bottom: 0cm;">
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">This SEM element *is the agony that pushes us out of
our skin,,“peeling our image from the mirror”, as we grow out of
ourselves,heading towards Being. This self transcendent
process gives rise to the creation of culture within civilization. Civilization is based on survival issues, while culture is the act of challenging survival itself. </span></div>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">In this context, artists are asked to present their own version of Ithaki; their strategy for reaching this vital and lethal somewhere, that is and is not, avoiding any rationalizations that would undermine the inherent, in our human core, mystery. </span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">In our age of self scrutinization, where the very cognitive processes that shape our perception are highlighted to the point of being externalized and manipulated in the fields of genetics and artificial intelligence, this SEM element, engrailed in language, haunting us from the deepest recesses of our cognitive structure, that differentiates us from the animal kingdom and connects us to the stars, deserves our full attention </span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">What is it? a negative presence?* a positive absence? a black swan information of extra terrestral origin? An extended phenotype virus? A secret “même” imbedded <span lang="en-US">in</span> <span lang="en-US">language</span> itself?</span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">In our eonic age, in our meta-space of extended present, contemporary Ithaki can no more be a far away place, but, could be reached immediately through our tuning to the Here and Now.</span><br />
<span style="font-size: small;"><br /></span>
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<tr><td style="text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTL4XXv-9mpVlyGYkbkgfNjwotdcryrkmXq2IpsCj13mw7irF3JsJy6LMi24v2Bqd-zFzXbveVeUohaT7C7QvMH5AS6BwLFSmfol-IS1nlommvdCnykuRmM7K0r89biiv9j-WJAmJyaZE-/s1600/menir+araklis+anogi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTL4XXv-9mpVlyGYkbkgfNjwotdcryrkmXq2IpsCj13mw7irF3JsJy6LMi24v2Bqd-zFzXbveVeUohaT7C7QvMH5AS6BwLFSmfol-IS1nlommvdCnykuRmM7K0r89biiv9j-WJAmJyaZE-/s320/menir+araklis+anogi.jpg" height="213" width="320" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><i>Ithaca gave you a marvellous journey </i><i>without her you would not have set out</i></span><br />
<span style="font-size: small;"><i>She has nothing left to give you now</i> Constantin Cavafy</span></td></tr>
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<span style="font-size: small;"> This project can be considered as an open end experimental research in depth psychology and syncretic sociology.</span></div>
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<span style="font-size: small;">The destination for the realization of this Idea is the island of Ithaca</span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;">For the moment we can ride on the wave created by the formulation of the idea and follow its unfolding in the insufficiencies of spacetime.</span><br />
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<span style="font-size: small;"><b>Project description </b></span><br />
<span style="font-size: small;">A group of artists and writers are challenged to formulate their Odyssey, giving a modern version of their voyage. Symbolically, the project workshop takes the form of a voyage to Ithaki where they are asked to tune in the energies of this mythical site and to produce texts and works which will be presented after 10 days in the Ionian center of Kefalonia. They will be asked to produce a collective Map of the secret treasure on this island, having as a guide Odysseus, the Outis (the Nobody), a name bearing pain, happiness and this peculiar, polyform, predictive, intelligence called Mêtis.</span><br />
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<span style="font-size: small;">1-Inspired by R. Feynman's “ the quest for Tenna Tuva” (Utube video)</span></div>
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<span style="font-size: small;">2-S.E.M term coined, in 1990, by Poly Kasda to denote the essential human drive for quest, not to be confused with Structural Equation Modeling</span></div>
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<span style="font-size: small;">3. Lucian Blaga, Trilogie de la Connaissance, </span><br />
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<span style="font-size: small;"><b>***Tu vas a Tuva Project is copyrighted by Polyxene Kasda and PrimoPianoLivinGallery in Lecce, Italy.</b></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-1612359933919242812011-12-15T03:25:00.000-08:002014-10-08T23:19:36.454-07:00Project Miorita, Melusina and the Sphinx of Thebes 2007<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Miorita/
Melusina and the Sphinx of Thebes </b></span></span></div>
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Artooth team Project Kasda-Angelou 2007</b></span></span></div>
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<span style="font-family: Arial, sans-serif; font-size: x-small;"><b>Article by
Polyxene Kasda, dedicated to the memory of Vasiile Avram of
Sibiu.</b> </span>
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<span style="font-size: x-small;">
</span><br />
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">Arscenic, French
cultural association for the promotion and the diffusion of
digital arts, in the context of its wider project Areas of
Conflu(x)ence, had selected our telecommunications project,
Miorita, Melusina and the Sphinx of Thebes to be realized
simultaneously in the twin capitals of Europe 2007 Sibiu and
Luxembourg, meeting in Thebes of Greece </span></span>
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<br />
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Brief
description of the 2007 project</b> </span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">In order to
soothe the crash and to facilitate communication at a subliminal
level, we thought that an interchange should begin at the level
of their respective nursery songs and folk tales. </span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">Miorita, the
Romanian pastoral ballad gave rise to the concept of the <b>Mioritic
space</b>; the unconscious space shared by a culture that is
shaped by its natural landscape. </span></span>
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Miorita</b> the
ewe and <b>Melusina </b>the mermaid {Luxembourg} meet in <i>she
–who- binds</i>, the hybrid Sphinx of Thebes, as the passers
by- who are exposed to the sound of the folk tale of the other
city- are asked to answer, via an info kiosk, the question: </span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><i>What is ANTHROPOS?. </i></span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">The project
consists of two similar installations of pictures of human faces
and screens, one in each city. The participants are seen and
heard on the screens of the installation in the other city. </span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">The responses are
collected, via the info kiosk, directly, in our site which acts
as one more <i><b>area of confluence</b></i> for the project<i>.</i></span></span><br />
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Miorita</b> <br />In
the Romanian pastoral folk poem Miorita, its most enduring
cultural text with 900 variants, a shepherd boy is warned by his
beloved ewe, Miorita, that his fellow shepherds plan to murder
him and take his flock. Instead of resisting, he accepts his
fate, asking only that Miorita go in search of his mother and
tell her the story, not of how he was betrayed, but of how he was
married to the daughter of a powerful King. Thereafter, wherever
the ewe wanders, across the rivers of the Carpathian Mountains to
the Black Sea, she tells the story-not the true, unadorned facts
of death and betrayal- but a beautiful fiction of a transcendent
wedding αnd telling the story, she causes geography to spring
from myth. She is the storytelling shifting border whose story is
borderless and cosmic. </span></span>
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Melusina</b>
<br />Melusina,the wife of the founder of Luxembourg Count
Siegfried had one particular request, namely, that Siegfried must
leave her alone for one full day and night every month. All went
well for years and years, when on the first Wednesday of the
month, Melusina would retire into her chambers in the
‘casemates’; a network of caverns underneath the city, not to
be seen again until early light on Thursday. But one day,
Siegfried's peeped through the keyhole and saw Melusina lying, as
a mermaid, in the bathtub with a fishtail hanging over the rim.
Melusina recognised her husband through the door and jumped out
of the window into the river Alzette below, never to be seen
again. </span></span>
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Mioritic Space
<br />“spatiul mioritic</b>“</span></span><br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">Transylvanian poet
and philosopher Lucian Blaga argued that the ballads of Miorita
were reflected in the Romanian landscape, with the alternations
of accented and unaccented syllables representing the layout of
the Romanian environment He established the term "Mioritic
Space" for the Romanian character as defined by its
geography. </span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">An exile of
Ceausescu's Romania, Andre Codrescu sought to redefine what
Lucian Blaga called <i>Mioritic Space</i> into the idea that
thought is its own nation and the poet, forever in exile, is the
only creator of its shifting borders. </span></span>
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>The Hybrid</b> </span></span>
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">In our project,
the two folk legends/ Pastoral and Gothic spaces, interact and
interchange their characteristics, via cyberspace, creating a
hybrid cultural being, made of the interpenetration of the two
cultures. This unstable hybrid takes refuge in the ancient, well
established superhybrid: the Sphinx of Thebes, projecting back to
her Oedipus’ answer to her riddle and thus, <i>converting her
enigma.</i> </span></span>
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<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>What is the
human being?</b> </span></span>
<br />
“<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">What is that
which has one voice and becomes four-footed, two- footed and
three- footed?". <br />To the riddle of the Sphinx, Oedipus
answered: Anthropos {<i>the human being}</i>, destroying the all
powerful Hybrid with this word. His answer is “<i>insoluble in
concrete logic</i>” as Lucian Blaga would say; the human being
remains an unsolved mystery which renews itself continuously,
keeping us in <i>a constant state of creative crisis</i> and
while trying to solve it, each nation develops the specific
culture within its civilization, which is shaped by its Mioritic
space. </span></span>
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<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">Nowadays, all the
nations of the world, as if swallowed by the mouth of Zeus
{Dias}, migrate and crash in cyberspace {<i>Diadiktion </i>in
Greek means <i>net of Zeus/ internet</i>}, peeling off their
skin, searching for their common core; “<i>le noyau se
debarasse de son ecorce”</i> {L. Blaga} </span></span>
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<br />
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;">The confluence of
nations is a crash and interpenetration of worlds of different
spacetime perception and this differentiation generates a
“polystylistic universe”.</span></span><br />
<br />
<br />
<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>The world- on-
the- make, with the bits and pieces of all cultures is the
ultimate work of art of the 21<sup>st</sup> c. and we want to
participate in its creation. </b></span></span>
<br />
<br />
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<span style="font-family: Arial, sans-serif;"><span style="font-size: small;"><b>Once more Man,
who is undergoing a “mutational switch from a cultural paradigm
to another”, is called forth to redefine his identity in a
global nation, through an interchange of cultural landscapes.</b></span></span><br />
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<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><b>Synchretic
European Topology </b></span></span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><b>The
Sphinx project 2014</b></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"><b>by
Kasda & Angelou </b></span></span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">in
order to express the symbiotic aspirations of european thinking
engulfed in the chaotic remix of its diverging temporalities, we
propose the creation of a real/virtual ludic territory moulded by
the exchange of legendary elements characteristic of its regional
spaciotemporalities.</span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;"> For example, Melusina the legendary siren of
gothic Luxemburg, meets Miorita the lamb of the pastoral Romanian
topology to generate a gargoyle with a lamb's head and a siren's
tail that questions the stability of the hybrid european identity.</span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">As
area of confluence of these disparate elements we propose
She-who-binds antinomies in an indestructible formula; the mythical
Sphinx, guardian of Thebes, the city founded by Cadmus, on his
quest of his sister EUROPE </span></span>
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<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Thebes;
deep ontological topology cemented clumsily in a sick oblivion <span style="font-style: normal;"><b>
</b></span><span style="font-style: normal;"><span style="font-weight: normal;">that
obliterates deliberately the ontological nature of the human being. </span></span></span></span>
</div>
<div style="font-style: normal; font-weight: normal; margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">What
is ANTHROPOS? </span></span>
</div>
<div style="font-style: normal; font-weight: normal; margin-bottom: 0cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">We
reflect back Oedipus' answer to the Sphinx' lethal riddle,
intensifying it with this echo </span></span>
</div>
<div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; margin-right: 2.06cm;">
<span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Our
answer will open or close the fantasmic gates to Thebes, city
founded on the quest of Europe. </span></span>
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<span class="watch-title watch-editable" dir="ltr" id="eow-title" title="topologie syncretique europeenne">topologie syncretique europeenne</span></h1>
<h1 class="western">
<span style="font-size: medium;"><b>Vers une topologie
syncretique Europeenne 2014</b></span></h1>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">Pour exprimer les
aspirations de symbiose profondes de la pensee europeenne
engouffree dans le remixage chaotique de temporalites
divergentes, la communication devrait être restoree au niveau
subliminal.</span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">L' idee serait de
creer un territoire ludique, virtuel et reel, moule par un
echange d'elements legendaires, characteristiques aux diverses
regions spaciotemporelles. </span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">Par example, Melusine,
la sirene legendaire de l'espace gothique Luxemburgois et
Miorita, la brebis de la ballade pastorale Roumaine, se
rencontrent dans une gargouille a la tête de brebis et queue
de poisson, qui questionne la stabilite de la configuration,
hybride, europeenne.. </span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">On propose, comme
point de fusion, de ces elements, celle-qui-renoue les antinomies
dans une formule indestructible, la Sphinx mythique qui garde
l'entree de Thebes, cite fondee par Cadmus, en recherchant sa
soeur EUROPE- </span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">Thebes, topologie
ontologique, cementee dans un oubli malade impose par le
'Procuste etatique', qui, selon Blaga, “poursuit deliberement
la defiguration ontologique de l 'Homme.”</span></div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">Qu'est ce que l'Homme?
</span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;"><span style="font-family: Times New Roman, serif;">O</span><span style="color: black;"><span style="font-family: Times New Roman, serif;"><span lang="el-GR">n
renvoie la reponse d' Oedipe a l Enigme fatale du Sphinx l'
intensifiant avec cet echo.</span></span></span></span></div>
<div lang="el-GR" style="margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;">Qu'est
ce 'Anthropos'? </span></span></span>
</div>
<div style="margin-bottom: 0cm;">
<span style="font-size: medium;">Etons-nous prets a
devoiler l'Idee profonde que Thebes, fondee sur la recherche
d'Europe, porte dans ses entrailles, comme un Enfant; l' Enfant
qui assiste la naissance de l'Homme Primordial dans ses rites
Cabiriques. L'archetype de l 'Enfant, organe psychique, selon
Young, se devoile aux temps eoniques, transitoires, pour relier
notre present a nos racines spirituelles et nous guerir. </span>
</div>
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“<span style="font-size: medium;">L Eon est un Enfant
qui joue “. (Heraclete) ...</span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-68988490365290801582011-07-12T04:23:00.001-07:002017-01-10T09:21:49.269-08:00PXK recycling old staff with recycled 'emballage' patches<div dir="ltr" style="text-align: left;" trbidi="on">
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I found in the recycling trash an old chair and an old tripod relic from a small table</div>
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I placed a rectangular glass on the tripod and covered it with a layer of PXK extension</div>
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then I added more layers pf PXK patches</div>
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then, I covered the chair with PXK extensions</div>
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and there was my PXK precious chair<br />
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PXK recycled corner</div>
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<span style="font-family: "comic sans ms" , cursive;"><span style="font-size: medium;"><b>PXK
extensions patches</b></span></span></div>
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<span style="font-family: "comic sans ms" , cursive;">PXK,
is recycled aluminum foil, handcarved and processed to look like the
fossilized surface of rocks, sunk in</span><span style="font-family: "comic sans ms" , cursive;"><span style="font-weight: normal;">
the sea bed of time, as detected from some point in the future. The
repeated spiral pattern is hypnotic in its creation and in its immersive aura effect. </span></span>
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<span style="font-family: "comic sans ms" , cursive;">PXK
is flexible enough to become a dress and resistant enough to
withstand extreme weather conditions as an open air monument. It is
very light, ideal for travelling big distances and once unrolled, it
can cover huge surfaces. </span>
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<span style="font-family: "comic sans ms" , cursive;">PXK
makes ordinary trash objects look much older, transforming them, into
unique and precious, calcified remnants of a civilization, which has
underwent a self-trespassing leap, to 'anywhere else'..</span></div>
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<span style="font-family: "comic sans ms" , cursive;"><span style="font-weight: normal;">PXK
material has numerous applications; it can be used in mending shoes,
jackets etc. For e.g. my PXK gilet was part of the Tashkent Biennale
07, my PXK dress was in the Olympic Fine Arts, Beijing 08, or, it can
be used to create open air monuments </span></span>
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<span style="font-family: "comic sans ms" , cursive;">like
my Chrysalis Monument in Flisvos, Athens, 2004.</span></div>
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<span style="font-family: "comic sans ms" , cursive;"><span style="font-weight: normal;">PXK
recycled items can be re-recycled to suit other installations. PXK
installations are, usually, slightly, changing colors and texture, as
they are mended with new PXK extensions, adding to the concept, the
lively factor of corrosion.</span></span></div>
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<span style="font-family: "comic sans ms" , cursive;"><span style="font-size: x-small;">Apart
from being the initials of my name, PXK happens to be the scientific
name of a homo sapiens mutation- related gene. PXK stands for the
skin shed behind, in a self-surpassment leap.</span></span></div>
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<span style="font-family: "comic sans ms" , cursive;"><b><span style="font-size: medium;">PXK
Route 2004-2012 World installation</span></b></span></div>
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<span style="font-family: "comic sans ms" , cursive;">PXK
ROUTE world installation is realized through my participation in big
international events. It is an anti-system, tunnelling in the real
world, through the system. Thus, each local PXK presentation is part
of the wider planetary installation PXK ROUTE 2004-2012, extending on
the 'geographical palette of different cities'. </span>
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<span style="font-family: "comic sans ms" , cursive;">Each
PXK installation is a stimulus for research in the cultural
uniqueness of each landscape. It is also a research tool in its
social system of communication and projects realization and an
opportunity to trigger local participation. </span><br />
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<span style="font-family: "comic sans ms" , cursive;"><i><span style="font-weight: normal;">PXK
ROUTE global installation {2004-11- } </span></i></span><span style="font-family: "comic sans ms" , cursive;"><span style="font-style: normal;"><span style="font-weight: normal;">is
extending from the </span></span></span><span style="font-family: "comic sans ms" , cursive;"><i><span style="font-weight: normal;">Olympic
Chrysalis monument, </span></i></span><span style="font-family: "comic sans ms" , cursive;"><span style="font-weight: normal;">Athens
04, to Italy {Βiennale di Poesia di Alessandria 04}, Cyprus {
Chrysalis monument, N. Leucosia 05}, China {2nd Biennale of Beijing
05}, Syria { FMC 06}, Uzbekistan {4rth Biennale of Tashkent 07},
France {Nuit Blanche, Anvers-aux-Abesses, Paris 07}, China {Olympic
Fine Arts 08}, Greece (Municipal Collection Gargling Sky Crete 09,
DESIGN 11 Municipal Pinacotheque of Athens)... </span></span></div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-88034951946314751102011-07-04T07:58:00.000-07:002017-01-10T09:23:09.884-08:00Code Lexomorphes; iconic dimension of Greek language.<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: blue;"><b>CODE LEXOMORPHE </b></span><br />
<span style="color: blue;"><b>Numerical modelling of Greek words </b></span><br />
<span style="color: blue;"><b>on the edge of truth and deceit </b></span></div>
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<span style="color: blue;"><b>by</b></span></div>
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<span style="color: blue;"><b>POLYXENE KASDA</b></span></div>
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<span lang="en-US"><b>Could</b></span><b> a word swallow you </b><span lang="en-US"><b>in its invisible orbits, toss you up and down until it empties you, structure you according to its image and throw you out, while it remains indifferent, unchanged?</b></span></div>
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<b>End of the eighties. I had just published my interdisciplinary essay The Conscious Eye, an eye that sees itself seeing, thinking itself thinking as it undergoes the crisis of self consciousness that sealed the arts and sciences of the XXth c. and revealed the linguistic sub-scaffold of visual reality </b></div>
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<span lang="en-US"><b>I was left with a sense of dissatisfaction: something deeper was still exerting its irresistible attraction on me, something essential was missing (SEM, as I call it)) and </b></span><b> </b><span lang="en-US"><b>I knew that I had to go through it in order to go beyond it and be delivered from its insisting pressure. Only through 'methexis' can you comprehend, without undestanding, those matters of the soul and my art allows me to give tangible form to those unreachable states of being, on the edges of logic, where I breathe more freely. </b></span></div>
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<span style="font-size: x-small;"><span lang="en-US"><b> performance Persephone in the temple in the bottom of the Lake of Mornos </b></span></span><span style="font-size: x-small;"><b>1990</b></span></div>
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<span style="font-size: x-small;"><b>photo doc. Stefanos Samios</b></span></div>
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<b>I decided to surrender to this SEM irresistible attraction and it dragged me in the bottom of a Lake. I found myself inside my own reflection, trapped in the other side of the mirror. The scenery was the bottom of the Lake of Mornos (in Lidoriki, on the way to Delphes) which had surfaced, for a while, in 1990, because of the drought, revealing an ancient city, a village and a sumptuous stone church, all dressed in oysters.</b><span lang="en-US"><b> </b></span><br />
<span lang="en-US"><b>Instinctively, I headed to the altar and</b></span><b> </b><span lang="en-US"><b>I started digging in the mud as though I were looking, blindly, for something in the dark. My tentative movements gave rise to hundreds of primordial earth sculptures, which I instinctively named Chrysalii. I did not know it then, but I was dunk inside a vortex; a warped dimension, that was about to change my life. </b></span> </div>
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<b>My internal and external landscape had fused and I had the impression of stepping inside myself in a soft, spongelike, space of presence; In fact, I was captured in the force field of the word Chrysalis, which had, imperceptibly, swallowed me like a shark hiding behind its own light.</b><br />
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<tr><td class="tr-caption" style="text-align: center;">Chrysalii installation in the bottom of the Lake of Mornos 1990. photo Samios </td></tr>
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<span lang="en-US"><b> This performance was followed by a series of parallel installations of the Chrysalii mud sculptures, around the globe with the creative interaction of artists and scientists, who installed them in around 300 spots around the world, </b></span><b> </b><span lang="en-US"><b>in </b></span><b>27 </b><span lang="en-US"><b>countries (project launched in the Meeting of the Worlds in Joensu, Finland 91). The Chrysalii were fractal clones of the same Chrysalis which had demonstrated the 'butterfly effect'; the power of its own entelechy.</b></span></div>
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<span lang="en-US"><b>Soon, the resulting biodegradable, global, 'geocaching' installation melted in the rain, leaving behind the spectral dimension of its transformative name Chrysalis. Thus, I moved, in </b></span><b>1990, </b><span lang="en-US"><b>from the bottom of a lake, into the planetary dimension, without the use of high technology; without the help of internet (in early nineties, the fax was still considered as a breakthrough). </b></span><b>The</b><span lang="en-US"><b> magnetic word was carrying me, like a spaceship, from the bottom of the waters to the aeronautic dimension of the future present. </b></span><br />
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<span lang="en-US"><b>In the context of the structural exhibition, in the Municipality of Athens, titled Concept/Form, in</b><i><b> 1991, </b></i></span><span lang="en-US"><b>I knailed the letters of the Greek word ΧΡΥΣΑΛΛΙΣ, on a horizontal board laying on a mirror and I pulled out of each letter, strings, with lengths analogous to their ancient numerical charge. “number is the wisest of beings and second in wisdom is the name-maker”, according to Pythagoras. At the quantum level there are only numbers, anyway.</b></span></div>
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<span style="font-size: x-small;"><span lang="en-US"><b>Lexomorphe Chrysalis </b></span></span><span style="font-size: x-small;"><b>ΧΡΥΣΑΛΛΙΣ (</b></span><span style="font-size: x-small;"><span lang="en-US"><b>Homage</b></span></span><span style="font-size: x-small;"><b> </b></span><span style="font-size: x-small;"><span lang="en-US"><b>a</b></span></span><span style="font-size: x-small;"><b> </b></span><span style="font-size: x-small;"><span lang="en-US"><b>Stazewski</b></span></span><span style="font-size: x-small;"><b>, Concept/Form, 1991}photo S.Samios</b></span></div>
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<span style="font-size: x-small;"><b>Horizontal configuration</b></span></div>
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<span style="font-size: x-small;"><b>The vertical geometrical configuration of the word Chrysalis </b></span><br />
<span style="font-size: x-small;"><b> breeds the momentous form of the Grail </b></span><br />
<span style="font-size: x-small;"><b>is language growing space points connected with the gravity of the word?</b></span><br />
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<b><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyL0wwQsi1HWKjInEpsC436dwsoI4FcO7JaTn45MqNamhjK6cZEW8U5-m5H1I2BM8RipdtMFDmh7huTM1aHDrTxInKfR3MvbLoz0_IsnKPaK6GBK2f-ZRnfLsHVW3LPZvZV5qckGORkUV8/s1600/10dynamo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><b><img border="0" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyL0wwQsi1HWKjInEpsC436dwsoI4FcO7JaTn45MqNamhjK6cZEW8U5-m5H1I2BM8RipdtMFDmh7huTM1aHDrTxInKfR3MvbLoz0_IsnKPaK6GBK2f-ZRnfLsHVW3LPZvZV5qckGORkUV8/s400/10dynamo.jpg" width="200" wt="true" /></b></a></span></b><span lang="en-US"><b> Continuing my experimentation, I lifted the board with the word </b></span><b>ΧΡΥΣΑΛΛΙΣ </b><span lang="en-US"><b>in a vertical position, I pivoted the constructionand the form of the Grail emerged. </b></span><br />
<span lang="en-US"><b>Was the archetype of eternal quest shrouded </b></span><b> </b><span lang="en-US"><b>in the numerical orbits of a Greek name which, according to Anaxagoras, is a “Speaking Sculpture”? Was it the very archetype of eternal quest that had hurled me in this quest?</b></span><br />
<span lang="en-US"><b> True or false, in my self-consistent story, it made sense; archetypes are the generic source of ideas, that may, or, may not find their way in the insufficiencies of spacetime. The weird thing is that you cannot be conscious of their workings unless you recreate them from inside out, swallowed in their vibrational belly. Archetypes are ever promiscuous and ever virgin; they are always new.</b></span></div>
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<span lang="en-US"><b>Lexomorphe Chrysalis was to become, 14 years later, in 2004, an Olympic, logocentric monument, which connected vertically, the event of the return of the Olympic games to their seed principle of Dionysian regeneration, seeded in 14</b></span><sup><span lang="en-US"><b>th</b></span></sup><span lang="en-US"><b> BC Arcadia Lykaia games, in which, the champion, like a chrysalis, on the verge of life and death, trespassed, with a leap of self- hypervasis, his mortal condition and was venerated as an Immortal, regenerating, through resonance, the natural world with this act.The olympic games are not games of survival, but, contests of trespassing the instinct of survival itself. In Greek they are called Olympic Agones; the agony of striving towards Being.</b></span></div>
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<span lang="en-US"><span style="font-style: normal;"><b>In the internal coherence of my system, the whole 'Grail' adventure (1990-2004- ) was encapsulated in my </b></span></span><span lang="en-US"><b>ritual performance, in the sunken altar of Mornos lake, in 1990.</b></span><br />
<span lang="en-US"><b> The Word itself seemed to be endowed with the power to stretch the idea from its atemporal inkbed into the insufficiencies of spacetime. </b></span><br />
<span lang="en-US"><b>Was the word Chrysalis a warped passage to our fourth dimension? Was its Grail-like shape analogous to its 'spectral dimension' while touching the building blocks of spacetime? </b></span><br />
<span lang="en-US"><b>Through art I could play and tinker concretely with abstract ideas and get insights into the true nature of things "which likes to hide"(Heraclites). </b></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><b>the word monument Chrysalis hosts the Olympic Flame, Floisvos, Athens 2004 </b></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><b>peformance Persephone in the temple in the bottom of the lake 1990</b></span></td></tr>
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<span lang="el-GR"><b>T</b></span><span lang="en-US"><b>he</b></span><span lang="el-GR"><b> numerical scaffold of </b></span><span lang="en-US"><b>the word</b></span><span lang="el-GR"><b> ΧΡΥΣΑΛΛΙΣ 2004 </b></span><span lang="en-US"><b>was dressed, for the Olympiade, with my innovative material PXK; a lace-like, flexible and light, aluminum-based material, named after the initials of my name, which, coincidentally, turned out to be the scientific name of a homo sapiens gene connected to mutation. It was the Human Genome year 2003.</b></span><br />
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<span lang="en-US"><b>The next five years I was busy realizing the open-ended planetary installation </b></span><b> </b><span lang="en-GB"><b>PXK</b></span><b> </b><span lang="en-GB"><b>ROUTE 20</b></span><b>04-09-. </b><span lang="en-US"><b>The planet had shrunk to the size of my home: I was starting a PXK installation in the Biennial of Beijing 05, to continue it, after a few days in the Biennial of Poetry in Italy, to extend it to the Biennial of Tashkent 07 and the next day to continue the installation in the White Night event, in Paris 07.....</b></span><b>It was a thrilling, skin-shedding adventure, carrying rolls of PXK under my arm, travelling throughout the globe, leaving behind, PXK extensions, converting old things, into still older and precious works of art, like the Midas touch. </b><span lang="en-US"><b>PXK became the symbol of the Biennial of Poetry in Alessandria, Italy 04, titled Truth and Deceit and in 2008 my PXK dress was awarded a golden medal in the Olympic Fine Arts of Beijing. The whole installation </b></span><span lang="en-GB"><b>PXK</b></span><b> </b><span lang="en-GB"><b>ROUTE, which looked like a fossilized remnant of a lost civilization, detected in the sea bed of time, from some point in the future, </b></span><span lang="en-US"><b>was presented in the international symposium organized by the Biennial of Beijing 2008. </b></span> </div>
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<b>It was obvious to me, by then, that whatever was related to the word Chrysalis had the winged dimension of the butterfly; the Logos (reason to be) which gave meaning to the Chrysalis' life and death. Is language the career of our entelechy?</b></div>
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<span lang="en-US"><b>In the same way, the Greek word Psyche/ </b></span><b>ΨΥΧΗ</b><span lang="en-US"><b> revealed, through its numerical modelling the form of a butterfly,</b></span><span lang="en-US"><b> the word </b></span><b>ΜΈΔΟΥΣΑ</b><span lang="en-US"><b>/Medusa generated a spinning wheel, image of mental acceleration (Gorgon)</b></span><b>. </b><span lang="en-US"><b>The word </b></span><b>ΑΝΘΡΩΠΟΣ </b><span lang="en-US"><b>generated an Eagle, symbol of the Spirit. The word</b></span><b> </b><b>ΟΝΟΜΑ</b><span lang="en-US"><b>/Name took the form of an amphora; the container</b></span><b> </b><span lang="en-US"><b>that gives form to the void .</b></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><b>DAKRY (teardrop)</b></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">ANTHROPOS</td></tr>
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<span style="font-size: x-small;"><b> MEDOUSA</b></span><br />
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<b>Always on the edge of truth and deceit, like all this story, the Lexomorphes have something of the Troubadours' Gai Savoir, with the double ambivalent meaning. They feed the elusive Erotimatikon which snowballs, like its derivative Eros, keeping us in creative tension. </b></div>
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<b><span lang="en-US">The Lexomorphes are a polysemantic code that could be carved on rocks, just in case of, God forbid, nuclear disaster, or, on space-communication plates. It is a meaningful information system tool<span style="font-size: x-small;">,</span> which can be easily programmed in the computers, maybe as a tribute to the ancient Greek computer of Antikythera. </span></b><br />
<b><span lang="en-US">Code Lexomorphes is an elegant information code, deeply rooted in our Pythagorean cultural heritage. True or false it is a way to create a self-consistent system that generates ontological and formalistic questions.. </span></b><br />
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<span style="font-size: xx-small;"><b>ΟΝΟΜΑ, ΕΛΠΙΔΑ, ΨΥΧΗ, ΑΝΘΡΩΠΟΣ</b></span><span style="font-size: x-small;"><span lang="en-US"><b>/ name, hope, psyche, anthropos</b></span></span></div>
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<span style="font-size: x-small;"><b>Lexomorphes applications by P. Kasda, A. Papantoniou, A. Sitra</b></span></div>
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<b>Number sets, according to Banach -Tarsky, can cross dimensions, re-scaling without losing their characteristics. The Lexomorphes are number configurations that help us understand the gravity of words. </b></div>
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<b>According to Heraclites «t</b><span lang="en-US"><b>he name is uttered from the invisible and it is a physical law". </b></span></div>
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<b>Fred Hoyle compares the letters of the alphabet to genes of cosmic origin which contribute in the evolution of life. For Burroughs, language is an extraterrestrial virus which tortures us but saves us from entropy.</b><br />
<b> Could language be an extra-dimensional virus; the Virus of MAN which transmutes us from animals to human beings? In Greek language, a process of self -birth is latent, a drive pushing us to </b><b> self-surpassing heroic fits, that</b><b> challenge our own survival needs. </b><br />
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<span style="font-size: x-small;">Architectural simulation applications of the numerical modelling of the word ΑΝΘΡΩΠΟΣ </span> </div>
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<span lang="en-US" style="font-size: x-small;">Poly Kasda -</span><span style="font-size: x-small;">Anna Sitra (architect)</span></div>
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<span style="font-size: small;"><span lang="en-US"><b>The Lexomorphes are elegant logocentric structures,</b></span></span><span style="font-size: xx-small;"><span lang="en-US"><b> </b></span></span><b> </b><span lang="en-US"><b>which could be embedded in the urban architecture, for a renormalization of our rhythm, which is systematically, disrupted by the systems of power</b></span><b> . </b></div>
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<span lang="en-US"><b>Walter Benjamin had sustained</b></span><b> </b><span lang="en-US"><b>that the seat of ontological experience is language.</b></span></div>
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<span lang="en-US"><b>Here, I deposit a parcel of my adventure in the morphic fields of a word-that-swallowed me; a game of hide and seek with the Zopyron; the 'Fire' that makes us grow out of ourselves, creating</b></span><span lang="en-US"><b> culture within civilization; Culture is based on open possibilities and self -hypervasis, Civilization is based on self maintenance and survival needs (L. Blaga). In Greek language these two words coincide: 'Politismos'.</b></span></div>
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<span lang="en-US"><b>Survival without self-supercedence, is not possible, in Greek culture</b></span><b> </b> </div>
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<span lang="en-US"><b>Truth/</b></span><b> αλήθεια means</b><span lang="en-US"><b> fishing for the divine/</b></span><b> «θεία άλη». </b><span lang="en-US"><b>Greece follows, incessantly,</b></span><b> the muddy </b><span lang="en-US"><b>steps of God. Our language reflects the</b></span><b> </b><span lang="en-US"><b>Horrible Mystery of the fractal fission</b></span><b> </b><span lang="en-US"><b>of this 'indescribable Logos' from </b></span><b> Α το Ω, </b><span lang="en-US"><b>in which Being, or, PAI, dies and is, uninterruptedly, reborn.</b></span></div>
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<span style="font-size: xx-small;">synthesis of Lexomorphes ONOMA, PSYCHE, ELPIDA, ANTHROPOS</span></div>
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<span style="font-size: xx-small;">(Kasda-Sitra- Papantoniou) </span><br />
<span style="font-size: x-small;">On August 22 NASA's Mars rover Curiosity has left a dot Morse code track on Martian soil.</span><br />
<span style="font-size: x-small;">Here,
I propose an elegant code rooted in ancient Greek Pythagorean
tradition. </span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: x-small;">“<i>In
the Australian Kalkatoungou aborigine dialect, the word for ‘eye’
stands also for ‘seed/ star/ raindrop’, that is the analogical
way the aborigine embed themselves in the world. This netlike
approach was similar to what was happening in the Magistrus kitchen,
around the table covered with plums, olives, bread and endless
coffees; we were treating the void as solid water: Huge
word-structures, were rising like alien ship prows, opening up into
other word structures; the world was transformed into a holographic
acropolis of talking sculptures, sliding on infinite layers, which
started from the everyday things to reach a realm of ideas in the
depths of my memory, lying anywhere else, outside my brain. In fact,
we were creating a meta- space, with transcendental
coordinates, hovering above the usual space”.</i></span><span style="font-size: small;">
<span style="font-size: x-small;">P. Kasda {</span></span></span><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">ex<span style="font-size: x-small;">tract from </span><i>The
word that swallowed me</i></span><span style="font-family: "times" , "times new roman" , serif; font-size: x-small;">,
unedited}</span>
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<span style="font-size: x-small;"><span lang="en-US"><b>-Code Lexomorphes was first presented in Greece in the congress on Greek language </b></span></span><span style="font-size: x-small;"><b> 2009, </b></span><span style="font-size: x-small;"><span lang="en-US"><b>organized by the Chamber of Visual Arts </b></span></span><span style="font-size: x-small;"><b>ΕΕΤΕ </b></span><span style="font-size: x-small;"><span lang="en-US"><b>in the ancient Parliament, with the support of the Greek Ministry of Culture. </b></span></span></div>
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<span style="font-size: x-small;"><span lang="en-US"><b>- In the congress Urania's Gardens, for the Year of Astronomy 09, in the Cultural Center of the Municipality of Athens, Code Lexomorphes was proposed as a code for interspace communication </b></span></span><br />
<span style="font-size: x-small;"><span lang="en-US"><b>- Project-research Lexomorphes was first published in Poesia e Spiritualita, Italian review, issue 1. </b></span></span><span style="font-size: x-small;"><b> </b></span> </div>
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<span style="font-size: x-small;"><b>- The digital illustrations of the Lexomorphes were made by gameimager Antonis Papantoniou.</b></span></div>
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<span style="font-size: x-small;"><b>@ </b></span><span style="font-size: x-small;"><span lang="en-US"><b>Polyxene Kasda</b></span></span><br />
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0tag:blogger.com,1999:blog-5323622935035104766.post-16566644159768626022011-03-28T02:12:00.000-07:002015-02-25T03:05:03.457-08:00Polyxene Doodling Perturbations of a probabilistic mind<div dir="ltr" style="text-align: left;" trbidi="on">
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PAI 2010 EPOFE Collection for the Municipality of Samothrace</div>
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Olympic Doodling, Third Biennale of Beijing collection 2008</div>
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<b>Doodling </b> </div>
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My Doodles are magnified notebook, automatic, insightful sketches, which I fevereshly create when I am in this (usually unconscious) in-between state of things, in-between projects, in the subtle field of open possibilities and dancing probabilitlies. In these sketches, I can detect secret unconscious processes, reaching, sometimes, deep, atemporal levels lurking in the suggestive hum of my life. The selected doodles are, then, processed, intuitionally, with bright colors in Photoshop. They are, finally, printed on frameless transluscent membranes, stressing their in-between, unfinished, dynamic, momentus state. Doodling is a relaxing, authentic technique of self-revealing fun.</div>
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Greenfeast 275cmX300cm </div>
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Croisees d'Arts 2009, Municipality of Chateau-Landon, France</div>
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Design 2009, House of Cyprus, Athens</div>
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PrimoPiano LivinGallery 2010, Lecce, Italy</div>
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Flag exhibition UNESCO 2012, Beirut, Lebanon </div>
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Doodling during my phone discussions with AI man 2014 </div>
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Urania's Gardenshttp://www.blogger.com/profile/07009810356502494428noreply@blogger.com0